Media and the senses in the making of religious experience: an introduction

ABSTRACT

This introduction places the articles presented in this special issue in a broader frame by outlining current issues in the study of religious material and visual culture. It argues for an understanding of religion as a practice of mediation to which media, understood as “sensational forms” are intrinsic. Such sensational forms are central to construing specific religious subjectivities, generating religious experience, and calling upon the divine by appealing to, and tuning, the senses and the body in ways peculiar to the specificity of religious traditions.     

Is Planning ‘Secular’? Rethinking Religion,Secularism, and Planning

ABSTRACT

Responding to the call for a deeper understanding of the religious phenomenon in planning – advanced, among others, by Leonie Sandercock and June Thomas in this journal – this paper argues that understanding religion in planning entails understanding religion’s constitutive other: secularism. This position draws on the burgeoning field of secular studies as well as examples of entanglement of religion, secularism, and planning in the United States and France. It problematizes a long-held assumption that good planning is based upon the notion of ‘religious indifference,’ for the assumption is conceptually anachronistic and practically untenable. This paper offers a set of methodological considerations as to how planners can radically rethink this assumption while effectively attending to the religious subjectivities of their constituencies and actively working through the structures of the modern state. The paper concludes by exploring the implications of this analysis for planning practice against the backdrop of recent improvements fostered by the American Planning Association as well as the relevance of this analysis across international contexts.     

Light Mediations: Introduction

Abstract

This introduction argues that the study of light and lighting devices, and the light mediations yielded by them, is important for scholars of material religion. Discussing the four articles on aesthetics of light in Christianity, we argue that synthesizing metaphorical and physical uses of light allows for a deep understanding of the processes through which a professedly immaterial transcendent becomes real for religious practitioners in the material world. Inspired by these contributions and the two essays in the In Conversation section, we plead for a methodology of following the light in scholarly research.     

Pilgrimage in graeco-roman and early christian antiquity seeing the gods Elsner,JaŚ and Rutherford,Ian (eds.)

ABSTRACT

This study is an ethnographic and conceptual analysis of religious objects, their uses, and mediation of authority within the Universal Church of the Kingdom of God (Universal Church) in Brazil. Drawing on scholarship within media studies, religion and media, and material religion, I distinguish between artifacts used to cement implicit contracts between Universal Church followers and their church community, which I call contractual media, or swag, and those that followers bring to meetings to be blessed and then take home to mediate both good and evil forces in family, work, and social life—these I call portable media. While portable object media are seen by their owners as powerful tools, contractual media, on the other hand, create implicit power relations that keep followers tied to the institutional church in a reciprocal exchange predicated upon expected prosperity as evidence of faithful attendance, fidelity, and personal sacrifice. The physical exchange of material goods in religious spaces constitutes a perpetuation rather than a disruption of institutional religious authority. As infrastructure, contractual object media establish and maintain conditions for otherwise mundane materials to mediate power on a daily basis. Through attention toward portable and contract object media, as part of what I am calling material microstructure, we can further complicate religious authority as it is mediated through objects, not just in one-way flows but as dynamic exchanges and trade-offs between personal empowerment and institutional control.     

Mediality and materiality in religious performance: religion as heritage in mauritius

ABSTRACT

In Mauritius, religious performance often doubles as officially recognized diasporic heritage, institutionalized as a component of Mauritians' “ancestral cultures.” Such forms of religious expression not only point to a source of authority outside Mauritius but also play a key role in legitimizing claims on Mauritian citizenship. In this article, I examine two kinds of practices that help to instantiate religious links as heritage: ritual performance combined with the cultivation of “ancestral language” in the context of a Hindu pilgrimage and the role of sound reproduction techniques in popularizing a particular genre of Islamic devotional poetry. I argue that these embodied and material practices illustrate two contrasting modes of engaging with spatially and temporally removed sources of authenticity. While the pilgrimage aims at naturalizing diasporic links through their objectification and iconization, uses of sound reproduction technology in Islamic devotional contexts establish links to sources of religious authority under the assumption that the medium used is relatively transparent. Ultimately, the modalities of materiality presupposed in the ethnographic examples account for the authenticating effect of religion as heritage.     

