Cross preferences for colors and shapes

Preferences for colors and geometric shapes vary considerably across individuals. Studies have demonstrated these variations in preference separately for colors and shapes, but the relationships between preference variations for colors and shapes are not yet known. By measuring individual preferences for basic colors and shapes, we found that color preferences and shape preferences were partly, but systematically, correlated. People who preferred some simple shapes (e.g., cone, pyramid) tended to prefer some light or warm colors (e.g., yellow, orange). In contrast, people who preferred some complex shapes (e.g., scrambled truncated‐pyramid, scrambled pyramid) tended to prefer some dark or cold colors (e.g., blue, blue‐green). That is, people who like “simple” or “complex” visual features might tend to like “light or warm” or “dark or cold” visual features. These results indicate that individual preferences for colors and shapes might not be independent, but could be correlated and intertwined to some extent. We suggest that the semantic information associated with colors and shapes underlies the cross preferences. © 2015 Wiley Periodicals, Inc. Col Res Appl, 41, 188–195, 2016     

Affective matches of fabric and lighting chromaticity

This study investigates the impact of lighting colors on subjective judgments of fabric: in particular, whether the influence of lighting varies depending on fabric types and color combinations. We conducted two visual assessments. In Study 1 (N = 44), eight illuminants and six types of fabric were presented as cloth stimuli. Derived from the literature review, four sets of adjectives (humble-luxurious, cool-warm, old-new, and not preferred-preferred) were used as metrics. In Study 2 (N = 41), five sets of fabric color combination swatches were assessed under lighting conditions that were identical to those of Study 1. Three bipolar scales (ordinary-characterful, classic-modern, and soft-rigid), were employed from factor analysis along with three unipolar scales (luxurious, preferred, harmonious with lighting). The results showed that hue characteristics of lighting and cloth types influenced participants' perceptions of the fabric. Overall, white lighting with 4000 K was the most preferred and luxurious lighting across various types of clothes, while a pinkish white with 4700 K (duv = −0.0127) was the best matched in every color combination. In addition, there were interaction effects between lighting colors, clothes types, and fabric color combinations with regard to each of the perceptual qualities. This study provides empirical evidence for optimally match lighting colors with fabric in the presentation of fabric goods.     

Investigating the use of an adjustment task to set preferred colour of ambient illumination

An experiment was carried out to examine the method of adjustment when determining user preferences for the colour appearance of ambient lighting. A booth was lit using luminaires containing an array of white and coloured light emitting diodes (LEDs), allowing continuous variation of correlated colour temperature (CCT) between 2736 and 4014 K. It was predicted that the preferred CCT would be influenced by the available stimulus range, the anchor (initial setting before adjustment), adaptation time before onset of adjustment action and type of control dial. Preference was estimated for three different CCT stimulus ranges within the available range. All three ranges led to significantly different results for preferred CCT: 3288, 3490 and 3671 K. The experimental results confirmed that stimulus range, anchor and adaptation time have significant effect on the preferred CCT determined using the adjustment task, and thus, the importance of considering and reporting this information in studies that employ the method of adjustment. © 2011 Wiley Periodicals, Inc. Col Res Appl, 2013     

Hue and warm‐cool feeling as the visual resemblance criteria for iso‐CCT judgment

The hue perception and ‘warm‐cool’ feelings were investigated, in response to various lighting settings, following the adaptation to either 3500K or 5000K to compare which one—between conventional iso‐Correlated Color Temperature (CCT) and a new one based on CIE u'v′ color space—is more compatible with the visual perception. Twenty participants evaluated hue and warm‐cool feelings for 48 test lighting settings, by observing an empty gray booth. The results showed that yellow‐blue and ‘warm‐cool’ feelings are closely located around the Planckian locus, while red‐green roughly follows the line orthogonal to the Planckian locus in CIE u'v′ color space, at both 3500 K and 5000 K settings. This suggests that u'v′ color space correlates better with human perception.     

