家居中的色彩文化——涂料中色彩的运用

建筑是凝固的音乐,音乐是流动的建筑,色彩是建筑的韵律。涂料的色彩文化将悄悄地改变着人们的生活……     

巴斯夫多色彩节能卷材偏氟乙烯涂料上市

美国消息,巴斯夫（BASF）全新卷材涂料系列产品VARI-Cool上市。VARI-Cool卷材涂料是一种独特的多色彩涂料产品,可以满足建筑材料、铝合金材料等多种材料制造商的需求,同时也可以实现建筑设计师对建筑材料的多功能性要求。     

建筑涂料色彩的设计方法研究——基于中国颜色体系国家标准

介绍了中国颜色体系国家标准,以及中国颜色体系国家标准在建筑涂料色彩应用中的设计方法、未来建筑涂料色彩的发展趋势等。     

巴斯夫推出多色彩节能卷材涂料

巴斯夫（BASF）全新卷材涂料系列产品VARI—Cool上市。VARI-Cool卷材涂料是一种独特的多色彩涂料产品，可以满足建筑材料、铝合金材料等多种材料制造商的需求，同时也可以实现建筑设计师对建筑材料的多功能性要求。     

巴斯夫多色彩节能卷材涂料新品上市

巴斯夫（BASF）全新卷材涂料系列产品VARI—Coll上市，这是一种独特的多色彩涂料产品，可以满足建筑材料、铝合金材料等多种材料制造商的需求，同时也可以实现建筑设计师对建筑材料的多功能性要求。VARI-Cool采用含氟聚合物（PVDF）和珠光效果完美结合的Kynar 500和Hylar 5000涂料树脂。     

建筑涂料的色彩选择与搭配

建筑涂料不仅对建筑物起着耐候、耐酸、耐碱、耐污染等保护功能，而且有着重要的美化装饰作用。一幢楼或一间房选用什么样颜色的涂料进行装饰，对居住者的生活情绪等也起着不可忽视的作用。这种作用是不明显的，往往不易被察觉。综观目前的建筑市场，装饰色彩对环境的影响，对人们的心理和情绪的作用，常常被忽视，而一味地追求光亮、艳丽，使得许多高层次、高档次的建筑失去了应有的光彩。人类通过生活的实践体验以及对大自然的长期观察，对不同的色彩形成了不同的印象和联想，换句话说，不同的色彩能给人们以不同的感觉。朱红、大红、深红…     

现代调色在中国建筑涂料中的应用与发展

根据国内建筑涂料行业特点,论述了如何建立适合企业发展需要的工厂商店一体化调色系统,并着重介绍了色卡作为色彩传递的最直接展示,其选择和应用的重要性.     

2011中国高装饰功能性建筑涂料研讨会将于5月在上海举办

我国是建筑涂料生产和消费的第一大国,随着高层建筑的增多和人们对生活环境要求的提高,建筑行业对建筑涂料提出了更高的应用要求,高装饰性、功能性的建筑涂料已成为建筑装饰的主要产品和发展方向,成为引领建筑涂料行业发展的风向标。     

对城市住宅建筑规划设计的探讨

由于社会的发展，城市进程的加速，百姓的生活品味都在提高，大家对于城市住宅建筑规划设计有了更高的需求。文章通过对城市住宅建筑规划设计进行探讨，提出一些建议。     

《建筑与装修涂料涂装技术标准精选》简介

在全面建设小康社会的进程中，中国的城市建筑与住房建设已成为万众瞩目的焦点，建筑与装修对涂料、涂装的要求愈来愈高，也越来越需要了解、掌握建筑与装修的涂料、涂装技术标准。     

Research on the location characters of urban color plan in China

“Urban color” has gradually become one of the hot topics in the field of urban planning in China, and many cities have done research and developed planning practices. On the basis of the comparisons of those cities, numbers and figures show that most of them locate in the eastern part of China. Through the introduction of the Chinese urban planning system and implementation procedure, the authors indicate the status of the urban color plan and analyze the maneuverability of items on color in related laws and regulations. Next, we discuss the reasons of the distribution character with the examples of urban color plan of Yiyuan and architectural façade rebuilt of Guidu Holiday Inn in Suzhou. Finally, the authors point out that under the present Chinese system, urban color planning is the result of the game between urban planners and architects who come out from the rapid boom of urban construction and economy development. © 2007 Wiley Periodicals, Inc. Col Res Appl, 33, 68–76, 2008     

