Natural Methods of Interaction Or Natural Interaction in the Everyday Digital World

Computers, mobiles and automatised machines are so omnipresent that the means by which we interact with digital devices is now generally regarded as a given. Italian practice iO Agency, though, questions our use of mechanised interfaces and the language that they require us to learn. Valentina Croci explains how iO Agency has developed more natural ways for people to interact with digital environments through physical or tactile ‘triggers’. Copyright © 2008 John Wiley & Sons, Ltd.     

The Future of Information Modelling and the End of Theory: Less is Limited,More is Different

The computational design strategist Cynthia Ottchen , who was previously Head of Research and Innovation at OMA, offers insights into the future of building information modelling (BIM). Now in the Petabyte Age of the data deluge, she argues that in our adoption of BIM we have to surpass mere data collection and technical optimisation and open up new ways of thinking with the creative use of ‘soft data’. Copyright © 2009 John Wiley & Sons, Ltd.     

Smart Living Architecture: Solar Prototypes. IAAC Endesa Pavilion Barcelona

Areti Markopoulou and Rodrigo Rubio of the Institute for Advanced Architecture of Catalonia (IAAC) describe how the institute's Endesa Pavilion in Barcelona responds to the contemporary challenge of constructing intelligent and sustainable prototypes, as a structure that interacts and exchanges resources with its environment. Parametrically designed, it reacts to the data of its specific solar site, and via its flexible solar cells generates twice as much energy as it consumes.     

Illuminating Embodiment: Rafael Lozano-Hemmer's Relational Architectures

Art and architecture have a strong tradition of humanism in which man and the human body are the centre and measure of all things. Maria Fernández describes the work of artist Rafael Lozano-Hemmer whose work transgresses and challenges these preconceptions through performance, seeking to expose the body and society's receptivity to instability, fluctuation and re-imagining. Copyright © 2007 John Wiley & Sons, Ltd.     

A Two-Speed Landscape: The Reforestation of the Thames Estuary

Tom Noonan describes how, for this award-winning project, he took up the pen and developed a hybrid drawing technique that exploited the benefits of both the analogue and the digital - characterised by the tactility of the hand and the precision of the computer. He explains that a preoccupation with representation was further ‘reflected and supported by the programme, narrative and language of the architecture’.     

ecoLogicStudio

From their office in Hackney, in London's East End, Italian duo Claudia Pasquero and Marco Poletto, have established an international reputation as ecoLogicStudio, an innovative practice that fuses digital technologies with environmental design. As Terri Peters explains, the ethos and approach of the studio extends beyond that of finding technological solutions to ecological design projects. Copyright © 2010 John Wiley & Sons, Ltd.     

Distinguishing Concepts: Lexicons of Interactive Art and Architecture

Interactive design has come about as a result of the intermingling of disciplines. As a consequence, the language it uses has become blurred - borrowed or stolen with little restraint from elsewhere. Though particular terms have become ubiquitous, the original concepts that lie behind them have been lost. This means that all too frequently they are no longer knowingly used. Usman Haque sorts the wheat from the chaff and brings clarity to bear on the vocabulary and thinking behind interactivity. Copyright © 2007 John Wiley & Sons, Ltd.     

The World's Biggest Sculptor: The Architecture of Massimiliano Fuksas

At the start of the new millennium, Massimiliano Fuksas was one of the most significant Italian architects working outside his home country. His reputation in Italy and abroad, however, was taken to a further level by his completion of the New Milan Trade Fair. Stefano Casciani, an ex-student of Fuksas, provides an insightful and intriguing account of his ‘old’ professor: a robust and seemingly contradictory figure who is capable of great voluminous expression and delicacy. Casciani also finds constancy in his unrelenting energy, freshness and wit. Copyright © 2007 John Wiley & Sons, Ltd.     

Old Dispersions and Scenes for the Production of Public Space The Constructive Margins of Secondarity

The density of development in Belgium is such that the entire country has become an open city, with little sense of where one metropolitan area begins and another ends. Bruno De Meulder describes the underlying logic of this unbroken urbanscape, and the opportunity it affords for re-editing and reinserting informal social spaces in areas of wasted land. Copyright © 2008 John Wiley & Sons, Ltd.     

