The influence of Albi Cathedral: the use of historic precedent in nineteenth and twentieth century church design

In the period 1850s-1950s, British church building was strongly influenced by the mediaeval ecclesiastical architecture of southern France/northern Spain, in particular, Albi Cathedral. Albi, and churches in Toulouse and Gerona, influenced British church building in various different ways (which involved structure, form, and materials), but there was almost no attempt to reproduce their appearance. The wide-naved, internal buttress/aisle passage church was the result. This influence was at its highest during the later Victorian period - when there was a search for a new kind of church, appropriate for present circumstances - and in twentieth century cathedral design.     

某古基督教堂结构安全性鉴定

某古基督教堂建于1918年,距今约有90年历史,现为省级文物保护单位。由于邻近施工影响导致教堂出现结构损伤,因此对该教堂进行结构安全性鉴定,借此工程实例探讨古建筑的检测鉴定方法。     

Die Michaeliskirche in Hildesheim – Erhaltung des Weltkulturerbes

The Michaelis church in Hildesheim – preservation of the World Cultural Heritage. The church of the former Benedictine abbey St. Michael in Hildesheim is considered as an outstanding building of the Ottonic architecture and was registered in 1985 into the list of the UNESCO for the protection of the World Cultural Heritage. The church – its foundation is dated with the year 1010 – which bishop Bernward (993–1022) let establish, and which was inaugurated by him in the year 1022 – briefly before his death –, has an interesting structural past. Ground problems with the consequence of partial collapses as well as building maintenance lacking over centuries require at present a fundamental anamnesis, evaluation of the existing state and the planning of a lasting restoration of that important Romanic church.     

青岛基督小教堂的外部空间设计

青岛是一座历史文化名城 ,也是我国东部沿海较重要的经济中心城市、港口城市及旅游胜地 ,城市面临发展 ,同时也面临保护 .现在的城市保护存在一个误区 ,往往只保护重点建筑单体 ,对于建筑单体外部的环境布局却没有加以重视而进行保护 .对青岛基督小教堂与外部环境的关系作了分析 ,特别是对基督小教堂的三个小广场和塔楼的艺术处理进行了探讨 ,希望对保护和发展青岛这座近代历史文化名城能有所裨益     

从2000年教堂看安藤的建筑几何学思维

指出教堂建筑在安藤忠雄的建筑设计生涯中占有着非常重要的地位,选取其1996年参与的2000年教堂设计竞赛方案,通过对这个非建成方案的重构和分类解读,试图以一种“不在场”的方式分析设计师对整个设计的处理态度,发掘这种“体验式”空间所形成的原因,进而展现设计师独特的设计策略。     

克劳卡拉教堂竞赛项目，克劳卡拉，2000

教堂所在的小山与美丽自然的建筑基地互相平衡，教堂则是小山的主宰。教堂向庭院弯曲,清楚地表明入口的位置。从庭院可以一览多维的教堂建筑，直至带有钟楼和十字架的屋顶。     

Investigation on the behaviour of a restoration plaster applied on heavy salt loaded masonry

The present paper reports the results of a series of investigations and monitoring performed, during a period of more than three years, on an ancient church flooded by the sea 50 years ago. This building can be considered representative for many other brick-masonry monuments in the flooded areas in the Netherlands. The church, restored several times in the past 50 years, shows a serious decay mainly affecting the restoration plaster applied in the interior; the damage appeared few years after the application of the plaster and has considerably increased in time.The research described in the present paper aims to reach better understanding of the mechanisms through which damage occurs in order to find out the reasons of the unsuccessful repairs performed in the past and to propose possible solutions to stop or slow down the decay process.     

西方教会学校对武汉近代教育建筑的影响

通过对西方教会在武汉办学的发展情况进行分析,总结了西方教会学校对武汉近代教育建筑的影响及武汉近代教会学校建筑的特点,以揭示中西方文化交融过程中中国建筑的发展过程。     

Kaiser‐Wilhelm‐Gedächtniskirche Berlin – Qualität und Geschichte einer Instandsetzung

The “Kaiser Wilhelm Gedächtnis” church in Berlin – quality and history of a restoration. Concrete and reinforced conrete are young building materials with an increasing importance. The “Kaiser Wilhelm Gedächtnis” church in Berlin was built nearly 50 years ago as a steel and reinforced concrete construction. This object is an example for the restoration of an important monument following the current guidelines.     

