建筑漫步——从空间运动的角度解读柯布西耶

本文通过对萨伏依别墅的空间运动分析,剖析柯布西耶对于＂建筑漫步＂的现代主义构想,对系统中最为重要的坡道元素进行深入探讨,从空间运动的角度解读柯布西耶。     

勒·柯布西耶魏森霍夫住宅原型解读

以勒·柯布西耶1927年魏森霍夫住宅展上的13号独立住宅和14-15号双拼住宅作品为例,通过对作品“多米诺”与“雪铁龙”结构体系追溯、“核”空间与自由平面探讨、几何形体与内外空间融合等三方面的解读,探析结构体系、平面组合、体量形式的成因,追溯柯布早期住宅创作的源泉,揭示其住宅作品中对欧洲传统建筑文化的继承、延续关系,指导我们完整地理解其住宅创作的思想.     

浅议柯布西耶的建筑与绘画

勒·柯布西耶是二十世纪建筑界杰出的人物．通过探讨柯布西耶的绘画与建筑的关系,找寻其间的联系和相互作用,有助于深刻地理解柯布西耶的建筑,理解其深层的观念、精神实质及其突出的创作与巨大成就的原因。     

新建第五项原则与结构体系——谈1910-1929年柯布西耶住宅设计的发展

建筑大师柯布西耶地的建筑作品中将空间、形式、结构及理念完美地统一起来，因此建筑作品能够充分揭示柯布西耶的建筑理念、建筑形式与建筑结构等之间的联系。本文分析1910-1929年间柯布西耶新建筑五项原则形成的历程及背景，透视柯布西耶不为熟悉的一面，即自始至终对结构关注的设计思想。     

新建筑五项原则与结构体系--谈1910～1929年柯布西耶住宅设计的发展

建筑大师柯布西耶在他的建筑作品中将空间、形式、结构及理念完美地统一起来,因此建筑作品能够充分揭示柯布西耶的建筑理念、建筑形式与建筑结构等之间的联系.本文分析1910～1929年间柯布西耶早期的住宅作品,从结构方面剖析新建筑五项原则形成的历程及背景,透视柯布西耶不为人熟悉的一面,即自始至终对结构关注的设计思想.     

机器，建筑——柯布西耶是如何思考建筑的？

文章通过针对勒·柯布西耶的文本及作品的解读,着重疏理了作为一名现代主义者的柯布西耶的建筑思考之路,并试图分析其中的基本原则,以对当今的建筑学思考提供参考。     

浅析勒·柯布西耶的美术与建筑的关系

勒·柯布西耶的建筑设计与他的绘画经历是密不可分的,从他的很多建筑作品当中都能够体现出绘画中的特点和表达方式。因此,绘画产生了对其后来建筑设计的影响,从绘画的视角来剖析建筑,寻找思想来源。     

现代建筑的承上启下——从柯布西耶与密斯的比较谈起

本文从建筑的秩序,技术、结构和形式,以及平面与空间3个角度出发,以普遍联系和运动的观点对现代建筑运动中的两位旗手柯布西耶和密斯·凡·德·罗的建筑创作进行了类比与对比,并由此认为,现代建筑浪潮与其说是与传统的决裂,不如说是在对传统批判继承的基础上的进一步发展,而柯布西耶和密斯的名字之所以排在无数同时代建筑师的前列,正是因为他们对古典建筑学进行了批判地继承,将其中的精华经过发展并和他们自己的新思想结合后融入他们时代的建筑当中。     

佩雷和柯布西耶的“预制”混凝土建筑比较研究

钢筋混凝土预制化建造是法国一战战后快速和经济性重建的主要途径,本文通过比较研究佩雷和柯布西耶的预制观念,揭示建造思考在20世纪20年代法国钢筋混凝土建筑发展中的重要作用。     

“小组十”、柯布西耶与毯式建筑

"小组十"在20世纪中期提倡的毯式建筑原型,在当代出现了大量复兴。但对这一原型的研究在历史上被极大的忽视了。本文通过对毯式建筑的历史回顾和分析梳理,试图重新发掘它的意义,并以柯布西耶的威尼斯医院为特例,分析"小组十"可能的失败原因,以此对当代的复兴现象提出警示。     

