Treatment 1: Notes from an Informal Discussion on Interinstitutional Design Research and Image Production

Since 2003, Benjamin Bratton and Hernan Diaz-Alonso have conducted a series of parallel theory seminars and design studios at SCI-Arc (Southern California Institute of Architecture). These collaborations have addressed questions of collectivity at varying scales: personal (between two individuals, each with separate professional practices), institutional (between two disciplinary positions, one analytical and the other creative) and cultural (between what is inside and outside the architectural imaginary). The work featured in the article represents another primary mandate of their interinstitutional project: the transdisciplinary implications of design as a general form of practice as opposed to the historical definitions of ‘architecture’ or the architect. Copyright © 2006 John Wiley & Sons, Ltd.     

Architecture Autonomous (Gerard da Cunha)

Gerard da Cunha maintains his practice from the old Portuguese colony of Goa, which he considers has a novel history in that it was the site of the ‘first sustained encounter between the East and the West’. This encounter has engendered a unique culture and architecture that is evident in da Cunha's lively and rather Gaudíesque work. Copyright © 2007 John Wiley & Sons, Ltd.     

Works In/On//Around///Behind Progress

Artist Hilary Powell describes how her work in film, food and the pop-up book offers playful critiques of regeneration and place making. Copyright © 2012 John Wiley & Sons, Ltd.     

Drawn into Space: Zaha Hadid

Visionary New York architect Lebbeus Woods reviews the evolution of Zaha Hadid's work from the 1970s to the present. Tracking the shifts in her work from a Suprematist-informed fragmentation in the 1980s to a more contemporary fluidity and a preoccupation with complex curvilinearity, he throws light on the relationship between Hadid's drawing and her architecture. Copyright © 2008 John Wiley & Sons, Ltd.     

Dragons Adrift: The New Chinese Landscape

The work of New York-based artist Nancy Wolf is preoccupied with the relationship between people and the contemporary city. Here she explains how a meeting with scholar and poet Lap Lam in Hong Kong provided much of the inspiration for her work in China, which she describes as ‘a commentary on the enormous changes in today's Chinese landscape created by Modernist architecture and urban planning’.     

Walter Pichler's House Next to the Smithy: Atmosphere and Ground

Approaching atmosphere from a cultural perspective, Paul James explores conceptions of ground in a work by the Austrian architect, sculptor and draughtsman Walter Pichler. Where atmosphere relates to the critical strategy of clouding, to render obscure, to resist rhetorical clarity, Pichler's House Next to the Smithy, documented in drawings and photographs, highlights a link between weather and atmosphere, and darkness and interiority. Copyright © 2008 John Wiley & Sons, Ltd.     

Urban Wash

Sean Lally of WEATHERS urges designers to realise the performative capabilities of the ambient effects of the urban wash – the artificial light given off by cities at night. Taking up this principle of a wash within his designs for the Museum of the Second World War in Gdansk, he demonstrates how a ‘climatic wash’ could create an artificial microclimate that extends the seasonal activities of the museum's programmes.     

Old Dispersions and Scenes for the Production of Public Space The Constructive Margins of Secondarity

The density of development in Belgium is such that the entire country has become an open city, with little sense of where one metropolitan area begins and another ends. Bruno De Meulder describes the underlying logic of this unbroken urbanscape, and the opportunity it affords for re-editing and reinserting informal social spaces in areas of wasted land. Copyright © 2008 John Wiley & Sons, Ltd.     

Biodiversity Targets as the Basis for Green Design

Mike Wells , the Director of Biodiversity by Design, and Ken Yeang outline the need for biodiversity targets in architecture to provide a more far-reaching basis for green design. Rather than just literally ‘greening’ a building by covering it with foliage, they seek to encourage designers to engage with wider ecological processes and in more specific detail. Copyright © 2010 John Wiley & Sons, Ltd.     

The New Materiality

In the last few decades an entirely new conception of the material world has emerged. Here, philosopher Manuel DeLanda , whose work has become synonymous with this ‘new materialism’, introduces this novel understanding of materiality. Like any other conceptual framework, it has precedents in the history of philosophy - the work of the Dutch philosopher Baruch Spinoza is a good example - but only recently has it become coherently articulated with science and technology. Gone is the Aristotelian view that matter is an inert receptacle for forms that come from the outside (transcendent essences), as well as the Newtonian view in which an obedient materiality simply follows general laws and owes all its powers to those transcendent laws. In place of this, we can now conceptualise an active matter endowed with its own tendencies and capacities, engaged in its own divergent, open-ended evolution, animated from within by immanent patterns of being and becoming.     

