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近来国内建筑刊物对西方后现代建筑流派的喉舌文丘里与詹克斯等人的文章作了一些翻译介绍工作,为了解西方建筑理论提供了第一手的材料。编者一般不加按语评注,以体现对于学术见解的公允态度,也是世界各国学术性期刊的共同惯例,无可厚非。然而对于这些后现代理论,阅读之余,总感糟粕多于精华,深奥玄妙的词藻后面掩盖着的往往是片 相似文献
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对16世纪以来建筑设计领域的"手法主义"建筑形式的发展进行了介绍,论述了文丘里的手法主义,对现代建筑与手法主义的关系进行了阐述,提出现代建筑和手法主义的关系一直存在。 相似文献
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正1后现代主义与罗伯特·文丘里的理论上世纪80年代,我国建筑界开始时兴后现代建筑,之后,室内设计界也出现了后现代装饰。而就在这个时候我开始关注后现代建筑。最早提出后现代主义看法的是美国建筑设计师罗伯特·文丘里(Robert Venturi)。他对后现代主义建筑的产生、发展都作出过极为重要的贡献,可以说没有文丘里就不会有上世纪发生的后现代主义建筑。 相似文献
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后现代主义建筑历史在很大程度上是与查尔斯·詹克斯这个名字绑在一块的,他在推动这个运动的进程中扮演着关键的角色。然而在中文的语境里,对詹克斯历史书写的讨论局限在寥寥几个文本中,难以窥见他关于后现代主义书写的全貌。而了解全貌对我们今天重新审视"后现代主义建筑在中国"这个主题来说是关键的一环。因此,本文的目的便是弥补这个不足,通过研读詹克斯写于1971~2011年的重要文本,来论述他的后现代主义建筑历史写作。 相似文献
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罗勃特·文丘里的名字对人们并不陌生,他是文丘里、劳赫和斯科特·布朗费城事务所(以下简称为文丘里事务所)的首席建筑师,同时又是一位引人注目的建筑理论家,他的理论比他所设计的房子有更为深刻的影响。文丘里先生1966年所著的《建筑的复杂性与矛盾性》一书,在推动建筑潮流朝着同单调、 相似文献
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第三条路 2010年上海世博会建筑中隐喻的运用带来的思考 总被引:1,自引:0,他引:1
文章以2010上海世博会建筑设计中隐喻的多样化运用作为分析对象,探讨了建筑本体逻辑表达与隐喻再现之间如何平衡的问题,希望对"中而新建筑"的探索有所帮助。 相似文献
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Elie Haddad 《The Journal of Architecture》2013,18(4):493-510
The history of Post-Modern Architecture was to a large extent tied to the name of Charles Jencks, who played an operative role in promoting the movement, much like his predecessor Sigfried Giedion had done for Modern Architecture in the 1930s. Like Giedion, Jencks was a prolific writer and a protagonist of a radical change in the direction of architecture. In the thirty-five year period from the appearance of his first book in 1971, Jencks published more than twenty four works, not counting the ones he edited or co-edited. And like Giedion, Jencks also attempted to reach a synthesis of opposites, by including disparate examples within his original ‘canon’, extending it in its last revision to include works by Eisenman and Tschumi, as Giedion had done by the inclusion of Aalto and Utzon in his later editions of Space, Time and Architecture. This paper will discuss Jencks's historiography of Post-Modernism by looking at the seminal texts that he wrote from 1970 until 2007, beginning with Architecture 2000 and ending with Critical Modernism. The main focus of this article is critically to examine his major work, the Language of Post Modernism, and to trace its evolution as a means of evaluating his contribution to the development of this movement, as well as to architectural historiography. 相似文献
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Charles Holland 《Architectural Design》2011,81(5):90-97
Charles Holland of FAT picks up the Post-Modern baton from Venturi Scott Brown and Charles Jencks and raises the neglected topic of taste. Though the way architecture is experienced by people is bound up with taste, it remains an area of discomfort for architects – tied up with awkward discussions of privilege and class. Holland shows how in FAT's Islington Square housing project the DIY taste of the residents was not only embraced, but fully accommodated. Copyright © 2011 John Wiley & Sons, Ltd. 相似文献
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The following debate took place on 28 December 2009 between Charles Jencks and Rem Koolhaas , and was transcribed and edited by Eva Branscome. Jencks and Koolhaas have exchanged ideas since the late 1960s. Jencks was the one to insist that Koolhaas come to the 1980 Venice Biennale, originally entitled ‘Post-Modernism’. (Paolo Portoghesi invited Jencks to collaborate with him on this first Biennale before it expanded into historicism.) In January 2002, Jencks was also a judge of the competition for the CCTV Building, the headquarters for China Central Television in Beijing, discussed below. Jencks and Koolhaas continue to thrive on their discussions and disagreements. Although they have very different commitments to the issue of ‘content’, their varying positions help to clarify what is meant here by ‘radical’. Copyright © 2011 John Wiley & Sons, Ltd. 相似文献
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查尔斯·詹克斯的宇源建筑理论评析 总被引:2,自引:0,他引:2
宇源建筑学是查尔斯·詹克斯在研究西方当代建筑中所取得的最新成果。在这个理论中,詹克斯试图借助当代科学的最新概念解释西方当代建筑发展中所出现的复杂现象。相对于其前期的后现代建筑理论,宇源建筑学更加重视现代科学作为建筑创作源泉的合法性,并部分承认了高技派、解构派建筑的价值。 相似文献
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被动式住宅是现代建筑中改善我们生活空间、节约能源的一种重要建筑形式。文章根据各种不同的通风方式,对其进行了一系列的描述和建议。并且针对夏热冬冷地区的地区特点,就“烟囱效应”在这一地区的应用进行了实际举例。 相似文献
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Malcolm Quantrill 《Journal of Architectural Education》2013,67(1):45-50
This article is based on a paper originally given as keynote address at the Ontario Association of Architects Convention, Toronto, March, 1988. Three issues are explored in this article: the historical background to the present situation in architecture and architectural education, with special reference to the work of Christian Norberg-Schulz, Robert Venturi, Colin Rowe, Bruno Zevi, Peter Eisenman and Michael Graves; the value of focussing again on the agenda of Norberg-Schulz's Intentions in Architecture (1962) as being a more reliable guide than the scattered opinions offered by other architects; a strategy for redesigning architectural education to reflect Norberg-Schulz's fundamental concerns about the role of architecture and architects, offering an integrated curriculum based upon a vertical rather than a horizontal structure of learning. 相似文献
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以伍重晚期的巴格斯韦德教堂为案例基础,从建筑的平面布局、立面造型到屋顶天花三个方面解析伍重在设计中对中国传统建筑文化的隐喻与转译,并简要对“阶梯形”墙体和夹层空间在伍重设计里的发展演变进行探讨,试图找到伍重对中国建筑文化在形式之外的更深层思考,进而对当下建筑设计中中国历史传统文化的表达和传承给予一定的思考和启发。 相似文献
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由于盲目追求规模和速度,中国城市化进程中出现了数量众多的“鬼城”。从建筑、规划设计的角度看,“鬼城”的出现有其特定的历史原因,也造成了巨大的影响。本文从建筑设计从业者的角度出发,认为应通过一系列合理的建筑、规划设计,建设宜居之城,避免造成更多的“鬼城”。 相似文献