A Tale of Two Façades: Archaeology and the Secularization of an Islamic Past

Abstract

This article examines how certain forms of preservation work to recast the past in rigid terms of secular and religious. Focusing on a series of early Islamic period sites in the Levant, collectively known as the Umayyad qusūr (sometimes referred to as “desert palaces”), this essay traces the ways in which scholars signal the realms of the secular through interpretation of architectonics and iconography. This process of secularization is then further advanced through practices of preservation and display within colonial and nationalist museum contexts on a grand scale. At stake are ethical claims about the value of religion, specifically Islam, in larger discourses of culture and civilization. The paper explores the role played by these approaches to the material past of the early Islamic world for how they perform and police the boundaries of religious and secular materiality.     

The materialization of religious structures in the time of stonehenge

ABSTRACT

Both ritual and religion share a common ontology, in that they are materialized through practice—they are technologies of the body and material world as much as of the mind and immaterial. Acknowledging such offers considerable prospect for archaeology, inasmuch as it implies that the generation, reproduction, and transformation of religion will be worked through and given dimension by material forms that are recoverable. The latter might include the construction of shrines, temples, and other architectural foci for veneration and spirit communication, attendant practices of deposition, and ceremony itself as embodied within architectural forms. Working through details of architectural form, cosmology, materiality, and the sequence of monument construction in the Stonehenge region of Wiltshire, this paper provides an interpretation of the history of religious practice during the later Neolithic (c.3000–2300 bc) of central southern England.     

fallen angel: the consumption of religion through american cocktail culture

Abstract

This essay examines the figure of the cocktail in American cultural history to establish it as a point of convergence between consumer culture and religious expression. The authors set out to understand which structures of religious experience persist within the cocktail, and what about them so captivates American consumers. The structures explored include: the fetishistic and totemic nature of cocktails and their accoutrements; the importance of pilgrimage within cocktail culture; a retention of ritualistic forms; an extant modern desire for transcendence through community; and the surprising relationship between religion and cosmopolitanism. The essay begins by examining the religious mood set by clandestine drinking during Prohibition, and traces that mood through its historical antecedents in alchemy, colonialism, and the medicine industry. The essay continues with an exploration of the process by which totemic images came to be associated with cosmopolitan cocktail culture in Harlem nightclubs, and Cuban and Caribbean tourist destinations. Finally, it compares the commercialized artistic aesthetics of surrealist art installations and the mid-century cult of tiki, in whose temple-styled lounges primitivism, alchemy, symbolism, ritualism, and colonial fetishism all facilitated the fusion of religious feeling with exotic drinks.     

Religious Materiality in Elizabethan Essex (1558-1603)

Abstract

Based on an analysis of over 11,000 Elizabethan Essex wills, this article presents the first systematic study of the everyday religious environment of Essex. While scholars of the English Reformation increasingly study the everyday behaviors, routines, and rituals which defined English Protestant life, this article articulates how smaller household objects expand our knowledge of religion, practice, and remembrance in post-Reformation England. It also reinvestigates the potential for using wills as a foundation for the study of objects. This, in turn, helps us better understand and appreciate the substantial role objects had as part of an English Protestant religious identity increasingly built around remembrance and memory and, more broadly, enables us to question our historiographical assumptions about the speed, spread, and efficiency of the Reformation.     

Ex-votos in lourdes: contested materiality of miraculous healings

ABSTRACT

The modern Marian shrine in Lourdes (southern France) attracts six million pilgrims every year. While the site is known worldwide for the miracles that occur there, the dominant official discourse hardly recognizes people's miraculous experiences. This ethnographic study focuses on ex-votos, the religious objects by which pilgrims offer their thanks to Mary for working a miracle. These are situated on the contested boundary between pilgrims' lived religion and officially prescribed religion at the Lourdes site. The article aims to understand what power politics are at stake in the handling of ex-votos as well as what motives pilgrims have to leave offerings at the site. This is illustrated by the in-depth analysis of the story of one ex-voto that also shows that the bonds within families, and between families and Mary, are crucial elements of the stories told. By offering an ex-voto, pilgrims not only remember Mary, but also their family and ancestors.     