Seoul's Interior Landscapes

The shop floor of the department store has increasingly become a cluttered no-man's-land, no more than a space between competing branded concessions. Howard Watson describes how at Lotte, a department store in Seoul, South Korea, Universal Design Studio has applied its subtle decorative design style – first launched internationally in the Stella McCartney stores – to unifying effect. Copyright © 2007 John Wiley & Sons, Ltd.     

Ex Silico Ad Vivo: Computational Simulation and Urban Design at Foster + Partners

What makes a successful city? Can this be replicated simply by following tried-and-tested urban typologies? Francis Aish, Adam Davis and Martha Tsigkari of Foster + Partners' Applied Research + Development (ARD) group argue that technology allows other approaches to urban design. They explain that computational simulation is increasingly valuable in predicting how the dynamic and complex systems of a city might play out in an urban context, forging an exciting new alliance between computation and intuition.     

Performing Elegance

At the level of global culture, the impact of elegant buildings is magnified where there is a seamless integration of complex parts and fabrication expressed through a mastery of techniques and transformative set of features. Hani Rashid of Asymptote explains how, in working at an international scale, the practice is now seeking to propagate innovative design through a ‘developed understanding of the multiple levels of local responses that affect both local and global conditions’. Copyright © 2007 John Wiley & Sons, Ltd.     

Mapping the Invisible Landscape: An Exercise in Spatially Choreographed Sound

Paul Bavister of Audialsense describes how a series of auditory research installations in the Turbine Hall of the Tate Modern presented the opportunity to play with the relationship between sound and the built, inverting the usual relationship in which architecture accommodates the acoustic. Copyright © 2008 John Wiley & Sons, Ltd.     

Initiating Change: Architecturing the Body-Environment with Arakawa and Gins

New York-based artists Shusaku Arakawa (1936–2010) and Madeline Gins (1941–) used architecture in their work in an approach that they have referred to as ‘architecting’. Jondi Keane explains how as artists-turned-architects, Arakawa and Gins have not been particularly interested in innovating architecture, but in approaching architecture as a way to innovate, or change the world'.     

Arguing for Elegance

Patrik Schumacher of Zaha Hadid Architects describes how elegance in architecture thrives on and articulates complexity. For elegance to be fully expressed in any work, it must be mastered and refined throughout the building and construction process. This entails the refinement of spatial and structural organisation and the integration of all building systems that are systemic, inflecting and adapt to each other, providing an overall intelligence of assembly. Copyright © 2007 John Wiley & Sons, Ltd.     

Urbana

Based in Dhaka, Bangladesh, and originally formed by Kashef Mahboob Chowdhury and Marina Tabassum, the work of Urbana displays a heightened sense of material crafting within an invigorated Modernist ethos that has earned awards for the practice and been featured in many international publications. Copyright © 2007 John Wiley & Sons, Ltd.     

Low-Tech Transgression: The Interventional Work of EXYZT

Alex Romer and Naïm Aït-Sidhoum define EXYZT's practice as one characterised by ‘transgressive forms’ and ‘construction devices’. They explain how this has come about through the studio's penchant for the loose conditions of leftover spaces – derelict urban sites or marginal spaces by the sides of roads and railway lines – which require the building of temporary structures in tight timetables on limited budgets.     

Recent History - Art In Ruins

Some two decades on, guest-editor Nic Clear returns to the work of Hannah Vowles and Glyn Banks of collaborative art practice Art in Ruins. As cited by Brian Hatton on their behalf in 1989: ‘in the city of the future everything will be historical (ie visited) for fifteen minutes’. Copyright © 2009 John Wiley & Sons, Ltd.     

Galapagos: On the Logic and Limitations of Generic Solvers

A graduate in architecture and urbanism from TU Delft, David Rutten works with software company Robert McNeel & Associates (RMN). The developer of Grasshopper®, he was recently awarded the ACADIA 2012 award for innovative research. The Galapagos plug-in, which Rutten has developed for Grasshopper®, implements two generic solvers (one using a genetic algorithm and one using a simulated annealing algorithm). A generic solver will find a solution to a problem that can be expressed in a mathematical way; however, as he explains here, while these solutions may not be exact, they will be very good.