Restoration of error-diffused images using projection onto convexsets

A novel inverse halftoning method is proposed to restore a continuous tone image from a given half-tone image. A set theoretic formulation is used where three sets are defined using the prior information about the problem. A new space-domain projection is introduced assuming the halftoning is performed using error diffusion, and the error diffusion filter kernel is known. The space-domain, frequency-domain, and space-scale domain projections are used alternately to obtain a feasible solution for the inverse halftoning problem which does not have a unique solution.     

Error-diffused image compression using a binary-to-gray-scaledecoder and predictive pruned tree-structured vector quantization

The authors consider data compression of binary error diffused images. The original contribution is using nonlinear filters to decode error-diffused images to compress them in the gray-scale domain; this gives better image quality than directly compressing the binary images. Their method is of low computational complexity and can work with any halftoning algorithm.     

Look-up table (LUT) method for inverse halftoning

In this paper we propose look-up table (LUT) based methods for inverse halftoning of images. The LUT for inverse halftoning is obtained from the histogram gathered from a few sample halftone images and corresponding original images. The method is extremely fast (no filtering is required) and the PSNR and visual image quality achieved is comparable to the best methods known for inverse halftoning. The LUT inverse halftoning method does not depend on the specific properties of the halftoning method, and can be applied to any halftoning method. Then, an algorithm for template selection for LUT inverse halftoning is introduced. We demonstrate the performance of the LUT inverse halftoning algorithm on error diffused images and ordered dithered images. We also extend LUT inverse halftoning to color halftones.     

Printer models and error diffusion

A new model-based approach to digital halftoning is proposed. It is intended primarily for laser printers, which generate "distortions" such as "dot overlap". Conventional methods, such as clustered-dot ordered dither, resist distortions at the expense of spatial and gray-scale resolution. The proposed approach relies on printer models that predict distortions, and rather than merely resisting them, it exploits them to increase, rather than decrease, both spatial and gray-scale resolution. We propose a general framework for printer models and find a specific model for laser printers. As an example of model-based halftoning, we propose a modification of error diffusion, which is often considered the best halftoning method for CRT displays with no significant distortions. The new version exploits the printer model to extend the benefits of error diffusion to printers. Experiments show that it provides high-quality reproductions with reasonable complexity. The proposed modified error diffusion technique is compared with Stucki's (1981) MECCA, which is a similar but not widely known technique that accounts for dot overlap. Model-based halftoning can be especially useful in transmission of high-quality documents using high-fidelity gray-scale image encoders.     

Inverse halftoning via MAP estimation

There has been a tremendous amount of research in the area of image halftoning, where the goal has been to find the most visually accurate representation given a limited palette of gray levels (often just two, black and white). This paper focuses on the inverse problem, that of finding efficient techniques for reconstructing high-quality continuous-tone images from their halftoned versions. The proposed algorithms are based on a maximum a posteriori (MAP) estimation criteria using a Markov random field (MRF) model for the prior image distribution. Image estimates obtained with the proposed model accurately reconstruct both the smooth regions of the image and the discontinuities along image edges. Algorithms are developed and example gray-level reconstructions are presented generated from both dithered and error-diffused halftone originals. Application of the technique to the problems of rescreening and the processing of halftone images are shown.     

Least-squares model-based halftoning

A least-squares model-based (LSMB) approach to digital halftoning is proposed. It exploits both a printer model and a model for visual perception. It attempts to produce an optimal halftoned reproduction, by minimizing the squared error between the response of the cascade of the printer and visual models to the binary image and the response of the visual model to the original gray-scale image. It has been shown that the one-dimensional (1-D) least-squares problem, in which each row or column of the image is halftoned independently, can be implemented using the Viterbi algorithm to obtain the globally optimal solution. Unfortunately, the Viterbi algorithm cannot be used in two dimensions. In this paper, the two-dimensional (2-D) least-squares solution is obtained by iterative techniques, which are only guaranteed to produce a total optimum. Experiments show that LSMB halftoning produces better textures and higher spatial and gray-scale resolution than conventional techniques. We also show that the least-squares approach eliminates most of the problems associated with error diffusion. We investigate the performance of the LSMB algorithms over a range of viewing distances, or equivalently, printer resolutions. We also show that the LSMB approach gives us precise control of image sharpness.     

