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1.
For Simon Swaffield , landscape design can be regarded as the product of distinctive patterns formed through the intersection of site, technology and idealised nature. Across time and cultures, the interpretation of nature has shifted endlessly, and with it the manner in which the natural world is conceived, transformed and represented. Given its history, what might also be the future patterns of landscape design?. Copyright © 2009 John Wiley & Sons, Ltd.  相似文献   

2.
Rem Koolhaas famously highlighted the uniformity of Chinese cities with his identification of ‘the generic city’ in the Pearl River Delta in the 1990s. Here Jiang Jun , Editor-in-Chief of Urban China magazine, and Kuang Xiaoming highlight the ‘unified diversity’ and complexity of contemporary urbanism through his own system of classification. Copyright © 2008 John Wiley & Sons, Ltd.  相似文献   

3.
Shenzhen is one of the fastest-growing cities in China, having leapt from fishing village to a global city in a matter of a couple of decades. Here Huang Weiwen , the Deputy Director of the Urban and Architecture Department at Shenzhen Municipal Planning Bureau, provides the background to China's unrivalled urbanisation, which is unmatched in terms of both its speed and intensity. Copyright © 2008 John Wiley & Sons, Ltd.  相似文献   

4.
Diego Caramma describes Stefano Boeri's pervasive influence on architectural thought in recent years as editor of Domus, exhibition curator and founder of the Multiplicity urban research platform. As he explains, Boeri's significance lies in his ability to confront contemporary conditions for architecture rather than just the dissemination of current trends and ideas. Copyright © 2007 John Wiley & Sons, Ltd.  相似文献   

5.
Artist Hilary Powell describes how her work in film, food and the pop-up book offers playful critiques of regeneration and place making. Copyright © 2012 John Wiley & Sons, Ltd.  相似文献   

6.
Lilian Chee introduces several art installations displayed at the Freud Museum in north London. While each individually opens up further critique of Freud's practice and its cultural impact, collectively they measure the ability of objects to charge interior atmospheres with provocations of gender, modernity, ethnicity, objectivity and domesticity. Copyright © 2008 John Wiley & Sons, Ltd.  相似文献   

7.
China's Open Door Policy and economic development set in motion in 1978 can be regarded as the triumph of pragmatism over theory - specifically Chairman Mao's brand of Marxist theory. Tao Zhu traces the progress of reform over the last 30 years, and its impact on Chinese architectural culture. Copyright © 2009 John Wiley & Sons, Ltd.  相似文献   

8.
Bonheiden, in the province of Antwerp in Belgium, lies in a region known for its exceptional natural beauty. Though the surrounding rural setting has remained protected this has often been to the detriment of urban life, as the built environment has been subject to a process of banal suburbanisation. Els Verbakel and Elie Derman explain how they propose to turn this situation around by creating public spaces that use the town's ‘original landscape as the base material’. Copyright © 2008 John Wiley & Sons, Ltd.  相似文献   

9.
Landscape architecture has emerged from the deep sleep it entered during the Modernist period and remained in for most of the 20th century. Now, valued because of the environmental movement, stimulated by collaborations with architects and artists, and presented with opportunities to transform abandoned industrial sites, landscape architects are enthusiastically producing new kinds of parks on brownfields, along waterfronts, even on rooftops and in garbage dumps. Jayne Merkel here looks at ways the designed landscape is creating outdoor public space in a country where it has not always been valued. Copyright © 2007 John Wiley & Sons, Ltd.  相似文献   

10.
CJ Lim is one of architecture’s greatest illustrators, visualising through his beautiful and delicate drawings and models an enchanted world inspired by Lewis Carroll, William Heath Robinson and Chinese fables. Howard Watson describes how Lim is now breaking through the visionary’s glass ceiling with his realisation of a tunnel installation for the Victoria & Albert Museum in London and a project at an altogether different scale for an eco-city in China. Copyright © 2008 John Wiley & Sons, Ltd.  相似文献   

