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1.
Uravis Tangkijviwat Kitirochna Rattanakasamsuk Hiroyuki Shinoda 《Color research and application》2010,35(1):50-61
Most color preference research focuses on colors in an object color mode. In our daily life, however, colors are perceived not only as an object color mode but also as other modes, such as unnatural object color and light source color modes. To explore the effect of the color appearance mode on color preference, we examined the relationship between color preference and the mode of color appearance. Thirty‐three color chips were chosen from the Munsell notation varying in hues and chromas. The color chips were presented in different color appearance modes by changing the subject's room illuminance and the color chip room illuminance. The experimental results showed that the brightest and most saturated colors were preferred. It was found that the subject preferred color in a light source color mode and unnatural object color mode to color in an object color mode. Moreover, we found that hue had a small effect on color preference in the light source color mode. We also investigated the relationship between color preference and the perceived color attributes (perceived chromaticness, whiteness, and blackness). In a supplementary experiment, elementary color naming was conducted. The results showed that the perceived chromaticness, perceived whiteness, and perceived blackness play a role for the determination of color preference for different color appearance modes. We, consequently, suggest that color preference is dominated not only by color attributes but also by the mode of color appearance. © 2009 Wiley Periodicals, Inc. Col Res Appl, 2010 相似文献
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The chromaticities of the Munsell Renotation Dataset were applied to eight color‐appearance models. Models used were: CIELAB, Hunt, Nayatani, RLAB, LLAB, CIECAM97s, ZLAB, and IPT. Models were used to predict three appearance correlates of lightness, chroma, and hue. Model output of these appearance correlates were evaluated for their uniformity, in light of the constant perceptual nature of the Munsell Renotation data. Some background is provided on the experimental derivation of the Renotation Data, including the specific tasks performed by observers to evaluate a sample hue leaf for chroma uniformity. No particular model excelled at all metrics. In general, as might be expected, models derived from the Munsell System performed well. However, this was not universally the case, and some results, such as hue spacing and linearity, show interesting similarities between all models regardless of their derivation. © 2000 John Wiley & Sons, Inc. Col Res Appl, 25, 132–144, 2000 相似文献
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Suchitra Sueeprasan M. Ronnier Luo Peter A. Rhodes 《Color research and application》2001,26(6):428-435
The key to achieving successful cross‐media colour reproduction is a reliable colour appearance model, which is capable of predicting the colour appearance across a variety of imaging devices under different viewing conditions. The two most commonly used media, CRT displays (soft copy) and printed images (hard copy), were included in this study using four complex images. The original printed images were captured using a digital camera and processed using eight colour appearance models (CIELAB, RLAB, LLAB, ATD, Hunt96, Nayatani97, CIECAM97s, and CAM97s2) and two chromatic adaptation transforms (von Kries and CMCCAT97). Psychophysical experiments were carried out to assess colour model performance in terms of colour fidelity by comparing soft‐copy and hard‐copy images. By employing the memory‐matching method, observers categorized the reproductions displayed on a CRT and compared them to the original printed images viewed in a viewing cabinet. The experiment was divided into three phases according to the different colour temperatures between the CRT and light source, i.e., print (D50, A, and A) and CRT (D93, D93, and D50), respectively). It was found that the CIECAM97s‐type models performed better than the other models. In addition, input parameters for each model had a distinct impact on model performance. © 2001 John Wiley & Sons, Inc. Col Res Appl, 26, 428–435, 2001 相似文献
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To prevent the photodegradation process, a wide range of coatings have been developed. This study evaluated wood color change (ΔE*) and the surface quality index (SQI) generated by ASTM D‐660 standards in wood protected with polyurethane and varnish finishes of three tropical species (Acacia mangium, Cedrela odorata and Tectona grandis) in two weathering conditions (natural and accelerated condition). In addition, a model was developed to predict ΔE* and SQI in natural weathering based on ΔE* and SQI from accelerated weathering. The results showed that the application of these finishes generated variations in the color parameters of wood before being exposed to the elements. Additionally, it was found that finishes generated increases in ΔE*, especially the varnish type finish, and decreasing of SQI. Finally, models were found to predict color changes or surface quality in natural weathering based on color changes or surface quality in accelerated weathering. The model algorithm was expressed by ΔE* or SQI measured (X) and time exposure (t) in accelerated weathering by equation . With these models, it is possible to predict the equivalence of exposure times in natural weathering in tropical conditions for different kinds of finishes in three tropical species. © 2013 Wiley Periodicals, Inc. Col Res Appl, 39, 519–529, 2014 相似文献
