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1.
Alex Romer and Naïm Aït-Sidhoum define EXYZT's practice as one characterised by ‘transgressive forms’ and ‘construction devices’. They explain how this has come about through the studio's penchant for the loose conditions of leftover spaces – derelict urban sites or marginal spaces by the sides of roads and railway lines – which require the building of temporary structures in tight timetables on limited budgets.  相似文献   

2.
Patrik Schumacher of Zaha Hadid Architects describes how elegance in architecture thrives on and articulates complexity. For elegance to be fully expressed in any work, it must be mastered and refined throughout the building and construction process. This entails the refinement of spatial and structural organisation and the integration of all building systems that are systemic, inflecting and adapt to each other, providing an overall intelligence of assembly. Copyright © 2007 John Wiley & Sons, Ltd.  相似文献   

3.
The density of development in Belgium is such that the entire country has become an open city, with little sense of where one metropolitan area begins and another ends. Bruno De Meulder describes the underlying logic of this unbroken urbanscape, and the opportunity it affords for re-editing and reinserting informal social spaces in areas of wasted land. Copyright © 2008 John Wiley & Sons, Ltd.  相似文献   

4.
For the last three decades, Italian architecture has been characterised by an extreme polarisation. At one end of the spectrum have been the neo-conservators, who are subsumed by Italy's history, and at the other end the avant-garde for whom innovation is the Holy Grail and the present is a clean slate. Francesco Proto outlines the current potential for steering a middle course that will afford a greater eclecticism, enabling a natural balance between pragmatism and theory. Copyright © 2007 John Wiley & Sons, Ltd.  相似文献   

5.
The London Blitz has come to epitomise the golden age of urban togetherness and bonhomie when the public was bound by a common enemy threat. Through his reading of Thomas Pynchon's Gravity's Rainbow, literary critic Bruce Robbins questions the archetypal view of the Second World War as a watershed after which the ideal intact city and its community were ultimately destroyed. Copyright © 2008 John Wiley & Sons, Ltd.  相似文献   

6.
Exuberance is about more than appearance. Yael Reisner argues that it engenders an emotional response. It provides a whole ‘depth-scape’ of expression by offering extensive qualities that go beyond the merely practical or the required. Exuberance proffers a full emotional range from the horrific to the sublime, which requires complexity but also the presence of creative personalities who lend personal interpretation to the design process. Copyright © 2010 John Wiley & Sons, Ltd.  相似文献   

7.
Interactive design has come about as a result of the intermingling of disciplines. As a consequence, the language it uses has become blurred - borrowed or stolen with little restraint from elsewhere. Though particular terms have become ubiquitous, the original concepts that lie behind them have been lost. This means that all too frequently they are no longer knowingly used. Usman Haque sorts the wheat from the chaff and brings clarity to bear on the vocabulary and thinking behind interactivity. Copyright © 2007 John Wiley & Sons, Ltd.  相似文献   

8.
Professor and Chair in Integrated Design at the University of Calgary Faculty of Environmental Design, Branko Kolarevic has established an international reputation as an author and commentator on digital design and manufacturing in architecture. Here he questions the importance of high-definition tolerance in construction itself. As an industry that operates at far greater sizes and scales than other manufacturing bases, has the ‘messy world of building’ not always had to allow for a reasonable tolerance of errors? Should high-definition processes, which negate or negotiate zero tolerance, really be for architects and construction professionals the Holy Grail that they first appear?  相似文献   

9.
From his base in Southeast Asia, Tom Verebes , Associate Professor in the Department of Architecture at the University of Hong Kong (HKU), asks what the hardcore realities are for robotics in architecture in this new ‘Asian Century’. At a time when China strives to accommodate 10 million new urban citizens each year by rolling out high-rise residential blocks with standardised serial production techniques, what hope is there that the homogeneous Chinese city will apply robotic tools of mass customisation for the construction of distinctive, rather than generic structures?  相似文献   

10.
Artists and researchers Oron Catts and Ionat Zurr of SymbioticA, based at the School of Anatomy, Physiology and Human Biology at the University of Western Australia, are internationally renowned as pioneers in the field of biological arts, challenging audiences with their tissue engineering projects. Catts and Zurr discuss how synthetic biology has increasingly become ‘the new frontier for exploitation’ and why there is currently ‘a resurgence of the application of engineering logic in the fields of the life sciences’ in which life itself becomes a raw material.  相似文献   

