Detailing the Walled Garden for Lebbeus

Neil Spiller , the Hawksmoor Chair of Architecture and Landscape and Deputy Pro Vice Chancellor of the University of Greenwich, London, has an unrivalled international reputation for the virtuosity of his visionary graphic work. Here, in a highly personal and poetic eulogy to Lebbeus Woods, Spiller pays tribute to his master through the lens of his own work, where detail becomes an important element in an imagined, augmented world in which the concrete or the specific lends credence to the fictional.     

Digital Solipsisim and the Paradox of the Great ‘Forgetting’

Neil Spiller counters the main theme of this issue by questioning the dominant focus on production and new technologies in architectural culture, which places a premium on the generation of ‘ever more gratuitous complex surfaces and structures’. Could this inward-looking emphasis on process and obsessive love of new technologies be at the expense of the final product? Are we in danger of producing artefacts that lose sight of human expression and poetics in the competitive drive for greater complexity? Are we, in fact, heading towards a great ‘forgetting’ in which humanity is subtracted from the architectural product?     

Protocells: The Universal Solvent

Protocell architecture inverts the current economic and procurement processes of construction with their emphasis on cost, speed and quantifiable outcomes. Wet, semi-living and symbiotic with ecological systems and materials, protocell systems promise a pargadigm that is the very antithesis of existing practice and will require the employment of very different skills sets and approaches. To ease the intellectual transition from hard engineering to chemical solutions, Neil Spiller investigates the enduring notion of alchemy. Copyright © 2011 John Wiley & Sons, Ltd.     

Parallel Biological Futures

Neil Spiller looks beyond the digital and envisions a surreal future of ‘biological parallelism’ that pushes the boundary of architecture deep into the natural sciences, potentially creating ‘huge rafts of new architectural flora and fauna’. Copyright © 2009 John Wiley & Sons, Ltd.     

Architects as Hairdressers

Neil Spiller reactionary? Spiller finds himself recoiling into a ‘grumpy old man’ as he observes the emergence of an alarming new trend in architecture schools that prioritises style over matter. Copyright © 2008 John Wiley & Sons, Ltd.     

Putting the ‘I’ back into Architecture

Neil Spiller gets personal in a bid to put the ‘I’ back into architecture. He celebrates the spatial experimentation of the work of Charlotte Erckrath. Creating a space of desire, she produces a subjective ‘synthesis of architect, body, space and view’. Copyright © 2008 John Wiley & Sons, Ltd.     

Surrealistic Exuberance – Dark Matters

For Neil Spiller, there is a current vacuum in much of contemporary parametric design. It is devoid of embodied cultural experience and character. Much can be learnt by rediscovering the dark matter of Baroque and Surrealistic art and architecture, which through repressed eroticism optimised on the simultaneous presence of the secular and the profane - the heaving physicality of the everyday world and the repressed strictures of the Catholic church. Copyright © 2010 John Wiley & Sons, Ltd.     

It's All Inside My Head

The physical manifestations of built architecture are often discussed in terms of a single architect's inspiration, overemphasising and romanticising the intellectual contribution of the signature architect. Here Neil Spiller describes the extraordinary departure that Marcos Novak is undertaking at the University of California's Santa Barbara campus, where Novak's own scanned brain becomes a literal, reflexive generating force in the formation of a spatial environment. Copyright © 2007 John Wiley & Sons, Ltd.     

Getting Wet About Urban Design

Neil Spiller is thrilled by IwamotoScott's Hydro-Net - a futuristic design proposal for San Francisco that thinks about water in an entirely new way. Copyright © 2008 John Wiley & Sons, Ltd.     

Architecture of Disbelief: Is Architectural Speciation a Good Thing?

Can visionary architects have their cake and eat it, luxuriating in pecuniary success while also continuing to assert their avant-gardism? Neil Spiller attended a conference in Cornell that brought the role of the architectural visionary under the spotlight and gave him much food for thought. Copyright © 2009 John Wiley & Sons, Ltd.     

Telling Stories …

Neil Spiller celebrates ‘the messier sides to architectural discourse’, which take in myth-making, collaged semiotics and moreover the untidy art of narrative. Copyright © 2010 John Wiley & Sons, Ltd.     

What Are You Looking At?

There is a rebirth of interest in anamorphic perspective - that erudite artistic trick that allows one to represent different points of view in a single plane or view. Neil Spiller sees a new future for this arcane spatial practice that enables objects to dissolve their muteness. Copyright © 2009 John Wiley & Sons, Ltd.     

