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1.
The perception of ten different colors on a CRT display presented across the horizontal meridian of the visual field were measured to determine the range of relevant test stimuli for color zone map measurement. Hue and saturation judgments were used based on the opponent‐colors theory. The changes of the unique hue components for eccentric displays of red, yellow, green, and blue fall within the distribution range of previous results obtained using monochromatic lights. Chromatic displays of nearly unique hues with high saturation would be significant as test colors for measurement for a color zone map. © 2003 Wiley Periodicals, Inc. Col Res Appl, 28, 413–424, 2003; Published online in Wiley InterScience (www.interscience.wiley.com). DOI 10.1002/col.10194 相似文献
2.
Kaida Xiao Michael Pointer Guihua Cui Tushar Chauhan Sophie Wuerger 《Color research and application》2015,40(3):256-263
In this study, Swedish Natural Color System (NCS) unique hue data were used to evaluate the performance of unique hue predictions by the CIECAM02 colour appearance model. The colour appearance of 108 NCS unique hue stimuli was predicted using CIECAM02, and their distributions were represented in a CIECAM02 ac–bc chromatic diagram. The best‐fitting line for each of the four unique hues was found using orthogonal distance regression in the ac–bc chromatic diagram. Comparison of these predicted unique hue lines (based on the NCS data) with the default unique hue loci in CIECAM02 showed that there were significant differences in both unique yellow (UY) and unique blue (UB). The same tendency was found for hue uniformity: hue uniformity is worse for UY and UB stimuli in comparison with unique red (UR) and unique green (UG). A comparison between NCS unique hue stimuli and another set of unique hue stimuli (obtained on a calibrated cathode ray tube) was conducted in CIECAM02 to investigate possible media differences that might affect unique hue predictions. Data for UY and UB are in very good agreement; largest deviations were found for UR. © 2014 Wiley Periodicals, Inc. Col Res Appl, 40, 256–263, 2015 相似文献
3.
A colorimetrically characterized computer-controlled CRT display was used to determine 24 loci of constant perceived hue for pseudo-object related stimuli, sampling the display's interior color gamut at constant lightness and the edge of its gamut at variable lightness. Nine observers performed three replications generating matching data at 132 positions. the constant hue loci were used to evaluate the correlation between perceived hue and hue angle of CIELAB, CIELUV, Hunt, and Nayatani color appearance spaces. the CIELAB, CIELUV, and Hunt spaces exhibited large errors in the region of the blue CRT primary, while the Nayatani and CIELUV spaces produced large errors in the region of the red primary for constant lightness stimuli. Along the edge of the CRT's color gamut (variable lightness stimuli), all the spaces had a similar trend, large errors in the cyan region. the differences in performance between the four spaces were not statistically significant for the constant lightness stimuli. For the variable lightness stimuli, CIELAB and CIELUV had statistically superior performance in comparison with the Nayatani space and equal performance in comparison with the Hunt space. It was concluded that for imaging applications, a new color appearance space needs to be developed that will produce small hue error artifacts when used for gamut mapping along loci of constant hue angle. © 1995 John Wiley & Sons, Inc. 相似文献
4.
Designing agents' color appearance that can evoke desired color‐personality associations (CPAs) is still a challenge. To respond to the challenge, this study proposed a multicolor personality index (MCPI) model to predict the CPAs evoked by agents using the color‐personality indices for single colors together with the histogram of agents' image. Specifically, the color personality index for each bin of an agent's histogram was first calculated based on the color‐personality indices for single colors; then, the predicted values of CPAs were obtained by calculating the weighted average of color‐personality indices of all bins in the histogram. To improve the MCPI model, a simple color‐attention index model was proposed to evaluate the effects of color on attention and the effects were introduced into the MCPI model, that is, the multi‐color personality index based on color attention (MCPI‐CA) model. To validate the two models, an experiment was conducted to collect the CPAs of five traits (i.e., extraverted‐introverted, moody‐unemotional, agreeable‐disagreeable, organized‐disorganized, and wide interests‐narrow interests) evoked by the multi‐colored appearance of agents. The results showed that (a) observers in general perceived the CPAs evoked by color appearance in similar way; (b) for most agents, the CPAs evoked by multi‐colored appearance could be predicted well by the MCPI model; and (c) the MCPI‐CA model usually had better performance than the MCPI model due to the inclusion of the effects of color attributes on attention. In addition, the limitations of the proposed models and their implications for designers were also discussed. 相似文献
5.