移植和本土化——中西文化共同作用下的宁波江北天主教堂

江北天主教堂属于较为典型的哥特式建筑,是西方建筑文化在宁波的移植和渗透。受本土文化的影响,江北天主教堂建筑也融合了本土传统建筑的许多成份,成为一种西式建筑形式与本土建筑技术结合而成的新的建筑体系,对宁波近代传统建筑的转型有着促进作用。本文以江北天主教堂创建的时代背景为出发点,从教堂的平面形式、内部空间、外部造型及结构技术等方面论述宁波江北天主教堂的建筑特色及其所具有的价值。     

佳作奖：龙山教堂,北京,中国

赋有西方宗教文化内蕴又独具圣灵气息的教堂建筑,诞生在北京怀柔旅游风景区大规模低密度别墅区——龙山新新小镇中,在中国式高速度、大批量的开发模式中营造出具有人文色彩的文化氛围。     

Building the Cathedral of Noto; earthquakes,reconstruction and building practice in 18th-century Sicily

The collapse of the nave and dome of the Cathedral of Noto, S. Nicolò, in a rainstorm in 1996 brought to light 18th century construction errors unique to this building. S. Nicolò is the most prominent church in the city of Noto, a rich Baroque center in southeastern Sicily completely reconstructed after an earthquake in 1693. During the course of its construction and reconstruction between 1696 and 1950, S. Nicolò was plagued by multiple earthquake failures and construction errors. This paper attempts to assemble the unwritten construction history of the church for the first time in English, and to address the question of how architects, engineers and builders responded to the problem of creating a seismically resistant building.     

超高层结构地震位移及剪力响应峰值时滞效应研究

近年结构震害表明,超高层结构在远场地震动作用下出现了楼顶长时间大幅值晃动现象且时滞效应明显,其中大幅值晃动造成非结构构件破坏严重,现行设计方法对地震作用下超高层结构大变形的控制还有不足。因此,文中简要分析了结构响应峰值机理,对长周期结构进行了近场及远场地震波作用下的时程分析,研究了长周期结构响应峰值与地震波中和结构基本周期对应频率的脉冲族之间的相关性,讨论了结构弹塑性对超高层结构响应峰值时滞特征的影响。结果表明：超高层结构与地震波中对应频率的脉冲族产生类共振是引起结构大幅值晃动的主要原因,仅基于加速度反应谱拟合精度选出的地震波不能较好预测超高层结构的大变形;类共振出现在地震波衰减段时会引起时滞效应;结构弹塑性引起的刚度退化会影响结构响应峰值及其出现时刻。     

合肥政务文化新区的一座小教堂

随着基督教的发展，基督教教堂建筑历经1000多年的时间，建筑形式有了很大的变化。但是，建筑形式的变化并没有使它们脱离功能使用的要求。介绍了合肥市政务文化新区的一座小教堂，这座小教堂在建筑形式上体现了现代建筑的造型特征和时代精神，同时又满足了基督教教堂宗教活动和宗教精神的要求。     

The Appropriation of the Material of Places in the Landscape: The case of tufa and springs

Springs have long been recognized as being significant places in the landscape, and there is ample evidence of later-prehistoric and Roman activity at spring sites. The Christian appropriation of springs as 'places', either indirectly by assigning their origin to saints, or directly by building chapels and churches on spring-head sites, is also well evidenced. The possibility that the material of petrifying springs - tufa - was both transplanted and appropriated, and that the symbolic properties of the material may go back well into British prehistory, is explored.     

欧洲基督教教堂空间千禧年之演化研究

依循欧洲基督教及历史文化环境的发展,简要梳理和分析了公元后第一个千禧年间（自基督信仰诞生后的第一个千禧年间）教堂建筑空间的发展演变历程。指出：从公元1~11世纪的千年间,教堂建筑处于一种不断寻求自身完善的上升态势,从最初的借用民间住宅及古罗马世俗建筑巴西拉卡的形式,逐渐演变发展出了罗马风教堂这样的基督教专属的建筑空间形式,为随后教堂建筑的普及发展奠定了坚实的基础。     

The Appropriation of the Material of Places in the Landscape: the case of tufa and springs

Springs have long been recognized as being significant places in the landscape, and there is ample evidence of later-prehistoric and Roman activity at spring sites. The Christian appropriation of springs as 'places', either indirectly by assigning their origin to saints, or directly by building chapels and churches on spring-head sites, is also well evidenced. The possibility that the material of petrifying springs - tufa - was both transplanted and appropriated, and that the symbolic properties of the material may go back well into British prehistory, is explored.     

建筑与自然因素的融合

通过对安藤忠雄光、水、风系列教堂设计的分析，得出建筑设计要遵循以人为本的设计理念，注重人、建筑、自然因素的内在联系，以创造出令人难忘的建筑空间感受，给建筑带来新的活力。     

形态、光线以及色彩的配合设计在建筑中的体现——以教堂建筑为例

作为人类精神容器的宗教建筑,要充分满足使用者的情感需求,与之巧妙的沟通交流。本文以教堂为研究对象,分别在教堂建筑形态与细部、光线与色彩的配合、光的控制三个方面展开探讨,讨论教堂独有的与人的视觉交流途径以及设计表达方法。