平遥有个萃谱园

<正>脸谱源于戏曲表演山西是戏曲大省,有近50个剧种,其中晋剧是最大的剧种,流行于平遥、祁县、太谷一带,属晋商文化的重要组成部分。萃谱园是山西唯一从事晋剧脸谱研究、传承、创新、制作的店铺行走在平遥古城南大街,你会发现这里越来越像全国大多数的旅游市场,除了漆器和牛肉外,大多东西已没有了本土情不。然而这条街上,还有一个叫"萃谱园"的小店,依然坚守着本土艺术。萃谱园坐落于古城最繁华地段的始建于清     

大学校园里的环境陶艺

大学校园的环境建设中，环境陶艺作品还是很少的。然而，随着校园及校舍环境的不断发展、提高，环境陶艺也如雨后春笋般的发展起来。院校内的环境陶艺也有不少的作品选题得当，位置适宜。不仅挖掘和增添了文化内涵，提高了校园环境的品位，而且在创造美好的育人环境方面起到很好的作用。     

The façade decorations of the tenement houses in Olsztyn's Old Town before and after the Second World War

The article discusses the façade decorations of the tenement houses in Olsztyn's Old Town before and after the Second World War. This research comprises the original colour scheme of the tenement houses preserved from the destruction of war as well as the unique works of art in Olsztyn executed by local artists in the Polish People's Republic period. They include sgraffito, mosaics, and sculpted and colourful decorations of the tenement houses reconstructed after the Second World War. This article presents their history, authors, themes, techniques, and technologies. The documentation of this artwork sheds light on the art of that period and its artists, and shows a changing attitude toward historical monuments and the colour schemes during the postwar reconstruction in Polish towns at the time of the Polish People's Republic.     

老榆木的文艺范

10年的积淀,一朝而勃发。作为设计师,梁少波没有按捺住雄心大志,他同自己的设计团队一起创建了家居品牌"铮舍"。一段由做设计到做企业的转型历程就此拉开了序幕。现今的都市生活,充斥着快节奏,疲惫不堪的人们,向往乡村那寂静、环保的绿色生活。沉睡在农家的榆木房梁继而跃入人们视线,各种老榆木家具如雨后春笋般出现在各大商场。家居品牌"铮舍"的出现,让人眼前一亮,它可以轻松地与现代居室、茶楼、艺术展厅等场所融为一体。不使用化学原料、运用榫卯技艺,定位了"铮舍"的走向——享受"素生活",彰显文艺范。     

威尼斯--面具之城

那是一个非常神奇的城市，怎样来形容她呢？勉强把她比作一个女人吧。     

屯堡手工一绝--脸子雕刻

紧靠蔡官屯的下苑距安顺不到20公里，这里有不少雕刻面具的民间艺人，杨正昆是其中一家。     

安顺地戏面具雕刻中的"神"韵

面具在古代先民的社会生活有着非常重要的地位，它掩容增威，沟通了人神之间的距离，是古代先民对生的希冀和对死的恐惧的膜拜物。面具雕刻在中国已有几千年的历史。早在商周时期，上至宫廷，下至民间，每年都要在季春、仲秋、季冬举行傩祭活动。在庞大的傩仪活动中，主持傩祭的中心人物就是“头戴面具”的方相氏。那时，人们就开始雕刻面具。     

Colour fragmentation measurement in a historic area: Using Shanghai Old Town as an example

Under the background of urban renewal protection and old city transformation, problems such as clutter, distortion, and disorder appear in the historical style area. These problems have greatly impacted and damaged the cultural heritage and historical research of the style area. To carry out the urban renewal movement more reasonably, this article selects the historical features of the Old Town of Shanghai for empirical research, uses the colour patch concept and fragmentation index for a quantitative analysis, and divides the study area fragmentation level. The study found that the number and types of colour patches in the Old Town are many, and the yellow system is highly fragmented in the Old Town, which means that the human environment in the colour style area is lost. The main reasons are the rise of modernist architecture and new materials. Three aspects are involved in the widespread use of policy and out-of-control management of the policy; therefore, attention should be paid to the updating of future historical style areas: protecting the authenticity of colours, maintaining colour integrity, and continually retaining colour memories in cities.     

陶艺在当代艺术中的语境

通过分析陶艺在当代艺术中的现状,试图为其寻找到参与构建当代艺术文化的可能性与恰当的途径。探讨了导致现代陶艺边缘化这种状况的原因。主要阐释了现代陶艺切入当代艺术的三种解决途径。     

硅橡胶在防毒面具中的应用

对国内外的防毒面具罩体橡胶的水平进行了分析，通过对硅橡胶在防毒面具中的应用研究，选出了较好的配方用于防毒面具的导流罩，但作罩体材料还需进一步研究。     

茶馆里的老北京

老北京是什么样？老舍茶馆里的博物馆足以让时光倒流。800年建都史,使北京成为你身边距现代生活最近的历史古都,平凡琐碎的衣食住行,便是这段历史不可或缺的重要组成部分。     

赋泥土以生命——现代陶艺的艺术特征

一块泥土是没有生命的,但是,通过陶艺家的设计制造,就会使冰凉的泥土产生出生命热情。陶瓷泥土的可塑特征,使陶艺作品呈现出千姿百态的造型。