Hertzian Space: Material Response to Spatial Presence

Mark Taylor describes how an interest in the possibilities of generating spaces that fully respond to people's presence and their activities led him and Mark Burry to undertake a project with students at Victoria University Wellington, New Zealand, that spatialises the dynamics of a full body massage. Copyright © 2007 John Wiley & Sons, Ltd.     

The Public and the V2

The London Blitz has come to epitomise the golden age of urban togetherness and bonhomie when the public was bound by a common enemy threat. Through his reading of Thomas Pynchon's Gravity's Rainbow, literary critic Bruce Robbins questions the archetypal view of the Second World War as a watershed after which the ideal intact city and its community were ultimately destroyed. Copyright © 2008 John Wiley & Sons, Ltd.     

Exuberance,I Don't Know; Excess,I Like

Hernan Diaz Alonso redefines ‘excess’ and ‘exuberance’ on his own terms. Fully au fait and comfortable with the excessive, he describes how in relation to his own work he views excess as more of a tendency or a logic, which sums up his approach; whereas he perceives the exuberant as removed from the design process and more like an ‘adjective’, an ‘emerging quality’ observed by others. Copyright © 2010 John Wiley & Sons, Ltd.     

Between Pragmatism and Theory

For the last three decades, Italian architecture has been characterised by an extreme polarisation. At one end of the spectrum have been the neo-conservators, who are subsumed by Italy's history, and at the other end the avant-garde for whom innovation is the Holy Grail and the present is a clean slate. Francesco Proto outlines the current potential for steering a middle course that will afford a greater eclecticism, enabling a natural balance between pragmatism and theory. Copyright © 2007 John Wiley & Sons, Ltd.     

Eat Me… Drink Me…

Sean Lally of WEATHERS lets out a rallying cry to all architects. He calls on them to make environmental conditions the subject of design rather than regarding them as a standardised part of a building's services. Here he highlights the potential of material systems, which are usually applied to conditioning the interiors of buildings, in the generation of new forms and activities; whether it is in the honing of the performance aspect of a building's function, as in the Water Cube at Beijing (2008), or in the seasonal planning that underpins the concept behind WEATHERS' Wanderings project (2008-9). Copyright © 2010 John Wiley & Sons, Ltd.     

The Future of Information Modelling and the End of Theory: Less is Limited,More is Different

The computational design strategist Cynthia Ottchen , who was previously Head of Research and Innovation at OMA, offers insights into the future of building information modelling (BIM). Now in the Petabyte Age of the data deluge, she argues that in our adoption of BIM we have to surpass mere data collection and technical optimisation and open up new ways of thinking with the creative use of ‘soft data’. Copyright © 2009 John Wiley & Sons, Ltd.     

After China: The World? Three Perspectives on a Critical Question

Are China’s cities now poised for global influence? This challenging question initiates a tripartite response from three authors: Kyong Park , Laurence Liauw and Doreen Heng Liu . In order to fully speculate on the potential of Chinese urbanism and architecture beyond its own borders: Park looks at whether China is a fully replicable capitalist model; Liauw outlines recent indicators of urban Sinofication around the world, whether it is the exporting of high-end designer furniture to the West or the injection of Chinese capital into Africa; and Heng Liu examines the dissemination of the Pearl River Delta both as an idea - first proliferated by Rem Koolhaas in the mid-1990s - and in its physical manifestations. Copyright © 2008 John Wiley & Sons, Ltd.     

Complex Systems Architecture

Neil Spiller reveals the complexity of architectural systems to us, or is it the complexity of the architectural mind? For Spiller, the potential of a single notation as a seed for a truly ecological architecture provides an essential catalyst, triggering a multifaceted musing that takes in diagrams, Paul Preissner's new competition entry for the Taiwan Centre of Disease Control and his future work with Dr Rachel Armstrong on complex biological systems. Copyright © 2009 John Wiley & Sons, Ltd.     

‘Never Mind All That Environmental Rubbish,Get On With Your Architecture’

Could the primacy of green architecture in recent years be eroding the discipline? Is it reducing architecture to a mere ‘environmental techno-science’? Penelope Dean argues for a revised environmental agenda that is driven by ideas and concepts rather than subservient technologies. Copyright © 2009 John Wiley & Sons, Ltd.     

Old Dispersions and Scenes for the Production of Public Space The Constructive Margins of Secondarity

The density of development in Belgium is such that the entire country has become an open city, with little sense of where one metropolitan area begins and another ends. Bruno De Meulder describes the underlying logic of this unbroken urbanscape, and the opportunity it affords for re-editing and reinserting informal social spaces in areas of wasted land. Copyright © 2008 John Wiley & Sons, Ltd.     