11.
Neil Spiller reveals the complexity of architectural systems to us, or is it the complexity of the architectural mind? For Spiller, the potential of a single notation as a seed for a truly ecological architecture provides an essential catalyst, triggering a multifaceted musing that takes in diagrams, Paul Preissner's new competition entry for the Taiwan Centre of Disease Control and his future work with Dr Rachel Armstrong on complex biological systems. Copyright © 2009 John Wiley & Sons, Ltd.  相似文献   

12.
The computational design strategist Cynthia Ottchen , who was previously Head of Research and Innovation at OMA, offers insights into the future of building information modelling (BIM). Now in the Petabyte Age of the data deluge, she argues that in our adoption of BIM we have to surpass mere data collection and technical optimisation and open up new ways of thinking with the creative use of ‘soft data’. Copyright © 2009 John Wiley & Sons, Ltd.  相似文献   

13.
Earlier this year, Michael Weinstock published a seminal book, The Architecture of Emergence: The Evolution of Form in Nature and Civilisation, which challenges established cultural and architectural histories. The conventional worldview is expanded by placing human development alongside ecological development: the history of cultural evolution and the production of cities are set in the context of processes and forms of the natural world. As well as providing a far-reaching thesis, Weinstock's book gives lucid and accessible explanations of the complex systems of the physical world. In this abridged extract from Chapter 5, Weinstock explains the dynamics of individual and collective metabolisms from which intelligence and social and spatial orders emerge. Copyright © 2010 John Wiley & Sons, Ltd.  相似文献   

14.
15.
Sean Lally of WEATHERS lets out a rallying cry to all architects. He calls on them to make environmental conditions the subject of design rather than regarding them as a standardised part of a building's services. Here he highlights the potential of material systems, which are usually applied to conditioning the interiors of buildings, in the generation of new forms and activities; whether it is in the honing of the performance aspect of a building's function, as in the Water Cube at Beijing (2008), or in the seasonal planning that underpins the concept behind WEATHERS' Wanderings project (2008-9). Copyright © 2010 John Wiley & Sons, Ltd.  相似文献   

16.
Pattern perception is often regarded as highly subjective, dependent on individual taste and preference. Neurologically, however, it has been proven that distinct areas of the brain are stimulated differently by different pattern design and colour combinations. Here Patricia A Rodemann probes into the very real physical and psychological consequences of product design finishes and surface patterning. Copyright © 2009 John Wiley & Sons, Ltd.  相似文献   

17.
Hernan Diaz Alonso redefines ‘excess’ and ‘exuberance’ on his own terms. Fully au fait and comfortable with the excessive, he describes how in relation to his own work he views excess as more of a tendency or a logic, which sums up his approach; whereas he perceives the exuberant as removed from the design process and more like an ‘adjective’, an ‘emerging quality’ observed by others. Copyright © 2010 John Wiley & Sons, Ltd.  相似文献   

18.
The fiction of JG Ballard was centred almost wholly on the built environment. Ballard took architectural design to its logical extreme and then contorted it further. Simon Sellars looks at how architects can learn from Ballard and, specifically, his use of urban sound as a metaphor. Copyright © 2009 John Wiley & Sons, Ltd.  相似文献   

19.
A hybrid term, ‘architextiles’ encompasses a wide range of projects and ways of thinking that unite architecture and textiles. By way of introduction to this issue, guest-editor Mark Garcia highlights the significant rise of interest in this confluence by theorists, architects, engineers, textile designers, materials scientists and artists. He also explains how, as a hybrid mode of design and practice, architextiles is better able to respond to society's fast-changing cultural and consumer demands, enabling the production of more dynamic, flexible, interactive, event and process-based spaces. Copyright © 2006 John Wiley & Sons, Ltd.  相似文献   

20.
地坛皇祗室内檐彩画,为使读者能够清楚地了解古建构件上的彩画细节,现将室内各构件图样整理并用线描方式呈现,供大家分析研究。  相似文献   

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