Kaida Xiao Sophie Wuerger Chenyang Fu Dimosthenis Karatzas 《Color research and application》2011,36(5):316-323
Psychophysical experiments were conducted to assess unique hues on a CRT display for a large sample of colour‐normal observers (n = 185). These data were then used to evaluate the most commonly used colour appearance model, CIECAM02, by transforming the CIEXYZ tristimulus values of the unique hues to the CIECAM02 colour appearance attributes, lightness, chroma and hue angle. We report two findings: (1) the hue angles derived from our unique hue data are inconsistent with the commonly used Natural Color System hues that are incorporated in the CIECAM02 model. We argue that our predicted unique hue angles (derived from our large dataset) provide a more reliable standard for colour management applications when the precise specification of these salient colours is important. (2) We test hue uniformity for CIECAM02 in all four unique hues and show significant disagreements for all hues, except for unique red which seems to be invariant under lightness changes. Our dataset is useful to improve the CIECAM02 model as it provides reliable data for benchmarking. © 2010 Wiley Periodicals, Inc. Col Res Appl, 2011 相似文献
6.
Past studies investigating the unique hues only used samples with a relatively high saturation levels under standard illuminants. In this study, 10 observers selected the four samples with unique hues from 40 V6C8 (Value 6 Chroma 8) and 40 V8C4 (Value 8 Chroma 4) Munsell samples under six light sources, comprising three levels of Duv (i.e., 0, ?0.02, and ?0.04) and two levels of correlated color temperature (i.e., 2700 and 3500 K). Significant differences were found between the two chroma levels for unique blue and yellow, with the hue angles of unique yellow and blue judged using the desaturated samples being significantly different from those defined in CIECAM02. The iso‐lines of unique yellow, blue, and green did not always go through the origin of the a*‐b* or a′‐b′ planes in CIELAB and CAM02‐UCS. Thus, the problems of CIECAM02, CIELAB, and CAM02‐UCS identified in this study need further investigations. 相似文献
7.
Kaida Xiao Chenyang Fu Dimitris Mylonas Dimosthenis Karatzas Sophie Wuerger 《Color research and application》2013,38(1):22-29
Unique hue settings of 185 observers under three room‐lighting conditions were used to evaluate the accuracy of full and mixed chromatic adaptation transform models of CIECAM02 in terms of unique hue reproduction. Perceptual hue shifts in CIECAM02 were evaluated for both models with no clear difference using the current Commission Internationale de l'Éclairage (CIE) recommendation for mixed chromatic adaptation ratio. Using our large dataset of unique hue data as a benchmark, an optimised parameter is proposed for chromatic adaptation under mixed illumination conditions that produces more accurate results in unique hue reproduction. © 2011 Wiley Periodicals, Inc. Col Res Appl, 2013 相似文献
8.
Color appearance models, among other things, predict the hue of a stimulus when compared with defined stimuli that represent the four unique hues. Recent studies have indicated that the stimuli representing with high reliability unique hue (UH) percepts vary widely for different color‐normal observers. The average yellow and blue UH stimuli for 102 observers, as determined in a recent experiment at medium chroma, differ considerably from the CIECAM02 defined unique hues, based on the Swedish NCS. Wide inter‐observer variability precludes color appearance models from accurately predicting, for individual observers, all four unique hue stimuli. However, models should predict accurately those of a well‐defined average observer. © 2008 Wiley Periodicals, Inc. Col Res Appl, 33, 505–506, 2008 相似文献
9.
Eriko Miyahara Ewelina Szewczyk Jennifer McCartin Kimberly Caldwell 《Color research and application》2004,29(4):285-291
Loci of the four unique hues (red, green, blue, and yellow) on the equiluminant plane on the color display and three preferred colors were obtained from 115 normal trichromats. We sought possible correlations between these measures. Different unique hue loci were not correlated with each other. The three preferred colors were not correlated with each other. We found five combinations of significant correlation between a preferred color and unique hue settings, yet the overall tendency is not very clear. We conclude that individual differences in color appearance measured by unique hues and color preferences measured by asking for favorite colors may not be predicted from each other or even within a category because the differences in the earlier visual mechanisms can be compensated for and these high‐level measures can be influenced by learning and experience. © 2004 Wiley Periodicals, Inc. Col Res Appl, 29, 285–291, 2004; Published online in Wiley InterScience (www.interscience.wiley.com). DOI 10.1002/col.20023 相似文献
10.
R. W. G. Hunt 《Color research and application》2015,40(6):576-576
This letter to the editor notes the offsets from the origin of unique hue loci in the recent article, Unique Hue Data for Colour Appearance Models. Part III: Comparison with NCS Unique Hues by Xiao et al. [Color Res Appl 2015;40:256–263] and suggests that modifications to the cone response function in CIECAM02 be explored. © 2015 Wiley Periodicals, Inc. Col Res Appl, 2015 相似文献
11.