Halftone to continuous-tone conversion of error-diffusion codedimages

Considers the problem of reconstructing a continuous-tone (contone) image from its halftoned version, where the halftoning process is done by error diffusion. The authors present an iterative nonlinear decoding algorithm for halftone-to-contone conversion and show simulation results that compare the performance of the algorithm to that of conventional linear low-pass filtering. They find that the new technique results in subjectively superior reconstruction. As there is a natural relationship between error diffusion and SigmaDelta modulation, the reconstruction algorithm can also be applied to the decoding problem for SigmaDelta modulators.     

A multiscale error diffusion technique for digital multitoning

Multitoning is the representation of digital pictures using a given set of available color intensities, which are also known as tones or quantization levels. It can be viewed as the generalization of halftoning, where only two such quantization levels are available. Its main application is for printing and, similar to halftoning, can be applied to both colored and grayscale images. In this paper, we present a method to produce multitones based on the multiscale error diffusion technique. Key characteristics of this technique are: 1) the use of an image quadtree; 2) the quantization order of the pixels being determined through "maximum intensity guidance" on the image quadtree; and 3) noncausal error diffusion. Special care has been given to the problem of banding, which is one of the inherent limitations in error diffusion when applied to multitoning. Banding is evident in areas of the image with values close to one of the available quantization levels; our approach is to apply a preprocessing step to alleviate part of the problem. Our results are evaluated both in terms of visual appearance and using a set of standard metrics, with the latter demonstrating the blue-noise characteristics and very low anisotropy of the proposed method.     

Wavelet-based inverse halftoning for error diffused halftones

This paper describes a technique for inverse halftoning based on the wavelet domain deconvolution that comprises Fourier-domain followed by wavelet-domain noise suppression, in order to benefit from the advantages of each of them. The proposed algorithm can be formulated as a linear deconvolution problem. In fact, we model such a gray-scale image to be the result of a convolution of the original image with a point spread function (PSF) and a colored noise. Our method performs inverse halftoning by first inverting the model specified convolution operator and then attenuating the residual noise using scalar wavelet-domain shrinkage. Using simulations, we verify that the proposed method is competitive with state-of-the-art inverse halftoning techniques in the mean-square-sense and that has also good visual performance. We illustrate the results with simulations on some examples.     

Memory efficient error diffusion

Because of its good image quality and moderate computational requirements, error diffusion has become a popular halftoning solution for desktop printers, especially inkjet printers. By making the weights and thresholds tone-dependent and using a predesigned halftone bitmap for tone-dependent threshold modulation, it is possible to achieve image quality very close to that obtained with far more computationally complex iterative methods. However, the ability to implement error diffusion in very low cost or large format products is hampered by the requirement to store the tone-dependent parameters and halftone bitmap, and also the need to store error information for an entire row of the image at any given point during the halftoning process. For the first problem, we replace the halftone bitmap by deterministic bit flipping, which has been previously applied to halftoning, and we linearly interpolate the tone-dependent weights and thresholds from a small set of knot points. We call this implementation a reduced lookup table. For the second problem, we introduce a new serial block-based approach to error diffusion. This approach depends on a novel intrablock scan path and the use of different parameter sets at different points along that path. We show that serial block-based error diffusion reduces off-chip memory access by a factor equal to the block height. With both these solutions, satisfactory image quality can only be obtained with new cost functions that we have developed for the training process. With these new cost functions and moderate block size, we can obtain image quality that is very close to that of the original tone-dependent error diffusion algorithm.     