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Adam Reeves 《Color research and application》2018,43(5):630-632
Color constancy and brightness constancy are not independent, as often assumed, since increasing sample saturation decreases the demand on color constancy mechanisms and increases the demand on brightness constancy mechanisms made by changes in illuminant color temperature. Re‐analyzed published data illustrates these tendencies for low saturations, but comprehensive measurements will be needed to pin down the postulated relationships over the full range. 相似文献
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Colour of light modulates the appearance of displayed artifacts in exhibition. To understand the effect of light on appearance of paintings, few studies have experimented to establish a relation between pleasantness with the correlated colour temperature (CCT) of light. However, some studies have found that CCT has no significant effect on pleasant appearance of painting. Therefore, in this article, an experiment with a qualitative (questionnaire on semantic differential scale, N = 30) approach was designed to understand the effect of CCT on appearance of paintings exhibited under LED lights. The findings from the experimental result depict that the appearance of paintings changes due to different CCTs of LEDs having the same illuminance. In addition, the result reveals that for both mediums of paintings considered in this study, in comparison to warm white LED and artificial daylight LED, cool white LED has appeared to be more pleasant having moderately warm feelings to the viewers. 相似文献
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Hitoshi Komatsubara Shinji Kobayashi Nobuyuki Nasuno Yasushi Nakajima Shuichi Kumada 《Color research and application》2002,27(6):399-420
In this article, we provide colorimetry data for which it was judged that the colors between different media matched under various viewing conditions. Painted color patches, a monitor, and printed color patches were used in the color matching experiments, in which we compared the appearances of the painted color patch and the monitor, or the monitor and the printed color patch, using the method of constant stimuli. The nine types of viewing conditions we used could be envisaged to occur when comparing different device outputs indoors. The experimental data obtained were compared with corresponding colors predicted with the use of five types of color appearance model, including color appearance formulae. We found that when the viewing conditions were the same for the different media, there was good agreement between the experimental data and the CIECAT94 model. And by adjusting the brightness induction and the chromatic induction factors, it was possible to improve conformity for the lightness and the chromaticity. Moreover, it was possible to improve the white point shift, which cannot be adjusted with the use of optimized parameters by introducing incomplete adaptation. By optimizing the parameters and introducing incomplete adaptation, it is possible to make the mean color difference ΔE between the corresponding color and the color matching point less than 10 CIELAB units for all of the viewing conditions. 相似文献
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Four data sets are analyzed to quantify three effects of luminance of samples on chromaticity discrimination: on ellipse area, axis dimensions (a and b), and a/b ratio. Ellipses for aperture, surface, and simulated surface colors in CIE 1931 and 1964 x, y, Y color spaces are shown to reduce axis dimensions with higher luminance by different functions for the major and minor axes. Reduction is greater for major than minor axes, thus improving ellipse circularity. The functions plot straight lines in log‐log scale as power law equations, except luminances below 3 cd/m2. We give formulae to predict a and b axes, a/b ratio, and ellipse area for almost any luminance in x, y, Y spaces. Effect of luminance is remarkable on ellipse area, which on average halves with every 3.5 times higher luminance. To illustrate the substantial effects of luminance, RIT‐DuPont ellipses are predicted for three levels of equal luminance at 42, 212, and 2120 cd/m2. In the latter, ellipses are much smaller and are nearer circular than in the former. Higher luminance is known to improve color discrimination, so reduced ellipse area is to be expected but does not occur in CIELAB and DIN99 spaces because of lack of luminance‐level dependency. We discuss our results' implications on uniform color space. Weber fraction ΔY/Y indicates brightness discrimination decreases with increasing luminance and is thus independent of chromaticity discrimination. © 2005 Wiley Periodicals, Inc. Col Res Appl, 30, 186–197, 2005; Published online in Wiley InterScience (www.interscience.wiley.com). DOI 10.1002/col.20107 相似文献
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In this article, the effect of the spatial and colorimetric attributes of neighboring color on color appearance shift in bicolor striped woven fabrics is investigated. A total of 240 test/neighboring woven color combinations were constructed in four different striped paradigms. Each test color in the combinations was visually assessed by 12 observer panels with the use of the magnitude estimation method estimating the magnitude of perceptual color attributes lightness, colorfulness, and hue. The visual estimates obtained were analyzed statistically by employing correlation and simple regression methods, and, as a result, the following significant neighboring color effects were detected and individually defined: (1) neighboring color's size, lightness, colorfulness, and hue on test color's lightness, (2) neighboring color's colorfulness and hue on test