The Role of Additive Manufacturing and Physiomimetic Computational Design for Digital Construction

The recent adoption of the term additive manufacturing (AM) to describe a broad range of digital ‘layer by layer’ fabrication techniques comes 20 years since its inception and more than 10 years since architectural practices engaged with the technology for making prototypes and models. Soon this technology will join existing CNC subtractive and formative processes within the volume and mass-market sectors, where design complexity and increased functionality result in competitive advantage. It is also about a decade since researchers proposed additive manufacturing for construction. Rupert Soar and David Andreen introduce here the different construction-scale additive manufacturing systems currently in development. If linked to physiomimetic computational design strategies, these technologies provide novel possibilities for addressing architecture's manufacturing challenges in the face of energy expenditure, material resources and environmental impact. Copyright © 2012 John Wiley & Sons, Ltd.     

The Poetics of the Island of Vessels

Since 2000, Neil Spiller has been engaged on a ‘long project’: a series of hundreds of drawings that through a potent mix of cyborgian fantasy and Surrealism, imbued with poetry and biotechnology, evoke a psycho-geographical island inhabited by an irascible alter ego, ‘The Professor’. Spiller seeks out in this work ‘an unusual and startling architecture’ that reveals a ‘loving, enigmatic and ragged beauty’.     

The AADRL: Design,Collaboration and Convergence

Brett Steele, former director of the Architectural Association's Design Research Laboratory (AADRL) and now director of the Architectural Association, reflects upon the DRL as a laboratory for the production of a different kind of student and teacher, and ultimately as a new model for architectural education. His ‘screenshots’ offer an informal image/text-based window through which to browse the general atmosphere of that research endeavour. The DRL was also very active in employing outside specialists from a variety of disciplines including computer programming and robotics. These interests were situated within the DRL's much larger ambition of rethinking the very definition of research itself, not isolated in the purely reflective interests of history and criticism but based on the projective desires of innovation. Moreover, the organisation of these new laboratories of design life begin to resemble their objects of study. Copyright © 2006 John Wiley & Sons, Ltd.     

Arguing for Elegance

Patrik Schumacher of Zaha Hadid Architects describes how elegance in architecture thrives on and articulates complexity. For elegance to be fully expressed in any work, it must be mastered and refined throughout the building and construction process. This entails the refinement of spatial and structural organisation and the integration of all building systems that are systemic, inflecting and adapt to each other, providing an overall intelligence of assembly. Copyright © 2007 John Wiley & Sons, Ltd.     

Diving into the Depth-Scape: Exuberance and Personalities

Exuberance is about more than appearance. Yael Reisner argues that it engenders an emotional response. It provides a whole ‘depth-scape’ of expression by offering extensive qualities that go beyond the merely practical or the required. Exuberance proffers a full emotional range from the horrific to the sublime, which requires complexity but also the presence of creative personalities who lend personal interpretation to the design process. Copyright © 2010 John Wiley & Sons, Ltd.     

Emergence and the Forms of Metabolism

Earlier this year, Michael Weinstock published a seminal book, The Architecture of Emergence: The Evolution of Form in Nature and Civilisation, which challenges established cultural and architectural histories. The conventional worldview is expanded by placing human development alongside ecological development: the history of cultural evolution and the production of cities are set in the context of processes and forms of the natural world. As well as providing a far-reaching thesis, Weinstock's book gives lucid and accessible explanations of the complex systems of the physical world. In this abridged extract from Chapter 5, Weinstock explains the dynamics of individual and collective metabolisms from which intelligence and social and spatial orders emerge. Copyright © 2010 John Wiley & Sons, Ltd.     

Auroville: An Architectural Laboratory

Architect Anupama Kundoo describes how ‘the dream of building a new city’ from scratch for an international spiritual community in southern India has created a magnet for architects around the world. As the city now approaches its 50th anniversary, she asks whether Auroville can keep its architectural culture of innovation and experimentation alight. Copyright © 2007 John Wiley & Sons, Ltd.     

Stereoscopic Urbanism: JG Ballard and the Built Environment

The fiction of JG Ballard was centred almost wholly on the built environment. Ballard took architectural design to its logical extreme and then contorted it further. Simon Sellars looks at how architects can learn from Ballard and, specifically, his use of urban sound as a metaphor. Copyright © 2009 John Wiley & Sons, Ltd.