A method for evaluating the acceptability of light sources for clinical visual evaluation of cyanosis

The accurate identification of cyanosis depends on a number of factors including the quality and quantity of the lighting used. Requirements framed in terms of permissible limits on correlated colour temperature and colour-rendering indices worked satisfactorily for many years. However, the demise of halophosphate fluorescent lamp technology and its replacement with triphosphor technology has led to a need to reevaluate the former methods and acceptance criteria. The experimental methods of assessing previous light sources were long and involved. It is impractical to replicate them as each new light source or new lighting technology is developed. There is a need, therefore, for a colorimetric method of assessing light sources for this purpose. In this study, the spectral reflectance characteristics of blood with oxygen saturation levels from 95.6–0.7% are used to calculate colour changes with respect to a reference illuminant and correlated with the results of an extensive study, some years ago, of the influence of light sources in the detection of cyanosis. The results lead to a method of evaluation with a single value criterion for acceptability. The method lends itself to simple modeling techniques for phosphor mixtures and should simplify the design of appropriate fluorescent tube sources for clinical visual evaluation of cyanosis. © 1998 John Wiley & Sons, Inc. Col Res Appl, 23, 4–17, 1998.     

Dependence of the color appearance of some flowers on illumination

Seven flower colors perceived by five color experts using visual color measurement under 2800 K warm white fluorescent lamps, 3500 K plant growth lamps, and 6500 K light‐emitting diodes (LEDs) were compared with those under 6500 K fluorescent lamps, which represented illuminants in florist shops. Fluorescent lamps (6500 K, 1000 lx) were found to be effective for displaying flower colors and were used as the standard condition. The colors of flowers generally shifted in the same direction as those of the illuminants in CIELAB space. The color differences were highest under the 3500 K fluorescent lamp at both 500 and 2000 lx. At 500 lx, the ΔE values under the 6500 K LED were higher than those under the 2800 K lamp. The C* and ΔE values revealed that the 2800 K lamp was unsatisfactory for purple‐blue and purple flowers and was more suitable for floral displays at lower illuminance. Under the 3500 K lamp, the highest color distortion occurred in cool‐colored flowers, but C* increased for purple‐blue and purple flowers. The 6500 K LED tended to decrease C* for warm‐colored flowers under both illuminances, but it was effective for displaying purple‐blue and purple flowers with increased C*. © 2012 Wiley Periodicals, Inc. Col Res Appl, 39, 28–36, 2014     

Advancement in materials for energy-saving lighting devices

This review provides a comprehensive account of energy efficient lighting devices, their working principles and the advancement of these materials as an underpinning to the development of technology. Particular attention has been given to solid state lighting devices and their applications since they have attracted the most interest and are the most promising. Solid state lighting devices including white light emitting diodes (LEDs), organic LEDs (OLEDs), quantum-dot LEDs (QLEDs) and carbon-dot LEDs (CLEDs) are promising energy efficient lighting sources for displays and general lighting. However there is no universal solution that will give better performance and efficiency for all types of applications. LEDs are replacing traditional lamps for both general lighting and display applications, whereas OLEDs are finding their own special applications in various areas. QLEDs and CLEDs have advantages such as high quantum yields, narrow emission spectra, tunable emission spectra and good stability over OLEDs, so applications for these devices are being extended to new types of lighting sources. There is a great deal of research on these materials and their processing technologies and the commercial viability of these technologies appears strong.     

LED照明用高透明光扩散材料

简要介绍了LED照明、高透明光扩散材料及其应用。简明分析了LED照明及LED照明用高透明光扩散树脂材料的市场规模及其发展趋势,阐述了高透明光扩散树脂材料的制造工艺技术及其发展趋向;选择性的介绍了高透明光扩散树脂材料的专利技术。     

Individual differences of unique hue loci and their relation to color preferences

Loci of the four unique hues (red, green, blue, and yellow) on the equiluminant plane on the color display and three preferred colors were obtained from 115 normal trichromats. We sought possible correlations between these measures. Different unique hue loci were not correlated with each other. The three preferred colors were not correlated with each other. We found five combinations of significant correlation between a preferred color and unique hue settings, yet the overall tendency is not very clear. We conclude that individual differences in color appearance measured by unique hues and color preferences measured by asking for favorite colors may not be predicted from each other or even within a category because the differences in the earlier visual mechanisms can be compensated for and these high‐level measures can be influenced by learning and experience. © 2004 Wiley Periodicals, Inc. Col Res Appl, 29, 285–291, 2004; Published online in Wiley InterScience (www.interscience.wiley.com). DOI 10.1002/col.20023     

