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1.
包装图形的视觉特性及机能性   总被引:1,自引:1,他引:0  
柳林  姚建平 《包装工程》1996,17(4):28-30
从视觉传达功能性来阐述图形在包装设计表现上的视觉特性,表现模式及图形的机能作用。  相似文献   

2.
警示性图形在香烟包装设计中的表达方式   总被引:1,自引:1,他引:1       下载免费PDF全文
朱丹丹 《包装工程》2013,34(8):109-112
分析了警示性图形在香烟包装设计中的主题、表现手法和应用方法,并结合市场中各国的香烟包装,论述了警示性图形在香烟包装设计中的特点,分析了中外香烟包装中警示性图形的现状及发展趋势,在此基础上,提出了香烟包装设计中的警示性图形不能局限于采用“恶心”“恐怖”的图形,也应采用一些“健康”的信息图形。  相似文献   

3.
《中国新包装》2008,(1):25-26
在当今,产品在包装设计中巧妙地运用图形的各种表现手法作为商品包装的设计元素,使商品包装有较强的时代感,尽显商品品牌的个性特征,对商品的流通、销售具有积极推动作用。包装中的图形就其表现形式可分为3种类型:具象图形、抽象图形和装饰图形。  相似文献   

4.
肖峡 《湖南包装》2004,(2):14-15
“装饰”这个词,其形式和内容涉及的范围很广,从传统的民间工艺图案、传统装饰图形到现代装饰图形、现代图形创意;从具象的素描、夸张变形到装饰性绘画、装饰意象表现及抽象构成;从传统的装饰工艺到现代装饰材料和技术。广泛地应用于现代设计之中。  相似文献   

5.
李雅  李光安 《包装工程》2018,39(10):226-230
目的包装图形作为包装设计上的重点,如何突破向来让设计师感到棘手。改变图形不如改变思维,创意思维的运用可以让包装图形产生巨大的生命力。为了提升在包装图形设计过程中创意性思维的能力,改善包装图形的单一表达方式。方法采用理论研究结合实际案例分析的方式,深入分析创意性思维在包装图形上的思维方法。结果通过具体形象思维中的模仿法、想象法、组合法、移植法等创作出包装上的具象形象,更可以通过创新性思维中的发散思维、收敛思维、逆向思维等不同的思维方式创造出出其不意的视觉效果,使得包装不仅是保护商品,而且成为产品最佳的广告代言人。结论透过多样性的思维方式可以获取更多的包装设计方法,提升包装设计的新颖性。  相似文献   

6.
陈香山 《包装工程》1997,18(2):139-141
对构成商品包装外观形象必不可少的色彩,文字。图形等要素在包装设计中的运用进行剖析,研究。  相似文献   

7.
在对手如林的商战中,现代包装与广告纷杂繁复,平淡无奇的图形只会淹没在广告的海洋中,不会给人留下多少印象。而构思新奇,创意独特,充满着轻松诙谐氛围的趣味性图形,却能给人留下极为鲜明深刻的印象。社会生活节奏的加快,繁忙紧张的工作,人们往往讨厌乏味的说教,冗长的解说词,而趣味性的图形却能创造一个轻松诙谐的气氛,松弛紧张的神经,使人在愉快的心情下自然而然地接受商品信息。现代包装与广告设计中图形的趣味性表达手法丰富多样,它有时表现为生活中某些富于喜剧性的情节场面;有时表现为一种荒诞而新奇的视觉感觉;有时又…  相似文献   

8.
《广东包装》2008,(2):I0054
在儿童食品的选择上,给人第一视觉效果的包装色彩更能打动消费者,然后才是图形和说明文字。所以在儿童食品的包装设计中,需要合理准确使用包装色彩。  相似文献   

9.
符号化图形--包装设计新趋势   总被引:4,自引:4,他引:0  
陈琪莎 《包装工程》2003,24(6):163-164
符号作为一种高度精练的标志和象征图形,具有表现力丰富和形态简洁的特征。利用符号的这些特征,设计者能很好地用简单的图形充分表达诉求。因此,在生活中发现、提炼和选择出各种符号,并将其应用到简约化包装设计中,将成为简约包装设计的新趋势之一。  相似文献   