Tree-structured method for LUT inverse halftoning and for imagehalftoning

The authors previously proposed a look up table (LUT) based method for inverse halftoning of images. The LUT for inverse halftoning is obtained from the histogram gathered from a few sample halftone images and corresponding original images. Many of the entries in the LUT are unused because the corresponding binary patterns hardly occur in commonly encountered halftones. These are called nonexistent patterns. In this paper, we propose a tree structure which will reduce the storage requirements of an LUT by avoiding nonexistent patterns. We demonstrate the performance on error diffused images and ordered dither images. Then, we introduce LUT based halftoning and tree-structured LUT (TLUT) halftoning. Even though the TLUT method is more complex than LUT halftoning, it produces better halftones and requires much less storage than LUT halftoning. We demonstrate how the error diffusion characteristics can be achieved with this method. Afterwards, our algorithm is trained on halftones obtained by direct binary search (DBS). The complexity of TLUT halftoning is higher than the error diffusion algorithm but much lower than the DBS algorithm. Also, the halftone quality of TLUT halftoning increases if the size of the TLUT gets bigger. Thus, the halftone image quality between error diffusion and DBS will be achieved depending on the size of the tree-structure in the TLUT algorithm     

Modeling and quality assessment of halftoning by error diffusion

Digital halftoning quantizes a graylevel image to one bit per pixel. Halftoning by error diffusion reduces local quantization error by filtering the quantization error in a feedback loop. In this paper, we linearize error diffusion algorithms by modeling the quantizer as a linear gain plus additive noise. We confirm the accuracy of the linear model in three independent ways. Using the linear model, we quantify the two primary effects of error diffusion: edge sharpening and noise shaping. For each effect, we develop an objective measure of its impact on the subjective quality of the halftone. Edge sharpening is proportional to the linear gain, and we give a formula to estimate the gain from a given error filter. In quantifying the noise, we modify the input image to compensate for the sharpening distortion and apply a perceptually weighted signal-to-noise ratio to the residual of the halftone and modified input image. We compute the correlation between the residual and the original image to show when the residual can be considered signal independent. We also compute a tonality measure similar to total harmonic distortion. We use the proposed measures for edge sharpening, noise shaping, and tonality to evaluate the quality of error diffusion algorithms.     

A fast, high-quality inverse halftoning algorithm for errordiffused halftones

Halftones and other binary images are difficult to process with causing several degradation. Degradation is greatly reduced if the halftone is inverse halftoned (converted to grayscale) before scaling, sharpening, rotating, or other processing. For error diffused halftones, we present (1) a fast inverse halftoning algorithm and (2) a new multiscale gradient estimator. The inverse halftoning algorithm is based on anisotropic diffusion. It uses the new multiscale gradient estimator to vary the tradeoff between spatial resolution and grayscale resolution at each pixel to obtain a sharp image with a low perceived noise level. Because the algorithm requires fewer than 300 arithmetic operations per pixel and processes 7x7 neighborhoods of halftone pixels, it is well suited for implementation in VLSI and embedded software. We compare the implementation cost, peak signal to noise ratio, and visual quality with other inverse halftoning algorithms.     

A POCS-based restoration algorithm for restoring halftoned color-quantized images.

This paper studies the restoration of images which are color-quantized with error diffusion. Though there are many reported algorithms proposed for restoring noisy blurred color images and inverse halftoning, restoration of color-quantized images is rarely addressed in the literature especially when the images are color-quantized with halftoning. Direct application of existing restoration techniques are generally inadequate to deal with this problem. In this paper, a restoration algorithm based on projection onto convex sets is proposed. This algorithm makes use of the available color palette and the mechanism of a halftoning process to derive useful a priori information for restoration. Simulation results showed that it could improve the quality of a halftoned color-quantized image remarkably in terms of both SNR and CIELAB color difference metric.     