Yoshinobu Nayatani 《Color research and application》2005,30(1):42-52
Chroma‐step perception and its corresponding color difference in the same hue direction are the different attributes on color perception. The differences between them are different for different hues. Hue‐appearance step and its corresponding color difference along the same hue circle also have completely different concepts. The causes of the above two facts are clarified. The information based on various experiments and theoretical considerations are given for supporting the facts. In addition, it is clarified that the relationship on color‐appearance step and color difference has completely different characteristics between the quantitative (chroma) and the qualitative (hue) attributes of object colors. The importance of chromatic strength (CS) on hue is clarified in each of the three color attributes hue, value, and chroma. © 2004 Wiley Periodicals, Inc. Col Res Appl, 30, 42–52, 2005; Published online in Wiley InterScience (www.interscience.wiley.com). DOI 10.1002/col.20073 相似文献
12.
Ralph W. Pridmore 《Color research and application》2007,32(1):25-39
The effect of purity on hue has been reported severally (including Munsell and NCS data on constant hue loci) over 100 years but without general agreement. For example, the number of hue shift nulls in the data vary from 2 to 6. Hence, despite this effect's commonality it lacks reliable data for modeling underlying mechanisms or color appearance. The purity of a stimulus may be decreased by adding white (as in Abney's experiment), by adding black, or by adding gray such that luminance, or alternatively lightness, remains constant. This article gives new data for CRT stimuli for illuminant D65 for all four conditions but mainly for equal luminance, for 31 observers and 13 test dominant wavelengths. Further, samples were observed in two temporal conditions: either simultaneously as pairs (the contrast mode) or singly (the no‐contrast mode). Three types of samples were tested: (1) equal luminance 30 cd/m2 for all dominant wavelengths, (2) equal lightness for all dominant wavelengths, and (3) zero‐gray colors, requiring different luminances for different dominant wavelengths. In all the above conditions, the resultant hue shifts graphed a robust bimodal curve (two peaks in cyan and red, two troughs in blue and green) across the hue cycle, similar to Munsell and NCS data except the definite peak in cyan.© 2006 Wiley Periodicals, Inc. Col Res Appl, 32, 25–39, 2007; Published online in Wiley InterScience (www.interscience.wiley.com). DOI 10.1002/col.20286 相似文献
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Uravis Tangkijviwat Kitirochna Rattanakasamsuk Hiroyuki Shinoda 《Color research and application》2010,35(1):50-61
Most color preference research focuses on colors in an object color mode. In our daily life, however, colors are perceived not only as an object color mode but also as other modes, such as unnatural object color and light source color modes. To explore the effect of the color appearance mode on color preference, we examined the relationship between color preference and the mode of color appearance. Thirty‐three color chips were chosen from the Munsell notation varying in hues and chromas. The color chips were presented in different color appearance modes by changing the subject's room illuminance and the color chip room illuminance. The experimental results showed that the brightest and most saturated colors were preferred. It was found that the subject preferred color in a light source color mode and unnatural object color mode to color in an object color mode. Moreover, we found that hue had a small effect on color preference in the light source color mode. We also investigated the relationship between color preference and the perceived color attributes (perceived chromaticness, whiteness, and blackness). In a supplementary experiment, elementary color naming was conducted. The results showed that the perceived chromaticness, perceived whiteness, and perceived blackness play a role for the determination of color preference for different color appearance modes. We, consequently, suggest that color preference is dominated not only by color attributes but also by the mode of color appearance. © 2009 Wiley Periodicals, Inc. Col Res Appl, 2010 相似文献
15.
Ralph W. Pridmore 《Color research and application》2009,34(3):233-252
Complementary colors have long been thought important to color vision due to their ability (as admixed pairs) to extinguish all chromaticity, and to adapt automatically (i.e., wavelength pairs and radiant power ratios) to illuminant. Their role in color mixture and chromatic induction is well documented but other roles have not been demonstrated. This article studies the structure of complementary colors in the wavelength and radiance dimensions over the hue cycle (the nonspectrals are represented by a nominal‐wavelength metric). In the wavelength dimension, the basic structure of complementary colors is the complementary intervals ratio (ratio of a wavelength interval to its complementary interval of 1 nm). The ratio has RGB peaks, complementary CMY troughs, and provides models of chromatic induction, wavelength discrimination, and uniform hue difference in good agreement with data. Novel analyses of six color order/UCS hue circles indicate essential characteristics of a uniform hue scale. In the radiance dimension, basic structure is the complementary powers ratio (power of a stimulus required to neutralize its complementary of 1 Watt). The inverse structure has RGB peaks, complementary CMY troughs, and provides models of saturation, spectral sensitivity, and chromatic adaptation to illuminant. The RGB peaks demonstrate spectral sharpening, implying a postreceptoral location in the physiology. The models indicate that complementary colors have a significant role in color appearance besides their well known role in color mixture. © 2009 Wiley Periodicals, Inc. Col Res Appl, 34, 233–252, 2009 相似文献
16.