Strength in Numbers

David Salomon examines the history of the original World Trade Center (WTC) competition of 1962 and the more recent 2003 competition, finding interesting parallels in terms of how commercial and bureaucratic, as well as progressive, forces of innovation intersect over larger debates about control, power and questions of collaborative identity and practice within the city as a political machine, and which figure 9/11 in implicitly provocative ways. The 1962 competition featured another progressive architectural collaboration: Walter Gropius's The Architect's Collaborative (TAC). Not unlike the 2003 competition in which United Architects (UA) and other collaborative practices lost to the more stable, individual celebrity identity, TAC lost to Minoru Yamasaki. Salomon also argues that the organisational and structural qualities of UA's WTC proposal sought to embed collective operations of multiplicity rather than mere duplication of the previous WTC Twin Towers within the form of the design itself. Copyright © 2006 John Wiley & Sons, Ltd.     

Austeria: City of Minimum Consumption

If a new stringency with economic and material resources is to become a new way of life, how should austerity be recast as a positive force rather than a negative imposition? Daliana Suryawinata and Winy Maas look at definitions of austerity and describes the Austeria project at The Why Factory at Delft University of Technology (TU Delft) that looked at new models for combating excessive consumption, such as the ‘Zen road to affluence’.     

An Architectural Chemistry

Protocell technology has a precedent in the innovative use of plastic in the 1960s, when chemistry first came up with an innovative new material that could be applied to architecture, interiors and product design. Omar Khan describes how at the Center for Architecture and Situated Technologies at the University at Buffalo in New York, he is developing a line of research that builds on the legacy of the 1960s and 1970s for soft materials and the capabilities of an elastic responsive architecture. Copyright © 2011 John Wiley & Sons, Ltd.     

Robotic Membranes: Exploring a Textile Architecture of Behaviour

The robot and the textile seem like a contradiction in terms - the robot standing for everything that is automated and mechanical, and the textile for sensual materiality. Can it be possible to reconcile the two? Here Mette Ramsgard Thomsen demonstrates through her Vivisections and Strange Metabolisms projects, exhibited at the Centre for Information, Technology and Architecture (CITA) in Copenhagen, how it is possible to unite the seeming polarities of the digital and the physical, engaging‘intangible digital data with tactile physical material’. Copyright © 2008 John Wiley & Sons, Ltd.     

Conflict Urbanism,Aleppo: Mapping Urban Damage

One of the oldest continuously inhabited cities on the planet, Aleppo now lies in tatters. This devastation of a designated World Heritage Site is a poignant example of the human and cultural cost of armed conflict – in this case the Syrian Civil War. A project run by the Center for Spatial Research at the Graduate School of Architecture, Planning and Preservation of New York's Columbia University is analysing satellite imagery and reports from the ground to assess the damage and casualties caused there by barrel bombs. Associate Professor Laura Kurgan describes the initiative and its sometimes puzzling findings.     

Thinking with Matter

Mark West considers the qualities of the analogue against the digital in the context of his work at the Centre for Architectural Structures and Technology (CAST) at Manitoba. Unable to fault the computer's ability to provide complex calculations for the fabrication of forms, he insists that the fidelity and investigative potential that he has found in the reality of the physical model and hand-drafted drawing have yet to be surpassed. Copyright © 2008 John Wiley & Sons, Ltd.     

Forensic Architecture

The urban destruction captured by black and white photos of London after the Blitz or bomb-damaged Berlin are emblematic of the desolation brought by modern warfare. Eyal Weizman , Paulo Tavares , Susan Schuppli and Situ Studio describe, though, how the built environment now represents more than a means of violation in conflict, as it has become an important source of evidence bearing witness to the event when international justice is sought. Copyright © 2010 John Wiley & Sons, Ltd.     

Off the Peg: The Bespoke Interiors of Ben Kelly

Known for his unique ability to assemble disparate materials, colours and textures, interior designer Ben Kelly speaks with Graeme Brooker and Sally Stone about the ideas and intentions behind his work. His thoughts and works indicate a respect for revealing the underlying qualities of existing spaces and serving new programmatic needs. Copyright © 2008 John Wiley & Sons, Ltd.