Basic Engineering Software for Teaching (“BEST”) Dynamics

Engineering dynamics is the study of motion, but textbooks and chalkboards, the traditional classroom teaching tools, cannot show that motion. Mechanical models are helpful, but relatively inflexible; they are qualitative, not quantitative. Since July 1992, personnel from the University of Missouri-Rolla have been developing and classroom testing “BEST”* (Basic Engineering Software for Teaching) Dynamics with the goal of improving the teaching and learning of engineering dynamics. About forty-five different problem simulations, representing a selection of typical kinematics and kinetics problems for both particles and rigid bodies, have been completed. These problems enable the user to vary inputs to view a wide variety of configurations and behavior. Students using “BEST” Dynamics have reported improved ability to visualize motion, and somewhat improved problem solving ability. Recent work has focused on adding, to some of the problems, “Solutions” which give detailed support in writing and solving equations. This paper will introduce the reader to “BEST” Dynamics and its classroom use. It will also provide some philosophical commentary on the applicability of instructional software to the problem-solving-oriented engineering classroom.     

Fullerenes in Chinese Ink Sticks (“Sumi”)

Small amounts (up to 0.1%) of C₆₀ and C₇₀ have been detected by high-pressure liquid chromatographic (HPLC) analysis of toluene extracts from soots used to manufacture Chinese ink sticks, or Sumi. These soots have been prepared by slow burning of pine wood, and later various seed oils. Turpentine oil, the major constituent of pine wood oil, have been found to produce twice as much fullerenes as does toluene when used as the combustion material. The yields of fullerene from unsaturated combustion materials decrease with the iodine number, reaching zero in the saturated compounds. Possible role of fullerenes as the effective gloss enhancer for black color is suggested in reference to the known technique of adding a natural red pigment to Sumi practiced in Japan.