JPEG-compliant perceptual coding for a grayscale image printingpipeline

We describe a procedure by which Joint Photographic Experts Group (JPEG) compression may be customized for gray-scale images that are to be compressed before they are scaled, halftoned, and printed. Our technique maintains 100% compatibility with the JPEG standard, and is applicable with all scaling and halftoning methods. The JPEG quantization table is designed using frequency-domain characteristics of the scaling and halftoning operations, as well as the frequency sensitivity of the human visual system. In addition, the Huffman tables are optimized for low-rate coding. Compression artifacts are significantly reduced because they are masked by the halftoning patterns, and pushed into frequency bands where the eye is less sensitive. We describe how the frequency-domain effects of scaling and halftoning may be measured, and how to account for those effects in an iterative design procedure for the JPEG quantization table. We also present experimental results suggesting that the customized JPEG encoder typically maintains "near visually lossless" image quality at rates below 0.5 b/pixel (with reference to the number of pixels in the original image) when it is used with bilinear interpolation and either error diffusion or ordered dithering. Based on these results, we believe that in terms of the achieved bit rate, the performance of our encoder is typically at least 20% better than that of a JPEG encoder using the suggested baseline tables.     

Inkjet printer model-based halftoning.

The quality of halftone prints produced by inkjet (IJ) printers can be limited by random dot-placement errors. While a large literature addresses model-based halftoning for electrophotographic printers, little work has been done on model-based halftoning for IJ printers. In this paper, we propose model-based approaches to both iterative least-squares halftoning and tone-dependent error diffusion (TDED). The particular approach to iterative least-squares halftoning that we use is direct binary search (DBS). For DBS, we use a stochastic model for the equivalent gray-scale image, based on measured dot statistics of printed IJ halftone patterns. For TDED, we train the tone-dependent weights and thresholds to mimic the spectrum of halftone textures generated by model-based DBS. We do this under a metric that enforces both the correct radially averaged spectral profile and angular symmetry at each radial frequency. Experimental results generated with simulated printers and a real printer show that both IJ model-based DBS and IJ model-based TDED very effectively suppress IJ printer-induced artifacts.     

Halftone image classification using LMS algorithm and naive Bayes

Former research on inverse halftoning most focus on developing a general-purpose method for all types of halftone patterns, such as error diffusion, ordered dithering, etc., while fail to consider the natural discrepancies among various halftoning methods. To achieve optimal image quality for each halftoning method, the classification of halftone images is highly demanded. This study employed the least mean-square filter for improving the robustness of the extracted features, and employed the naive Bayes classifier to verify all the extracted features for classification. Nine of the most well-known halftoning methods were involved for testing. The experimental results demonstrated that the classification performance can achieve a 100% accuracy rate, and the number of distinguishable halftoning methods is more than that of a former method established by Chang and Yu.     

Perceptual coding of images for halftone display

The authors present a new technique for coding gray-scale images for facsimile transmission and printing on a laser printer. They use a gray-scale image encoder so that it is only at the receiver that the image is converted to a binary pattern and printed. The conventional approach is to transmit the image in halftoned form, using entropy coding (e.g., CCITT Group 3 or JBIG). The main advantages of the new approach are that one can get higher compression rates and that the receiver can tune the halftoning process to the particular printer. They use a perceptually based subband coding approach. It uses a perceptual masking model that was empirically derived for printed images using a specific printer and halftoning technique. In particular, they used a 300 dots/inch write-black laser printer and a standard halftoning scheme ("classical") for that resolution. For nearly transparent coding of gray-scale images, the proposed technique requires lower rates than the standard facsimile techniques.     

Inverse error-diffusion using classified vector quantization

This correspondence extends and modifies classified vector quantization (CVQ) to solve the problem of inverse halftoning. The proposed process consists of two phases: the encoding phase and decoding phase. The encoding procedure needs a codebook for the encoder which transforms a halftoned image to a set of codeword-indices. The decoding process also requires a different codebook for the decoder which reconstructs a gray-scale image from a set of codeword-indices. Using CVQ, the reconstructed gray-scale image is stored in compressed form and no further compression may be required. This is different from the existing algorithms, which reconstructed a halftoned image in an uncompressed form. The bit rate of encoding a reconstructed image is about 0.51 b/pixel.