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Alan Powers 《The Journal of Architecture》2013,18(1):47-64
C. H. Reilly (1874-1946) began his tenure of the Professorship of Architecture at Liverpool University by advocating a return to late eighteenth and early nineteenth century classicism, in defiance of the prevailing preference for non-academic Classicism and the Arts and Crafts aspiration to create a styleless architecture. Although Reilly's taste may appear conservative, it resembles in many ways the early stages of Modernism in Germany and France. After supporting American-style classical architecture in the 1920s, Reilly welcomed Modernism and was involved in the design of the Peter Jones store in London, 1936. The article looks at Reilly's developing ideas between the wars and proposes that Peter Jones was a realisation of Reilly's pre-1914 affection for the Regency, setting it in the context of British and foreign writings associating British Modernism with the Regency. 相似文献
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DANIEL MAUDLIN 《Journal of Architectural Education》2009,63(1):51-63
In an increasingly globalized world, national governments appropriate vernacular building traditions to support national identity-building political agendas. In England the neo-traditional house has become an established feature of suburban architecture. This is not, however, as is often assumed, indicative of the nostalgia of the consumer. Rather, neo-traditionalism is the result of planning policies introduced by the government to preserve regional architectural identities and maintain a visual "Englishness" in the built environment. These policies have, in turn, been undermined by the nationwide standardization of "traditional" designs by national house-building companies. 相似文献
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This paper discusses the economic and townscape effects of large‐scale urban fires and the marked reduction of the problem in developed world cities during the nineteenth century. At that time a ‘fire gap’, or divergence between the increasing urban population and the falling absolute number of fires, demonstrably emerged. The paper outlines two processes — construction and rebuilding in less flammable materials, and increases in house lot size — which made for a more durable urban environment. This fortunate result, which in general owed little to the effects of urban planning and replanning, was largely a product of rising incomes. Examples are drawn from cities in Britain, North America, and Australia, and are contrasted with cities in the pre‐modern Third World. 相似文献
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<正>冯先生以95岁高龄离开我们远去了。自1947年初在同济大学任教至今,整整63年,他不仅是同济大学建筑学科的缔造者,更是包括建筑、城市规划和景观园林三位一体的现代建 相似文献
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该文通过对帕拉蒂奥语系进行分析和深化,揭示了由符号化体系对建筑空间体系进行分析的可能性,由此形成对古典建筑以及现代建筑概念的再认识的可能,形成一种新的理解方式。 相似文献
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文章回顾了西方建筑从现代主义到后现代主义及各种新潮流派的发展历程,主张立足于中国国情,在现代化的过程中,回归现代主义的"合理主义"的基本精神,借鉴后现代主义对于传统的关注,反对新潮派的个性张扬,走中国自己的"新现代主义"之路. 相似文献
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《时代建筑》2015,(5)
文章探讨了一战后"现代主义"一词在建筑学中的使用,试图阐明该词的起源并强调"现代"建筑早期观点的地域特性和多元性。文章指出,现代建筑的词汇在使用上的转变,从"新建筑"和"现代运动"等措辞到单一术语"现代主义",反映出现代建筑从一场致力于特定的价值观与愿望的活生生的运动到一种既定的风格和一个过去了的文化时期的演变。文章还指出,"现代主义"一词日益频繁的使用与20世纪70年代和80年代后现代主义的出现以及艺术评论和文化理论对建筑学写作日益增加的影响有关。文章在结论部分反思了近期(学界里)挑战"现代主义"这一术语内含的普遍主义的诸种尝试,包括建筑史学家和评论家使用"现代性"一词代替"现代主义"。对"现代性"一词不断增长的偏好,可在一定程度上视作拓展现代建筑地理边界及探索现代化过程中的文化多样性。 相似文献
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本文对方体空间工作室设计的两栋别墅作了详尽的个案分析,涉及建筑之抽象、体量与洞口处理、运动路径与运用透视进行的视觉调动。在个案分析基础上, 回顾了以勒·柯布西耶代表的现代主义建筑思潮的重要一支脉络,进行与个案结合的比较分析。 相似文献
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