10.
《中国包装》1998,18(5):69-69
目前计算机在国内包装厂家的应用还大多集中在彩色桌面系统,在盒形结构设计方面基本上还是空白,通常采用的方法是用流行的图形软件画盒形,存在的问题是重用性差、效率低、重复性劳动多、经验成份大。随着客户对包装盒成型质量要求的提高,包装厂家加强了对盒形结构的重...  相似文献   

11.
Resistance spot welding characteristics of martensitic sheet steel (M190) was investigated using a peel test, microhardness test, tensile shear test and fatigue test. Tensile shear test provides better spot weld quality than conventional peel test and hardness is not a good indicator of the susceptibility to interfacial fracture. Unlike DP 600 steel, the maximum load carrying capability is affected by the mode of fracture. At high load low cycle range, weld parameters have a significant difference in the SN curves. But, almost similar fatigue behaviour of the spot welds is noted at low load high cycle range. However, when applied load was converted to stress intensity factor, the difference in fatigue behaviour between welds and even DP 780 steel diminished. Furthermore, a transition in fracture mode, that is, interfacial and plug and hole type at about 50% of yield load were observed.
[* Note: Correction made on 16 Aug 2010 after first publication online on 28 June 2010. The authors' affiliations were corrected. Under Results and Discussion, in reference to the HAZ hazardness in the ‘Micro hardness profile’ section, Figure 2 was changed to Figure 3. In reference to the welding parameters under ‘Tensile properties’ section, note that Figure 4 represents 7/200 and Figure 5 represents 5/300. In reference to the low cycles behaviour of S‐N curves in the ‘Fatigue’ section, Figure 5 was changed to Figure 6.]  相似文献   

12.
图形语言的多义性   总被引:3,自引:2,他引:3  
张军 《包装工程》2005,26(5):189-190,196
图形都有其特定的含义,称之为"图形语义".图形的语义大多以隐喻形式来表达,隐喻赋予图形语言多种含义,使其超越民族和国界,产生无穷的魅力.因个人的文化层次、民族语言、情趣、经验等因素造成的对图形的感知和理解差异也是客观存在的,对此作了分析与探讨.  相似文献   

13.
天津泥人张彩塑色彩规律研究   总被引:1,自引:1,他引:0  
运用现代计算机软件,对天津泥人张较典型的83件泥人作品的色彩进行分析和归纳统计,总结了天津泥人张彩塑在色相、纯度、明度3个属性上的配色特点,概括出天津泥人张用色的基本规律,进而结合泥人张彩塑实例对色彩规律进行论证。并提出运用现代计算机技术分析传统工艺,以此推进传统工艺的创新实践的方法,值得在其它传统工艺创新中推广。  相似文献   

14.
Abstract

Early photographs can reveal a wealth of information to the careful researcher, from details of dress to social customs, but occasionally the historian can be misled. Francis Frith, or one of his postcard agents, took a photograph of Polperro, Cornwall, in 1907 (Figure 1) and found it a little dull, so a fishwife was borrowed from an earlier picture of Newlyn (Figure 2) and transplanted into the Polperro scene (Figure 3). Frith's pictorial considerations overrode any concern for historical accuracy, and the fact that Pol perro had no such fishwives was of little importance.  相似文献   

15.
陆启军 《影像技术》2014,(3):21-22,18
目的:观察成人支原体肺炎CT表现,为临床诊断提供依据。方法:采用回顾性病例分析方法,对我院2012年6月-2013年6月确诊的58例支原体肺炎的CT图像进行整理与分析。结果:所有患者中,其中52例(89.66%)CT表现为结节状或小斑片状气腔实变影(见图1),双侧6例,单侧20例;45例(77.85%)表现为磨玻璃密度影(见图2),双侧12例,单侧33例;32例(55.17%)可见支气管血管束增粗;31例(53.45%)呈现树芽征(见图3),双侧5例,单侧26例;15例(25.86%)可见淋巴结肿大(见图4),42例(72.41%)患者的病变范围局限于单个肺叶之内。所有患者中16例(27.59%)患者的病变范围涉及两个以上肺叶,42例(72.41%)患者的病变范围局限于单个肺叶之内。结论:支原体肺炎CT表现特征性较为明显,可作为其诊断与鉴别诊断依据应用于临床实践之中。  相似文献   