Ethical pleasure,visual dzikir,and artistic subjectivity in contemporary indonesia

ABSTRACT

Drawing from a long-term ethnographic collaboration with Indonesian painter A. D. Pirous, this article examines the mingling of art and religion for what it may tell us about subjectivity and the senses in a predominantly Muslim public culture. Recent statements describe subjectivity as the site of a social actor's sensibility, reflexivity, and judgment and as an annex to prevailing social, cultural, and ideological circumstances. Following some brief reflections about artistic and religious subjectivity, this essay discusses the Islamic revival in Indonesia since the 1970s, a revival that has given spirituality, and Sufism in particular, new popularity and appeal. It then turns to a set of artistic practices that Pirous associates with “ethical pleasure” and with dzikir, the “mindfulness of God” that Muslims, and Sufis in particular, are careful to cultivate. Subjectivity acquires artistic and religious dimension in these practices, particularly as the senses engage with paint and canvas in devotional-aesthetic acts of “visual dzikir.” We see that the intermingling of aesthetic and religious ideologies in the reflexive, sensorial sphere of subjectivity is not an interior or ethnographically unavailable phenomenon, but one that is cultural and public, worked out in the sensuous materiality of things and the world of social discourse.     

Dreams of an Iconic Mosque: Spatial and Temporal Entanglements of a Converted Church in Amsterdam

ABSTRACT

This article focuses on the making of iconicity through religious architecture in Amsterdam, the Netherlands. Examining the Fatih Mosque housed in a former Catholic church in the city center, we show in what ways the efforts at making this mosque iconic are shaped by the building’s iconic field, by which we denote its entanglement with other (religious and non-religious) sites in the past and the present. This iconic field is characterized by the conversion chains that preceded the mosque, material and discursive legacies of “hiddenness” and contemporary symbolic interactions with nearby sites such as the Western Church. By developing an analysis of the mosque’s temporal and spatial entanglements in Amsterdam’s urban space, we seek to revitalize a relational and diachronic approach that has suffered from neglect, particularly in social-scientific studies of mosques in the West. Rather than looking at a singular place of worship at a particular moment in time, we draw attention to the relations between Islamic and other religious architecture and to the ways in which this mosque intersects with broader genealogies and geographies of religion, not only by association but also by actual links in relationships, politics or material culture.     

Apotheosis and memory: Ishii jūji,a savior for our times

ABSTRACT

This article examines the relationship between history, sacred architecture, and the production of meaning. In particular, it discusses the way in which the historical figure of Ishii Jūji (1865–1914), a renowned child relief activist and religious utopianist of late nineteenth-and early twentieth-century Japan, becomes constituted as a sacred symbol through the interplay of architecture, displays, and iconography at the Ishii Jūji Museum in the grounds of the Ishii Jūji Kinen Yūaisha (the Ishii Jūji Memorial Center of Loving Friendship; hereafter Yūaisha). Through its commemoration, the Yūaisha draws upon a complex historical legacy as the source of its present vision and attributes to Ishii a divine status through material representations in the form of texts, photographs, objects, and religious iconography. Moreover, the Yūaisha, propelled by Ishii as sacred symbol, has come to produce new material spaces, through the construction of buildings, fields, gardens, through which its vision of social care may be realized. As a result, history and material religion collide to produce new spaces of meaning in the present.     

The look of sympathy: religion,visual culture,and the social life of feeling

ABSTRACT

Religions are powerful communities of feeling, compelling ways of experiencing connections with others. As such, they structure human relations in patterns that rely on media and the arts to accomplish significant cultural work such as nurture children, disseminate information, and order forms of association by arousing and managing common sentiments. A textual and visual discourse in eighteenth- and nineteenth-century Europe and North America considered “sympathy” or fellow feeling to be the basis of moral conduct and the glue of social life. Images have played an important role in mediating sympathy by promoting moral causes, acting as propaganda, and eliciting deeply felt reactions to injustices. Yet the felt-life of religion exhibits a tension between compassion and solidarity. By scrutinizing how images were used to generate sympathy, we are able to see how the sense of community depends on both feeling for some (sympathy) and feeling against others (antipathy). Moreover, investigation of the relationship between the felt-life of religion and visual practices shows that the study of visual culture should not be isolated from other forms of sensation and representation. Seeing is part of the embodied experience of feeling, and therefore is properly understood as a fundamental part of many religious practices.     