赖特与现代建筑运动关系另议

一直以来学界对于赖特在现代建筑运动中的地位存在两种不同认识。主流观点认同赖特属于现代建筑派。由于赖特一生建筑创作数量巨大、风格多变,职业生涯漫长,建筑理论独树一帜,的确很难与之以确切定位。本文通过分析国内外关于赖特的诸多文献资料,在背景、建筑创作手法、城市规划及思想理论等几方面比较了赖特与欧洲现代建筑先驱的区别,对赖特与现代建筑运动的关系提出了与主流观点不同的见解即赖特不属于现代建筑派。此观点意不在于将赖特逐出现代建筑运动,而是着意指出赖特成功的深层原因,希望给现代的建筑创作和建筑师提供一点启示。     

建筑师挥舞的利器--山本理显建筑设计的系统化探索

通过访谈的形式,针对建外SOHO,由山本理显亲自介绍该项目在设计过程中所着重考虑过的开放空间、新生活方式、正立方体模块空间排列、25°转角、建筑配色和"阈"空间等手法,强调了系统化建立在建筑设计过程与控制中的作用和意义.     

L.A.W.u.N. Project #21: Cybucolia

The project here, begun in 2009 by the Invisible University,¹ a collaboration between the EXP/University of Westminster and the Architectural Association, speculates on the ‘dis-urban’: new effects on the post-print, post-digital landscape at a local and global level. Samantha Hardingham and David Greene provide the narrative. Copyright © 2009 John Wiley & Sons, Ltd.     

London Short Stories: Drawing Narratives

Professor at the Bartlett School of Architecture (UCL) and a successful practitioner, CJ Lim has won international awards for his exquisite drawings, including the esteemed Royal Academy of Arts Grand Architecture Prize. Here CJ extols the virtue of narrative and signified meaning in buildings and describes his project London Short Stories that employs ‘real and imaginary sites as springboards for the imagination’. Often ‘immoral, licentious, anarchical and unscientific’, the short stories, which are three-dimensional creations constructed out of paper, are from ‘an aesthetic point of view, glorious, ravishing and a pleasure to behold’.     

Questions of Taste

Charles Holland of FAT picks up the Post-Modern baton from Venturi Scott Brown and Charles Jencks and raises the neglected topic of taste. Though the way architecture is experienced by people is bound up with taste, it remains an area of discomfort for architects – tied up with awkward discussions of privilege and class. Holland shows how in FAT's Islington Square housing project the DIY taste of the residents was not only embraced, but fully accommodated. Copyright © 2011 John Wiley & Sons, Ltd.     

This is Not Entertainment: Experiencing the Dream House

Testing the spatiotemporal limits of experience and art installation, Dream House dwells upon a physical interaction between bodily movement and synthesised frequencies to prompt a variable sound spectrum and a specific interior atmosphere. Ted Krueger highlights the primacy of first-person experience within a spatial continuum, and in particular an experience of a nonvisual and interactive nature. Copyright © 2008 John Wiley & Sons, Ltd.     

Outside the Terrestrial Sphere Greg Lynn FORM: N.O.A.H. (New Outer Atmospheric Habitat) and New City

Renowned architect and educator Greg Lynn describes two projects - N.O.A.H, a science-fiction film, and New City, a design exhibit at the Museum of Modern Art (MoMA) in New York - that directly ‘engage the theme of Space Architecture as the new frontier for design research in terms of the spatial character and navigation of environments with alternative gravities’.     

The Poetics of the Island of Vessels

Since 2000, Neil Spiller has been engaged on a ‘long project’: a series of hundreds of drawings that through a potent mix of cyborgian fantasy and Surrealism, imbued with poetry and biotechnology, evoke a psycho-geographical island inhabited by an irascible alter ego, ‘The Professor’. Spiller seeks out in this work ‘an unusual and startling architecture’ that reveals a ‘loving, enigmatic and ragged beauty’.     

Jamie Fobert Architects: Inside Out

The architect of several artists' homes, Jamie Fobert is now landing himself a string of acclaimed arts and commercial commissions. From his warehouse in Old Street in London, he explained to Howard Watson how the sensitive integrity of his architecture has developed out of ‘an inside-out approach’, which puts particular store in ‘framing light and views’ and the sculpting of space aided by physical model-making, rather than the synthetic top-down views that are imposed by widely used CAD programs. Copyright © 2008 John Wiley & Sons, Ltd.     

Contingent Behaviours

Michelle Addington questions the accepted Modernist conception of the interior as a hermetically sealed envelope. She highlights the vicissitudes in attitudes that have existed over time to interior and exterior conditions by flagging up the 19th-century pursuit of ventilation and the permeable outside wall, which was pursued in the quest for public sanitation and a misguided belief in the ‘toxic’ interior. Copyright © 2009 John Wiley & Sons, Ltd.