实用与审美的完美结合——景德镇陶瓷路灯的设计探析

以陶瓷路灯为对象,特别是对景德镇陶瓷路灯设计分析,从其造型、装饰和意义几方面展开探讨。作为一种特殊的设计产品,陶瓷路灯相对于其他材质灯具而言的优点与不足,但必然承载物质生活需要与精神审美需求的双重功能,另外文章提出通过设计如何来提高陶瓷制品的实用功能与审美功能双重性,以满足现代人全方位的需求。     

A cross‐cultural comparison of colour emotion for two‐colour combinations

Psychophysical experiments were conducted in the UK, Taiwan, France, Germany, Spain, Sweden, Argentina, and Iran to assess colour emotion for two‐colour combinations using semantic scales warm/cool, heavy/light, active/passive, and like/dislike. A total of 223 observers participated, each presented with 190 colour pairs as the stimuli, shown individually on a cathode ray tube display. The results show consistent responses across cultures only for warm/cool, heavy/light, and active/passive. The like/dislike scale, however, showed some differences between the observer groups, in particular between the Argentinian responses and those obtained from the other observers. Factor analysis reveals that the Argentinian observers preferred passive colour pairs to active ones more than the other observers. In addition to the cultural difference in like/dislike, the experimental results show some effects of gender, professional background (design vs. nondesign), and age. Female observers were found to prefer colour pairs with high‐lightness or low‐chroma values more than their male counterparts. Observers with a design background liked low‐chroma colour pairs or those containing colours of similar hue more than nondesign observers. Older observers liked colour pairs with high‐lightness or high‐chroma values more than young observers did. Based on the findings, a two‐level theory of colour emotion is proposed, in which warm/cool, heavy/light, and active/passive are identified as the reactive‐level responses and like/dislike the reflective‐level response. © 2010 Wiley Periodicals, Inc. Col Res Appl, 2012     

Designing white‐light LED lighting for the display of art: A feasibility study

When displaying art, several criteria must be balanced when designing illumination including the artist's intention, damage, energy efficiency, viewing experience and understanding, and for commercial galleries and sales. The most common lighting for art includes natural daylight and incandescent spotlights. Neither source is optimal for all criteria; thus there is considerable interest in the use of white‐light light‐emitting diode (LED) lighting. A feasibility study was conducted to address two questions. First, was it possible to design a three‐primary LED source that yielded the same color rendering as common museum lighting? Second, could one design the lighting to achieve specific color appearance attributes? Three‐primary lights using a Gaussian function were optimized matching the chromaticity of D65 and minimizing color differences for a set of acrylic dispersion paints. The optimal wavelengths depended on bandwidth. Lights were also optimized that either maximized or minimized average chroma. A set of real LEDs was selected that produced similar results when evaluated computationally. A source that increases chroma may be useful when used to illuminate works of art with high light sensitivity: very low illuminances are necessary and such a source will compensate for the reduction of colorfulness and visual clarity. A source that decreases chroma may be used to render art in similar fashion to low‐light conditions such as churches and caves. In general, white LED lighting is advantageous for art conservation because they do not emit UV and IR radiation and their visible radiation is reduced when compared with their continuous spectrum equivalent. © 2010 Wiley Periodicals, Inc. Col Res Appl, 2011     

High color rendering index composite phosphor-in-glass for high-power white laser lighting

The aim of this study is to investigate a thermally robust white color converter for high-power solid-state lighting, especially laser lighting. Lu₃Al₅O₁₂:Ce³⁺/CaAlSiN₃:Eu²⁺ phosphor-in-glass samples (LuAG&CASN-PiGs) were synthesized via a low temperature co-sintering technique. The prepared LuAG&CASN-PiGs exhibited remarkably high internal quantum efficiency of 87 %. Tunable warm white light-emitting diodes (wLED) were acquired by tailoring the sample thicknesses and phosphor contents. The optimized sample showed a high luminous flux of 183.68 lm under a blue laser diodes (LDs). In addition, the chromaticity of white LDs based on the LuAG&CASN-PiGs shifted from cool to warm white by changing the sample thicknesses. High quality white light in wLDs was achieved (Ra＝95). More importantly, the constructed LuAG&CASN-PiG converted LDs with a heat sink exhibited the luminous efficiency of 216.79 lm W^?1. The results revealed that the prepared LuAG&CASN-PiG had great potential for application in solid-state laser light sources.     

