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1.
The London Blitz has come to epitomise the golden age of urban togetherness and bonhomie when the public was bound by a common enemy threat. Through his reading of Thomas Pynchon's Gravity's Rainbow, literary critic Bruce Robbins questions the archetypal view of the Second World War as a watershed after which the ideal intact city and its community were ultimately destroyed. Copyright © 2008 John Wiley & Sons, Ltd.  相似文献   

2.
Hackney Wick and Fish Island, adjacent to the London 2012 Queen Elizabeth Olympic Park, has developed a special character over time, accommodating 700 artists' and other creatives' studios in old warehouses. The under-designed ‘scarce’ quality of the public realm contrasts with the highly designed spaces of the Olympic Park. Liza Fior describes how muf has developed an urban strategy that could help assimilate the two sites and cater for the greater expected densities in housing, while retaining the under-determined character of the existing area.  相似文献   

3.
Lilian Chee introduces several art installations displayed at the Freud Museum in north London. While each individually opens up further critique of Freud's practice and its cultural impact, collectively they measure the ability of objects to charge interior atmospheres with provocations of gender, modernity, ethnicity, objectivity and domesticity. Copyright © 2008 John Wiley & Sons, Ltd.  相似文献   

4.
The notion of designing according to building type for some might imply constraint, or even a reversion to convention. In Diploma Unit 6 at the AA in London, Christopher Lee and Sam Jacoby have proved typology can be used to liberating effect, producing series that harness ‘the cumulative intelligence’ of type, while ‘surpassing both its idea and its deep structure’. Copyright © 2008 John Wiley & Sons, Ltd.  相似文献   

5.
Mike Wells , the Director of Biodiversity by Design, and Ken Yeang outline the need for biodiversity targets in architecture to provide a more far-reaching basis for green design. Rather than just literally ‘greening’ a building by covering it with foliage, they seek to encourage designers to engage with wider ecological processes and in more specific detail. Copyright © 2010 John Wiley & Sons, Ltd.  相似文献   

6.
The density of development in Belgium is such that the entire country has become an open city, with little sense of where one metropolitan area begins and another ends. Bruno De Meulder describes the underlying logic of this unbroken urbanscape, and the opportunity it affords for re-editing and reinserting informal social spaces in areas of wasted land. Copyright © 2008 John Wiley & Sons, Ltd.  相似文献   

7.
Shenzhen is one of the fastest-growing cities in China, having leapt from fishing village to a global city in a matter of a couple of decades. Here Huang Weiwen , the Deputy Director of the Urban and Architecture Department at Shenzhen Municipal Planning Bureau, provides the background to China's unrivalled urbanisation, which is unmatched in terms of both its speed and intensity. Copyright © 2008 John Wiley & Sons, Ltd.  相似文献   

8.
Ruairi Glynn , lecturer on interactive architecture at the Bartlett School ofArchitecture, University College London (UCL), puts the pressing question: ‘What does a world of hyper-connective, high-definition sensing offer architectural design?’ Despite the pervasiveness of ubiquitous computing – the Internet of Things (IoT) – and students' ability to speculate, build and test responsive lifesize installations, could practice itself be in danger of getting left behind?  相似文献   

9.
Artists and researchers Oron Catts and Ionat Zurr of SymbioticA, based at the School of Anatomy, Physiology and Human Biology at the University of Western Australia, are internationally renowned as pioneers in the field of biological arts, challenging audiences with their tissue engineering projects. Catts and Zurr discuss how synthetic biology has increasingly become ‘the new frontier for exploitation’ and why there is currently ‘a resurgence of the application of engineering logic in the fields of the life sciences’ in which life itself becomes a raw material.  相似文献   

10.
The architect of several artists' homes, Jamie Fobert is now landing himself a string of acclaimed arts and commercial commissions. From his warehouse in Old Street in London, he explained to Howard Watson how the sensitive integrity of his architecture has developed out of ‘an inside-out approach’, which puts particular store in ‘framing light and views’ and the sculpting of space aided by physical model-making, rather than the synthetic top-down views that are imposed by widely used CAD programs. Copyright © 2008 John Wiley & Sons, Ltd.  相似文献   

11.
The urban destruction captured by black and white photos of London after the Blitz or bomb-damaged Berlin are emblematic of the desolation brought by modern warfare. Eyal Weizman , Paulo Tavares , Susan Schuppli and Situ Studio describe, though, how the built environment now represents more than a means of violation in conflict, as it has become an important source of evidence bearing witness to the event when international justice is sought. Copyright © 2010 John Wiley & Sons, Ltd.  相似文献   