Treacherous matters,or some notes towards a symptomatology of crisis

ABSTRACT

A stone surrendered by a Muslim to a Christian on an urban battlefield in Ambon (Indonesia), circulated with stunning effect in a Christian prayer group. Within no time it infected this core scene of Christian worship and community, triggering illness and possession, turning the group's prayers into a Qur'anic reading session and inserting the spectral presence of a North Moluccan sultan's daughter into its midst. This scene is only the most dramatic instance of the promiscuous traffic in poisonous and protective objects across religious boundaries during the war that racked the Moluccan city and its surroundings from 1999 until the 2002 peace. It also attests to the often carefully policed difference between magic and religion at the time. From rosaries flaunted by Protestants aiming to pass as Catholics, magical amulets worn alongside tiny Qur'ans or Bibles into battle, and Jesus billboards emerging as brandmarks for Christian neighborhoods, the war fostered and witnessed an explosion of religious and occult technologies along with the objects through which these technologies operate. Of particular interest is the tension and interplay between the deployment of amulets, which often functioned as boundary markers, and the war-torn terrain in which they appeared and occasionally went astray, betraying the intentions with which they were first set in motion. Attention to the capricious waywardness and mediating capacities of things as symptoms of profound crisis provides a point of departure for a larger symptomatology of crisis in which both the shape-shifting effects of objects and their taken-for-granted status as fixtures of everyday worlds are explored.     

Activating sacred objects in public space: Bernini’s angels on the ponte sant’angelo in early modern Rome

ABSTRACT

In 1667, Pope Clement IX commissioned Gian Lorenzo Bernini to design 10 sculptures of angels to decorate the Ponte Sant’Angelo in Rome. Contemporary accounts record that the faithful experienced Bernini’s statues as animated celestial figures at the heart of the city. The ability of the marble angels to persuasively move beholders fulfilled the aims of the papal commission to expand the reach of the Church into the urban space of Rome. This paper examines how these religious objects were activated in a public space, a setting composed of sacred and profane elements. In the early modern era, the Ponte Sant’Angelo connected Rome’s city center to St. Peter’s Basilica while also serving as a setting for civic processions, spectacular fireworks displays, and public executions. While angels were ubiquitous in the city’s sacred spaces, like church interiors, Bernini’s sculptures materialized a flock of angels at an outdoor, urban nexus of theology, spectacle, and justice. Drawing on theories of performance that conceptualize the profound religious encounter that can result from the simultaneous juxtaposition of sacred and profane elements, this paper argues that the public setting activated Bernini’s marble statues so that they were experienced as lively celestial figures by the faithful.     

Cell phones for the spirits: ancestor worship and ritual economies in vietnam and its diasporas

Religion has been thriving in the Socialist Republic of Vietnam since ??i m?i, the onset of market reforms in the late 1980s. Votive paper offerings, part of spiritual and economic well-being, play a crucial role in performing religious practices in the socialist country as well as among diasporic Vietnamese. In urban Hanoi, material objects made from paper are traded in marketplaces and later burned in the streets, in temples and pagodas, in private yards and other places on special occasions in order to be transmitted to the ancestors. In the past few years, the range of votive paper offerings produced, traded, and sent to the deceased has expanded to include new forms and references to new media. Drawing on recent debates in the role of media in religion and in particular on technologies of mediation, I focus on the use of votive paper offerings in the sociocultural context of the Vietnamese spirit world. I explore how new media and media technologies are embedded in multilayered processes of mediation in Vietnam and its diasporas. Taking religious practices of burning votive paper offerings as an ethnographic example, this essay aims to contribute to ongoing debates on popular religion and the sacred life of material goods in late socialist Vietnam, on its transnational ties, and on the entanglements between religion, media and materiality.     

The ideal democratic apparel: t-shirts,religious intolerance,and the clothing of democracy

ABSTRACT

Studies of clothing highlight the power of fashion and the ways dominant groups police deviant fashion; however, they neglect to analyze how a mainstream fashion item, the T-shirt, also helps monitor the boundaries and norms of American society. This article examines the relationship between the T-shirt form and religious intolerance. Scholars have analyzed nativist rhetoric, polemical literature, and caricatured renderings, yet clothing as a site of religious conflict remains understudied. To address these scholarly gaps, this article first investigates the history and meanings of the T-shirt, and then presents a case study of religious intolerance focused on Islamophobic T-shirts. This analysis builds toward an understanding of the T-shirt as the ideal article of democratic apparel for disseminating religious intolerance. In the end, we see how these T-shirts refashion religious intolerance as American individualism, thus perpetuating the idea that religious intolerance is only an occasional accessory to, rather than a constituent part of the clothing of, American democracy.