Correlations between color attributes and children's color preferences

This study examined the role of color attributes (lightness and saturation) on children's color preferences for interior room colors. It also investigated children's most preferred colors among each of the five major hue families in the Munsell color system using scale‐models. Previous color preference studies have typically been done with small color chips or papers, which are very different from seeing a color applied on wall surfaces. A simulation method allowed for investigating the value of color in real contexts and controlling confounding variables. Forty‐five color samples were displayed on scale‐models to 63 children ages 7–11 years old. This study identified children's most preferred colors among each of the five major hue families in Munsell color system. It also demonstrated that saturation was positively correlated with children's preferences in the red, green, blue, and purple hue families. In the yellow hue family, interestingly, lightness has a positive correlation with preferences. Children's gender differences were found in that girls prefer red and purple more than boys. These findings lead to color application guidelines for designers to understand better color and eventually to create improved environments for children and their families. © 2013 Wiley Periodicals, Inc. Col Res Appl, 39, 452–462, 2014     

Economical and Efficient Fading Lamps*

Tests have been made with over 300 dyed or pigmented materials exposed to mercury-tungsten or mercury lamps. The colorations were of a wide range of hue and light-fastness properties (1 to 8 and above) and in several depths on different substrates. The mercury-tungsten fluorescent lamp (500 W) gave results identical with those obtained with daylight or xenon arclight for 75% of the very varied selection of 174 patterns examined, and 25 % were within one-half of a grade, except for five which differed by one grade. When the blue standards are faded in this lamp (at 45% r.h.), they have an average interval factor of about 2.1. The required times of exposure are similar to those for the xenon arclight. The equipment required is extremely simple, and its initial and operating costs are considerably lower than those of methods hitherto used for testing in artificial light. The equipment can readily be used on the laboratory bench and is suitable for routine testing of the light fastness of any coloured material. In addition to the control of humidity, temperature control is possible, though this is not usually necessary. The mercury-vapour lamp (400 W) has also been similarly examined, using 138 patterns. It is not recommended for general use but is valuable for routine sorting tests of materials of very high fastness (BS grading above 7). The blue standard patterns fade, under exposure to these lamps, in the same sequence and with similar interval spacings, as in daylight or xenon light.     

White lighting

White is a color sensation absent hue. Manufacturers describe practical light sources used for illumination as tinted warm‐white or cool‐white, but these informal designations do not seem to be based upon measured human color perceptions of white illumination. This article describes the results of a series of psychophysical experiments that more precisely measured subjective perceptions of white illumination from light sources of different correlated color temperatures (CCTs). Generally, perceptions of untinted white illumination for sources with high CCTs (above 4000 K) are associated with chromaticities that fall above the blackbody locus. In contrast, perceptions of untinted white illumination for sources with low CCTs (below 4000 K) are associated with chromaticities that lie well below the blackbody locus. © 2011 Wiley Periodicals, Inc. Col Res Appl, 2013     

The aim and method of the color image scale

A Color Image Scale was devised by the use of an original color-projection technique, analysis of variance, cluster analysis, factor analysis, and the semantic differential method. On this scale every color has three attributes: warm or cool, soft or hard, and clear or grayish, which correlate with the notation hue, value, and chroma. The Color Image Scale is useful for describing the similar and contrasting images of colors. The scale also allows the classification and correlation of various objects (shapes, patterns, clothing, foods, etc.) and the study of personal preferences in these and other areas.     

汽车照明系统中电子技术的应用

介绍了现阶段汽车照明系统中电子技术前照明灯及发光二极管的原理、特点及应用。     

白光LED用新型荧光粉的探索

白光LED具有效率高、寿命长、响应快、安全、环保等优点,被誉为继白炽灯、荧光灯和高强度气体放电灯后的“第四代照明光源”.白光LED用荧光材料的制备及其发光性能的研究已成为半导体照明领域的一个热点.本文主要从蓝光芯片激发和近紫外光芯片激发的角度分别介绍了钼酸盐红色荧光粉和单一基质白光荧光粉的研究概况.     

Effects of correlated color temperature on spatial brightness perception

The relationship between lamp color characteristics and brightness perception is not well known. In this study, nine lighting environment with correlated color temperature (3000 K, 5000 K, and 8000 K) and illuminance (1000 lx, 300 lx, and 100 lx) were created. Both the side by side visual matching and spatial brightness scaling experiments are designed to verify the effects of correlated color temperature on spatial brightness perception. The results of the study show that lighting with high correlated color temperature will have stronger spatial brightness perception than lower ones. © 2011 Wiley Periodicals, Inc. Col Res Appl, 2011