Mathew & Ghosh Architects

The work of Mathew & Ghosh Architects (Nisha Mathew-Ghosh and Soumitro Ghosh) boldly extends an abstract Modernist language and at the same time draws from the vitality of places. While the firm's early works were small in scale, mostly residential in nature and based on a reappraisal of the early Corbusian idiom, recent projects include large-scale urban and landscape interventions with diverse conceptual and metaphorical imperatives. They have moved from a more reticent stance to the urban exuberance of their more recent projects (for example, their own office building), something akin to a ‘savage architecture’ as posited by Kazuo Shinohara in the context of the unsynchronised nature of the modern city. The architects' object of contemplation is the urban ‘box’, whether a private residence, office or part of a church. The box is first fractured and reconstructed as a bricolage of tectonic fragments, memories and events, all tenuously related as if unity in a contemporary culture is for ever denied. Like the Japanese notion of ‘ma’, the moment between fragments - a slit or an emptiness between two hovering planes - is telling. Mathew & Ghosh participate in the continuity of a historical narrative yet mark out the fissures and disjunctions; sometimes negotiations with the continuity emerge from unintended interstices. While these configurations of the contemporary urban ‘box’ are both contextual and abstract, they are also phenomenologically rich. There is a sustained dialect to the architecture of Mathew & Ghosh that includes consummate materiality and fine crafting, light as a medium, and always, as Nisha Mathew-Ghosh states, ‘good spatial possibilities’. Copyright © 2007 John Wiley & Sons, Ltd.     

The Living: Surface Tensions

‘Our work begins with the premise of a dynamic world. Political and cultural conditions change: what if the walls and windows morphed in response?’ New York-based team The Living, led by David Benjamin and Soo-in Yang, have developed a practice of deep, open-source interfaces of participation. Jordan Geiger describes how for The Living their home city and its environs is a site of evolving forms of public space whether on land, air or water. Copyright © 2010 John Wiley & Sons, Ltd.     

Biodiversity Targets as the Basis for Green Design

Mike Wells , the Director of Biodiversity by Design, and Ken Yeang outline the need for biodiversity targets in architecture to provide a more far-reaching basis for green design. Rather than just literally ‘greening’ a building by covering it with foliage, they seek to encourage designers to engage with wider ecological processes and in more specific detail. Copyright © 2010 John Wiley & Sons, Ltd.     

Otherwise Engaged: New Projects in Interactive Design

What are the possibilities of interactive technologies delivering a new level of social engagement in architecture? Taking 2002, with the ETH Ada project and Diller & Scofidio's Braincoat project, as an important watershed, Mark Garcia reviews the advances that have been made per se, and with four projects in particular, in socially interactive spatial design. Copyright © 2007 John Wiley & Sons, Ltd.     

Occupied Space

With the rapid privatisation of urban space worldwide, architecture has become an increasingly political issue. The Occupy Movement, which set up encampments in over half the cities in the world during 2011 to protest against social and economic inequality, understood the power of physical occupation. Architect and lecturer Louis Rice describes how the potency of such expression lies not in its form – temporary tents and makeshift structures – but in its potential to challenge the current power base and reconceptualise the city.     

The World's Biggest Sculptor: The Architecture of Massimiliano Fuksas

At the start of the new millennium, Massimiliano Fuksas was one of the most significant Italian architects working outside his home country. His reputation in Italy and abroad, however, was taken to a further level by his completion of the New Milan Trade Fair. Stefano Casciani, an ex-student of Fuksas, provides an insightful and intriguing account of his ‘old’ professor: a robust and seemingly contradictory figure who is capable of great voluminous expression and delicacy. Casciani also finds constancy in his unrelenting energy, freshness and wit. Copyright © 2007 John Wiley & Sons, Ltd.     

2008年奥运会柔道跆拳道馆(北京科技大学体育馆)设计

2008奥运会柔道跆拳道馆的建筑设计以"立足学校长远功能的使用,满足奥运比赛的要求"为设计理念,强调建筑设计首先符合学校的使用功能和空间的设置,以及赛后空间功能的便利转换,同时按照奥运大纲通过空间的合理布局满足奥运会的要求。设计强调场所精神,运用洗练的建筑语汇营造既彰显柔道、跆拳道运动精神又符合北京科技大学校园氛围的体育建筑空间。建筑运用成熟、可靠、易行的生态建筑技术,如光导管自然光采光系统、太阳能热水系统、复合金属墙面系统等,在较低的建筑造价控制下,最大限度创造合理、人性、舒适的比赛、观赛条件,充分体现为奥运的校园体育建筑的特色。     

The Space-Time of Pre-emption: An Interview with Brian Massumi

The philosopher Brian Massumi is known for his explorations of experience, art, media theory and politics and has recently turned his attention to understanding the impact that sustained fear has on perception in a post-9/11 world. In an interview with guest-editor Charles Rice , Massumi defines threat by distinguishing it from real danger and how it manifests itself in both civil and military spaces of pre-emptive action that are primed to the possibilities of attack. Copyright © 2010 John Wiley & Sons, Ltd.     

Low-Tech Transgression: The Interventional Work of EXYZT

Alex Romer and Naïm Aït-Sidhoum define EXYZT's practice as one characterised by ‘transgressive forms’ and ‘construction devices’. They explain how this has come about through the studio's penchant for the loose conditions of leftover spaces – derelict urban sites or marginal spaces by the sides of roads and railway lines – which require the building of temporary structures in tight timetables on limited budgets.     

Diving into the Depth-Scape: Exuberance and Personalities

Exuberance is about more than appearance. Yael Reisner argues that it engenders an emotional response. It provides a whole ‘depth-scape’ of expression by offering extensive qualities that go beyond the merely practical or the required. Exuberance proffers a full emotional range from the horrific to the sublime, which requires complexity but also the presence of creative personalities who lend personal interpretation to the design process. Copyright © 2010 John Wiley & Sons, Ltd.