16.
Strongly blue luminescent porous p-terphenyl-polystyrene films containing perylene was obtained on glass substrates using a simple Breath Figure method. The size and shape of porous with perylene load from scanning electron microscopy was seen to be decreased from 600 to 70 nm. However, the contact angle of films loading with perylene found to be increased with the decrease in pores size. This result is helped to propose a mechanism of Breath Figure formation. The fluorescence spectra of doped polystyrene (PS) films showed the characteristic monomer emission of perylene at 478 nm with simultaneous quenching of p-terphenyl fluorescence due to excitation energy transfer from p-terphenyl to perylene. The estimated values of the efficiency of energy transfer are found to be pore size dependant. The spectral results of quenching of p-terphenyl and simultaneously sensitization of perylene emission are in good agreements with the color seen in fluorescence microscope images and fluorescence life time measurements. The sensitization of blue emission from Breath Figure pattern of PS films is of current demand into the fabrication of micropatterning devices.  相似文献   

17.
Abstract

This enormous studio sample sheet, featuring nearly 850 famous faces, and figures, spread across seven feet of thin canvas, was perhaps displayed in the window or behind the counter of a photographic establishment, or carried to small towns in England and abroad by a travelling studio salesman, in the hope of satisfying a popular demand for pictures of the Royal Family, political figures, stage and music hall performers, and celebrities of the day1 (Figure 1). Each tiny photograph carries a number; there are about 32 of these reduced images on each 4 ½ × 5 ½ in. albumen print, and 27 such prints pasted along the length of the canvas. They appear to have been reproduced by photographing a composite layout of printed portraits, as the images lack the sharpness of prints made directly from the negative. The first in a series of portraits of a particular person is labelled, and successive numbered poses of that person follow, until the next series begins. Thus, Lilly Langtry is featured in 25 poses, in the upper left-hand corner of the canvas roll, (Figure 2) and in four or five other poses on two other albumen sheets. Queen Victoria is offered in ten different views, (Figure 3) and the very popular Princess of Wales in at least 25 (Figures 4 and 5). Almost all of these celebrated faces are English, although the youthful German Emperor is shown (see Figure 4). The pictures of the ‘Duke of York's Wedding Group’ enable us to date the prints as after 6th July 1893 (see Figure 5), so it is likely that these images were offered in Promenade size (7 ½ ? 3 ¾ in.) or Boudoir (8 ¼ × 5 in.) style, both of which were popular in the 1890s. However, the variety of studio settings and posing styles suggests that even older carte-de-visite and cabinet-card portraits were being enlarged and reissued in the larger formats popular in 1893.  相似文献   

18.
Chow  Julie Chi  Chien  Tsair-Wei  Chou  Willy 《Scientometrics》2022,127(5):2897-2899
Scientometrics - The article published on 16 May 2021 is interesting and impressive, particularly on the Figure displaying several acronyms in trend. Although the most popular eight acronyms in...  相似文献   

19.
The attachment of peptides to the surface of spherical dendrimers via graft polymerization is described here (see Figure). It is shown that the resulting peptide dendrimers display greatly enhanced helicity compared to non‐dendrimer‐based analogues. This effect is attributed to aggregation of peptide segments on the dendrimer surface.  相似文献   

20.
Summary A two-step procedure is developed which allows the emergent modes to be determined when a discontinuity wave strikes obliquely on a boundary. Although the procedure is straightforward, oblique incidence gives rise to a few mathematical problems, which are discussed in detail.With 1 Figure  相似文献   

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