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12.
Artists and researchers Oron Catts and Ionat Zurr of SymbioticA, based at the School of Anatomy, Physiology and Human Biology at the University of Western Australia, are internationally renowned as pioneers in the field of biological arts, challenging audiences with their tissue engineering projects. Catts and Zurr discuss how synthetic biology has increasingly become ‘the new frontier for exploitation’ and why there is currently ‘a resurgence of the application of engineering logic in the fields of the life sciences’ in which life itself becomes a raw material.  相似文献   

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14.
A hybrid term, ‘architextiles’ encompasses a wide range of projects and ways of thinking that unite architecture and textiles. By way of introduction to this issue, guest-editor Mark Garcia highlights the significant rise of interest in this confluence by theorists, architects, engineers, textile designers, materials scientists and artists. He also explains how, as a hybrid mode of design and practice, architextiles is better able to respond to society's fast-changing cultural and consumer demands, enabling the production of more dynamic, flexible, interactive, event and process-based spaces. Copyright © 2006 John Wiley & Sons, Ltd.  相似文献   

15.
Mary Anne Beecher's discussion of Aubrey Watzek's house extends traditional notions of regionalism to the domain of the interior. She outlines numerous ways that the local landscape and history figure as condensed renditions within rooms, surfaces and details. It is here that we find evidence of interior atmosphere developed as identity within a specific cultural and geographical context. Copyright © 2008 John Wiley & Sons, Ltd.  相似文献   

16.
New York-based artists Shusaku Arakawa (1936–2010) and Madeline Gins (1941–) used architecture in their work in an approach that they have referred to as ‘architecting’. Jondi Keane explains how as artists-turned-architects, Arakawa and Gins have not been particularly interested in innovating architecture, but in approaching architecture as a way to innovate, or change the world'.  相似文献   

17.
Interactive design has come about as a result of the intermingling of disciplines. As a consequence, the language it uses has become blurred - borrowed or stolen with little restraint from elsewhere. Though particular terms have become ubiquitous, the original concepts that lie behind them have been lost. This means that all too frequently they are no longer knowingly used. Usman Haque sorts the wheat from the chaff and brings clarity to bear on the vocabulary and thinking behind interactivity. Copyright © 2007 John Wiley & Sons, Ltd.  相似文献   

18.
At a time when architecture's historical relationship to the city -founded on various formal and, more recently, informal homologies – has been rendered inoperative, how might a renewed architecture constructively inform the megalopolis? RE Somol flings all the formal and informal protocols offered to the city by architecture out of the pram and calls for a politics of shape, a potential trajectory tested with two projects by Zago Architecture.  相似文献   

19.
With the employment of a geographical information system (GIS), the city can be revealed and analysed with an alacrity that was never previously imagined possible: vacant sites and spaces between buildings can immediately be located. Nicholas de Monchaux describes his project Local Code: Real Estates, based in San Francisco, which has highlighted the potential and scale of residual spaces situated around highways and industry as a new collective resource for community design. Copyright © 2010 John Wiley & Sons, Ltd.  相似文献   

20.
In the late 1990s servo emerged as a young design collaborative embracing new forms of distributed practice as enabled by the advent of telecommunications technologies. In this section, David Erdman, Marcelyn Gow, Ulrika Karlsson and Chris Perry write about how these organisational principles are at work not only in the context of their practice, but in the design work itself, which stretches across a variety of design disciplines to incorporate areas of expertise particular to information and interaction design, as well as a number of manufacturing and fabrication technologies. Many of servo's projects have focused on small-scale interior infrastructures, typically in the form of gallery installations, furniture systems and exhibition designs. This particular scale has allowed the group to focus on the development of full-scale prototypes, exploring a wide range of potential innovations at the point of integration between various technological and material systems. Copyright © 2006 John Wiley & Sons, Ltd.  相似文献   

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