color's colorfulness, and (3) neighboring color's hue on test color's hue. Furthermore, through multiple regression analysis, color appearance models by which the lightness, colorfulness, and hue of bicolor woven fabrics can be predicted were derived. The predictive performance of the models was evaluated by calculating the difference between the visually estimated and the predicted color appearances, using ΔL*, ΔC*, Δh°, and ΔECMC(2:1). Among all the derived models, the model producing the smallest mean error was chosen as a final model, and its great accuracy in color appearance predictions was verified through further statistical evaluation. It is envisaged that the findings of this research are of benefit to design textile products with bicolor striped woven fabrics to have desired color appearances. © 2016 Wiley Periodicals, Inc. Col Res Appl, 42, 512–521, 2017 相似文献
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The preliminary experiments were carried out for investigating the effect of lightness of achromatic background (white, grays, and black) on color appearance attributes (lightness and colorfulness) of some colored fabrics. A series of achromatic backgrounds at eight levels of lightness was provided. Each test color was viewed against these backgrounds and the perceived lightness and colorfulness were evaluated by using the pair comparison method. The results indicated that the lightness of achromatic background affects perceived lightness and colorfulness. The lightness of tests colors increases when surrounded by dark backgrounds while a consistent trend was not noticed for perceived colorfulness. The results from visual assessment were compared with the predicted results by the CIECAM97s model. The predictions of the model were in agreement with the perceived lightness by visual assessment but there was not any correlation between the results of model and visual assessment for colorfulness. In the second part of the experiments, a colorimetric match of samples on different backgrounds was carried out by visual judgments as well as implementation of color appearance models in reverse mode. Results from visual trials were significantly different from those predicted by the models. © 2006 Wiley Periodicals, Inc. Col Res Appl, 31, 133–141, 2006; Published online in Wiley InterScience (www.interscience.wiley.com). DOI 10.1002/col.20190 相似文献
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The purpose of this research is to investigate the color appearance and color connotation of unrelated colors. To investigate color appearance (i.e., brightness, colorfulness, and hue) for unrelated colors, 22 observers have answered their color appearance for 50 unrelated color stimuli using the magnitude estimation method. Perceptual data obtained by the experiment is compared with the color attributes data estimated by unrelated‐color appearance models, CAM97u and CAM02u. It is found that both models perform reasonably well but the performance of CAM02u is better than that of CAM97u. For investigating color connotation for unrelated colors, 32 observers have judged their color connotation for the 50 unrelated color stimuli using the 10 color connotation scales (i.e., “Warm – Cool,” “Heavy – Light,” “Modern – Classical,” “Clean – Dirty,” “Active – Passive,” “Hard – Soft,” Tense – Relaxed,” “Fresh – Stale,” “Masculine – feminine,” and “like – Dislike”), and semantic differential method is used for measurement. It is found that the color connotation models developed for related colors perform poorly for unrelated colors. Experimental results indicate that brightness attribute is confusing to estimate and does not affect color connotation significantly for unrelated colors. Based on the psychophysical data, new models for “Warm‐Cool”, “Heavy‐Light”, “Active‐Passive” and “Hard‐Soft” were proposed using CAM02u hue, brightness, and colorfulness. Color connotations for unrelated colors are classified into three categories, which “Color solidity,” “Color heat,” and “Color purity.” © 2013 Wiley Periodicals, Inc. Col Res Appl, 40, 40–49, 2015 相似文献
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Begoña Hernández Carlos Sáenz Javier Fernández de la Hoz Coro Alberdi Santiago Alfonso José M. Diñeiro 《Color research and application》2009,34(2):153-162
Color of 33 commercial red wines and five‐color reference wines was measured in the same conditions in which visual color assessment is done by wine tasters. Measurements were performed in the two distinctive regions, center and rim, which are the regions assessed by wine tasters when the wine sampler is tilted. Commercial wines were classified into five color categories using the color specifications in their taste cards. The five color categories describe the spread of red hues found in red wines from the violet to brown nuances. The performance of CIELAB color coordinates in terms of their ability to reproduce the observed classification has been established using discriminant analysis. The CIELAB hue angle, hab, measured in the rim, where wine thickness is of the order of few millimeters, gives the best results classifying correctly 71.1% of the samples. Classification results are not significantly improved when additional color coordinates are considered. Moreover, ΔE* color differences with color reference wines do not provide good classification results. The analysis of reference and commercial wines supports the fact that hue is the main factor in the classification done by wine tasters. This is reinforced by the linear correlation found between hab in the rim and the wine age (R2 = 0.795) in accordance with the fact that wines change their hues from violet to brown tints with ageing. © 2009 Wiley Periodicals, Inc. Col Res Appl, 34, 153–162, 2009 相似文献