The chromaticities of the Munsell Renotation Dataset were applied to eight color‐appearance models. Models used were: CIELAB, Hunt, Nayatani, RLAB, LLAB, CIECAM97s, ZLAB, and IPT. Models were used to predict three appearance correlates of lightness, chroma, and hue. Model output of these appearance correlates were evaluated for their uniformity, in light of the constant perceptual nature of the Munsell Renotation data. Some background is provided on the experimental derivation of the Renotation Data, including the specific tasks performed by observers to evaluate a sample hue leaf for chroma uniformity. No particular model excelled at all metrics. In general, as might be expected, models derived from the Munsell System performed well. However, this was not universally the case, and some results, such as hue spacing and linearity, show interesting similarities between all models regardless of their derivation. © 2000 John Wiley & Sons, Inc. Col Res Appl, 25, 132–144, 2000 相似文献
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Suchitra Sueeprasan M. Ronnier Luo Peter A. Rhodes 《Color research and application》2001,26(6):428-435
The key to achieving successful cross‐media colour reproduction is a reliable colour appearance model, which is capable of predicting the colour appearance across a variety of imaging devices under different viewing conditions. The two most commonly used media, CRT displays (soft copy) and printed images (hard copy), were included in this study using four complex images. The original printed images were captured using a digital camera and processed using eight colour appearance models (CIELAB, RLAB, LLAB, ATD, Hunt96, Nayatani97, CIECAM97s, and CAM97s2) and two chromatic adaptation transforms (von Kries and CMCCAT97). Psychophysical experiments were carried out to assess colour model performance in terms of colour fidelity by comparing soft‐copy and hard‐copy images. By employing the memory‐matching method, observers categorized the reproductions displayed on a CRT and compared them to the original printed images viewed in a viewing cabinet. The experiment was divided into three phases according to the different colour temperatures between the CRT and light source, i.e., print (D50, A, and A) and CRT (D93, D93, and D50), respectively). It was found that the CIECAM97s‐type models performed better than the other models. In addition, input parameters for each model had a distinct impact on model performance. © 2001 John Wiley & Sons, Inc. Col Res Appl, 26, 428–435, 2001 相似文献
19.
Ralph W. Pridmore 《Color research and application》2005,30(2):146-149
When red wines are tilted in a glass wine sampler and observed in strong light against a neutral background, the thinner parts appear a shorter wavelength red than the thicker ones. It is discussed whether these hue‐shifts, associated with thickness changes, are attributable to simultaneous contrast effects (Bezold–Brucke and Abney effects) or can be detected by conventional instrumental color measurement by spectroradiometer or spectrophotometer (assuming Bouguer's law). The reported hue‐shifts at different thicknesses appear to be attributable to both physical‐chemical changes and contrast effects. This discussion is in three parts: (1) Color variability of wine in a glass and general comments on contrast effects by Ralph W. Pridmore, (2) Color coordinates of wine samples with different thicknesses by Rafael Huertas, Manuel Melgosa, and Angel I. Negueruela, and (3) Final Comment by Ralph W. Pridmore. © 2005 Wiley Periodicals, Inc. Col Res Appl, 30, 146–152, 2005 相似文献
20.
扫描仪的颜色响应数值RGB与对应CIE视觉色度值间的转换用于颜色的正确捕获。实验建立了从RGB到CIEXYZ的转换关系。基于扫描仪响应数值RGB与颜色三刺激值CIEXYZ的形成机理,设计了将颜色空间分割为红、黄、绿、蓝、青、品红共6个色调区域,分别进行关系建立的方法。在两台扫描仪上的实验表明,对IT8.7/2标准色标,采用2阶10项的多项式拟合关系,颜色转换的CIEL*a*b*平均色差可达到1.0左右,最大色差小于4;对检验色标具有同样的转换精度,表明了该方法较强的泛化能力。实验同时表明,采用该方法,RGB到CIEXYZ的转换精度高于到CIEL*a*b*的转换。 相似文献