Method of urban color plan based on spatial configuration

The present Chinese urban color plan inclined to assume the way of Japanese, which is based on the theory of the Geography of Color founded by Lenclos. However, both my interview in 2004 and my urban color plan in 2006 show that the way of planning from color to color can hardly meet the requirement of the rapidly developing Chinese cities, and the authority should leave more creative space to the designers. Researching the color scheme of Kirchsteigfeld done by Werner Spillmann in 1994 was very enlightening. Findings of other researchers also helped me to set up a systematic planning method. Considering the complexity of color in urban space, the present way of planning simply by color combination is not sufficient. Spatial configuration is the core of color plan, and the authority should emphasize the color pivot and vision rank to encourage creativity in real design. This article discusses the systematic method of color planning when considering Chinese urban plan system, and with typological means. © 2011 Wiley Periodicals, Inc. Col Res Appl, 2013     

Color‐emotion associations,designing color schemes for urban environment‐architectural settings

Color in urban design has become an important issue, each city may present different colors which help to define and describe its architectural features. In the study, color in urban design with architectural setting is studied, façade colors are analyzed with a specific emphasis on the following research questions; “Can color schemes be designed in respect to color‐emotion associations? ” and “Are color‐emotion associations affective while designing architectural setting‐urban environment?.” Non‐color experts, 170 people, from different European and non‐European countries were asked to match the most appropriate adjectives with the given street views in accordance to their color schemes. In the first step, the effect of color is identified in relation to architectural environment‐urban setting, second the relative effect of color is studied as a component of the material. A categorical specification on color cognition and linguistic level of representation is attempted. The results can be a starting point to highlight the importance of preparing color schemes in regard to color‐emotion associations. Abstract color schemes may also provide us an idea about image setting, especially at design process stage. In the study, keywords are linked as environment‐response pairs; such as quiet, calming, lively, exclusive, reserved, and natural. Human psychophysical structure such as “warm‐cool,” “heavy‐light” in regard to visualizing certain colors are evaluated and described in terms of building materials.     

Study on the preference of city color image selection based on the logistic model: A case study of Shanghai

With the continuous progress of urbanization, China's urban color planning has begun to receive attention, but there are still many problems in the quality of color environment. In order to clarify further the urban color positioning of our country, the detailed urban color planning objectives are set up, and the opinions of residents with different attributes are included in the consideration scope of urban color planning objectives, so as to guide the future urban color planning scientifically. From the perspective of urban residents' preference, this article takes Shanghai as an example to analyze the difference of residents' preference for urban color selection with different attributes. In this article, the logistic regression model was used to analyze the results of residents' choice, so as to conclude that the significant factors influencing residents' preference for city color image include age, monthly income, current city of residence, frequency of coming to Shanghai and whether they have been to other countries. Therefore, paying attention to the above significant attributes of residents and carrying out in-depth research can provide reference value for the status of the city's future color image.     

Recovering figure-ground perception in Tehran's color plan

Tehran's color plan was carried out during 1990s with the primary purpose of restoring color consistency particularly to the historic center of the city. In fact, it attempted to bring unity and avoid color pollution to the cityscape. However, it seems to have been neglectful of many other factors, including orientation, legibility, and the mental image of the city. Further analysis shows that it fails to address figure-ground perception, as a sign of hierarchy and order, on the urban scale. Hence, this article aims to recover figure-ground perception with respect to Brandi's theory of restoration as well as the constituent elements of the image of the city. The study makes a contribution to the field of urban design/planning, as it offers important insights into a critical aspect of city color plan and cityscape.     