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The overall objective of this study is to confirm the method of determining the accuracy of Kubelka-Munk reflectance theory (KMRT) for composite materials after undergoing aging unrelated to surface exposure. The specific aims of this study include comparisons of optical characterizations for two dental resin composite materials before and after aging in darkness. Aging of five shades of two nanohybrid dental resin composite materials was accomplished under relatively normal room conditions in a dark enclosure for over 3 years. The accuracy of KMRT was assessed and optical absorption and scattering and color and translucency characterizations were performed. The magnitudes of the error of nonlinear regression of reflectance after aging to KMRT are well within the limits of expected measurement error as applied to regression analysis. The characterizations of inherent optical scattering, inherent color, and translucency indicate that aging in darkness will have some effect for at least some shades of the materials studied. KMRT is a reliable method to predict the reflectance of dental resin aged in darkness and permits subsequent clinically relevant optical characterizations of materials aged in this manner. Although changes in optical scattering were detected due to this aging, such changes appear to have a negligible clinical effect on color and translucency. 相似文献
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CAT02, the most widely used chromatic adaptation transform to characterize the chromatic adaptation mechanism in the human visual system, includes a factor D to characterize the degree of chromatic adaptation. This factor, however, is only determined by the luminance level of the adapting field and surround. This study was designed to investigate how the change of adapting chromaticities and the simultaneous changes of adapting chromaticities and luminance affect the degree of chromatic adaptation and color appearance on computer displays. The human observers adjusted the color appearance of various familiar objects and cubes on different display backgrounds. A higher degree of chromatic adaptation was found when using familiar objects, which was likely due to the cognitive mechanism. Both the adapting chromaticities and luminance significantly affected the degree of chromatic adaptation, with a lower degree under an adapting condition with a lower adapting correlated color temperature and a lower adapting luminance. In addition, the effect of adapting luminance on colorfulness (known as the Hunt Effect) was likely to be overpredicted in CAM02-UCS, which merits further investigations. 相似文献
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Ralph W. Pridmore 《Color research and application》2008,33(1):77-81
In present convention, chromatic induction (simultaneous and successive contrast) is usually held to be an opponent color process. Fifty years ago, it was an accepted complementary color process. The latter was never disputed yet apparently overlooked, and is here shown to be the more accurate account by inspecting afterimages and published data on simultaneous and successive hue induction. © 2007 Wiley Periodicals, Inc. Col Res Appl, 33, 77–81, 2008 相似文献
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R. W. G. Hunt 《Color research and application》1994,19(1):23-26
An improved predictor of colourfulness in the Hunt 91 model of colour vision is described. A new chroma predictor allows for the effect of the luminance Jactor of the background more effectively, and results in more consistent predictions for different viewing conditions. The new colourfulness predictor is obtained by multiplying the new chroma predictor by a factor that varies more slowly with the level of adapting luminance than was the case for the old colourfulness predictor; this results in much better predictions, whose coefficients of variation are similar to those that characterize observer consistency. The steps required for reversing the model are given in an appendix. 相似文献
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Coefficients of variation that show the degree to which the Hunt model of colour vision is successful in predicting the LUTCRI appearance data are gathered together in this article for a very wide range of viewing conditions. The model now consistently predicts these data as closely as the results of a single observer. agree with the average results of a group of six observers. The nature of the adjustments that have had to be made to the model to achieve this result are described. and their implications are discussed. 相似文献
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Changjun Li M. Ronnier Luo Bryan Rigg Robert W. G. Hunt 《Color research and application》2002,27(1):49-58
CMCCAT97 is a chromatic adaptation transform included in CIECAM97s, the CIE 1997 colour appearance model, for describing colour appearance under different viewing conditions and is recommended by the Colour Measurement Committee of the Society of Dyers and Colourists for predicting the degree of colour inconstancy of surface colours. Among the many transforms tested, this transform gave the most accurate predictions to a number of experimental data sets. However, the structure of CMCCAT97 is considered complicated and causes problems when applications require the use of its reverse mode. This article describes a simplified version of CMCCAT97— CMCCAT2000—which not only is significantly simpler and eliminates the problems of reversibility, but also gives a more accurate prediction to almost all experimental data sets than does the original transform. © 2002 John Wiley & Sons, Inc. Col Res Appl, 27, 49–58, 2002 相似文献