12.
Rachel Armstrong explains why living systems with their own metabolisms provide more exciting and far-reaching solutions than conventional building materials. She also explicitly explains why the pursuit of protocell technology, which enables us to artificially design living systems, is so much more promising than established methods, such as incorporating high-maintenance biological features – green walls or roofs – into existing urban context or applying biomimicry to traditional materials. Copyright © 2011 John Wiley & Sons, Ltd.  相似文献   

13.
Lighting Up     
Through the work of London practice Cinimod Studio, led by Dominic Harris, Valentina Croci explores the potential that lighting design offers for interactive work, whether it is transforming unwelcoming urban spaces or enhancing the public's experience of the city. Copyright © 2009 John Wiley & Sons, Ltd.  相似文献   

14.
For the last three decades, Italian architecture has been characterised by an extreme polarisation. At one end of the spectrum have been the neo-conservators, who are subsumed by Italy's history, and at the other end the avant-garde for whom innovation is the Holy Grail and the present is a clean slate. Francesco Proto outlines the current potential for steering a middle course that will afford a greater eclecticism, enabling a natural balance between pragmatism and theory. Copyright © 2007 John Wiley & Sons, Ltd.  相似文献   

15.
What is generally understood by Modern architecture in China is set to be re-evaluated across the world with a major exhibition this summer at the RIBA in London and a significant new book by Edward Denison and Guang Yu Ren. Here co-author and co-curator of Modernism in China, Edward Denison , outlines why we need to look back to China's Modernist roots in the early 20th century if we are to understand the intense modernisation of the present. Copyright © 2008 John Wiley & Sons, Ltd.  相似文献   

16.
Until the late 20th century, China was a rural society with an agrarian economy and had little experience of the urban. This elevated the city in the collective imagination to a miraculous mirage - a utopian vision. Zhou Rong , Associate Professor at Tsinghua University School of Architecture, Beijing, and Assistant Mayor of Shuozhou, describes how China has learned, earned, consumed and ultimately suffered from this idealisation of the urban. Copyright © 2008 John Wiley & Sons, Ltd.  相似文献   

17.
Brett Steele, former director of the Architectural Association's Design Research Laboratory (AADRL) and now director of the Architectural Association, reflects upon the DRL as a laboratory for the production of a different kind of student and teacher, and ultimately as a new model for architectural education. His ‘screenshots’ offer an informal image/text-based window through which to browse the general atmosphere of that research endeavour. The DRL was also very active in employing outside specialists from a variety of disciplines including computer programming and robotics. These interests were situated within the DRL's much larger ambition of rethinking the very definition of research itself, not isolated in the purely reflective interests of history and criticism but based on the projective desires of innovation. Moreover, the organisation of these new laboratories of design life begin to resemble their objects of study. Copyright © 2006 John Wiley & Sons, Ltd.  相似文献   

18.
In the last few decades an entirely new conception of the material world has emerged. Here, philosopher Manuel DeLanda , whose work has become synonymous with this ‘new materialism’, introduces this novel understanding of materiality. Like any other conceptual framework, it has precedents in the history of philosophy - the work of the Dutch philosopher Baruch Spinoza is a good example - but only recently has it become coherently articulated with science and technology. Gone is the Aristotelian view that matter is an inert receptacle for forms that come from the outside (transcendent essences), as well as the Newtonian view in which an obedient materiality simply follows general laws and owes all its powers to those transcendent laws. In place of this, we can now conceptualise an active matter endowed with its own tendencies and capacities, engaged in its own divergent, open-ended evolution, animated from within by immanent patterns of being and becoming.  相似文献   

19.
Could the primacy of green architecture in recent years be eroding the discipline? Is it reducing architecture to a mere ‘environmental techno-science’? Penelope Dean argues for a revised environmental agenda that is driven by ideas and concepts rather than subservient technologies. Copyright © 2009 John Wiley & Sons, Ltd.  相似文献   

20.
The Advanced Virtual and Technological Architecture Research Laboratory (AVATAR) was founded in 2004 at the Bartlett School of Architecture, University College London (UCL). The original remit was to provide a forum for staff and their units to exchange and share their explorations into the digital and visceral terrain. With Neil Spiller's appointment in September 2011 as Dean of the School of Architecture and Construction at the University of Greenwich, the centre of research has shifted south to Greenwich. Here, one of the principle proponents of AVATAR, Nic Clear describes why, given the present economic and political situation, Protocell Architecture has provided the group with such a fecund field of research. Copyright © 2011 John Wiley & Sons, Ltd.  相似文献   

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