A comparison between wishes and status: Gray is not the preference for residents while the city shows neutral colors

Urban color has become one of the hot topics in China since 2000. To provide suggestions for making the urban color plan for Changzhou of about 253 square kilometers in 2011, the research group evaluated the visual quality of the present architectural color in real urban space and investigated the residential attitude for the present and the future ones. Open‐ended questionnaire of 1065 was taken effectively face to face accompanied with NCS Cascade 980 to understand the residents' attitude about the present architectural color in Changzhou city, and the expectations for the future. At the same time, an overall survey and evaluation on the present architectural color was conducted from the aspects of materials, functions, environmental and color relationship as well as the color code itself. Data reveal the residents' attitude to color preferences is more tolerant in hue with no special color bias, and inclined to those with obvious chroma and clear color predisposition, not very vivid, nor very dark. While the site survey shows the present color focuses mostly in high or middle‐high brightness, neutral ones. In site evaluation and analysis, architecture obtained good scores are those have obviously color predisposition. Colors that are inclined to good scores still have obvious color tendency but is lighter than that of good ones and mostly concentrate in the middle high and high brightness. Although still shows warm colors the most, the color tendency was not so obvious and the proportion of grayish ones increased. As to colors inclined to bad, very large proportion of grayish color existed. Actually, the most insurance color people usually thought, if has no good façade form supporting, is difficult to obtain a pleasant visual effect. Also, if the material is not in agreement with the color, the visual effect will be even worse.     

柔性化工艺管理在建筑涂料色彩生产中的应用

介绍了在水性建筑涂料色彩生产中应用柔性化管理工艺的情况,并与传统的色彩涂料生产工艺在经济性、时效性和品质等方面进行了比较,显现了柔性化生产工艺在涂料色彩生产中应用的优越性。     

Three color strategies in architectural composition

This article deals with the possibilities that color affords architectural composition, the strategies facilitated through color as a vocabulary of expression. It primarily focuses on the rules of grammar and syntax of color, and to a lesser degree on the semantic meanings, as this would entail multiple interpretations by the observer. Following an analysis of architectural color classification systems suggested by other authors, we reason that there are three main groups of plastic strategies. These are not mutually exclusive, but rather, complementary to each other: (I) color can influence the perception of the visual properties of architectural shapes; (II) color can describe the building and (III) color can be arranged for its intrinsic value. Each of these strategies deals with a different level of knowledge of the building, which requires both subconscious and conscious mechanisms of identification by the observer. These are the color strategies used by architects to express a particular compositional purpose. © 2012 Wiley Periodicals, Inc. Col Res Appl, 38, 238–250, 2013     

Quantitative study on landscape colors of plant communities in urban parks based on natural color system and M-S theory in Nanjing,China

Plant color landscape plays an important role in improving the quality of visual landscapes, regulating the emotion of landscape space, and highlighting the characteristics of urban landscapes. How to reasonably quantify and create rich plant color landscapes to achieve the best visual perception of the plant color landscape at different visual scales, so as to better meet the aesthetic needs of the public, has become a hot and difficult issue in the plant color design and application. Therefore, this article selects four typical urban parks in Nanjing to study the color characteristics of plant communities. The natural color system color card is used to extract plant color data. The color harmony and suitability degree of the plant community and external environment are quantitatively evaluated according to the Moon-Spencer (M-S) color harmony theory. The correlation between the chromaticity difference, color harmony, and color suitability of the plant landscape color is strong, whereas that between the chromaticity difference and lightness difference of the plant landscape color is weak. Among the four urban parks, the color harmony is the highest, and the appropriate color is the lowest in Xuanwu Lake Park. In addition, among the 12 selected plant community landscapes, the plant community number A3 in Xuanwu Lake Park has the highest color harmony and D3 in Gulin Park has the lowest color harmony. In short, the quantitative study of the plant community landscape color can provide new ideas for improving the optimal allocation of the plant community landscape color in urban parks.     

Color loci placemaking: The urban color between needs of continuity and renewal

The article presents the theoretical framework and the operational concepts of a research, finalized to explore and verify the prerequisites of an approach to urban color that, while recognizing to color the flexible as well as transient capacity to respond to the successive and multiple demands that characterize the urban space, sees a possible way of coexisting between the needs of continuity and renewal. Searching to understand the modalities and possibilities through which colour can intervene in the processes of transformation of the city to support both the needs of resignification and reappropriation and those of conservation and enhancement of the vital identity of each single place, the research looked on one side to the experiences gained within the colour plans and Lenclos' geography of colour and on the other side to the different and diversified experiences developed within the idea and practice of placemaking, aimed at the recognition and enhancement of the collective and plural creative dimension that colour seems effectively able to interpret. The term “color loci placemaking” was introduced to summarize this mode/possibility of understanding and approaching urban color, characterized especially by the attention for the specificity of each single place and the human factor underpinning place‐experience.