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1.
《Architectural Design》2007,77(6):42-45
Rahul Mehrotra maintains a diverse and active role as an architect, urban activist, writer and teacher. His book Bombay: The Cities Within (1995), with Sharada Dwivedi, is a major enquiry into the history and sociology of India's vivacious and contentious urbanism. He finds his city of practice - Mumbai - a mine for quarrying architectural ideations and languages. Unlike most regions in India that may have to adhere to a conformist cultural agenda, Mumbai offers a conceptual freedom in traversing the traditional and contemporary as the city has its particular plurality in the intertwining epochs, attitudes and ‘coming together and moving apart of the past and present’. Multiplicity is thus axiomatic in Mehrotra's interpretation of the city, although this is transferred in his architecture as a dialogical juxtaposition of public and private, exteriority and interiority, natural and industrial materials, and the traditional and contemporary. Interiority, arising both from reasons of climate and urban conditions, is an abiding theme in Mehrotra's work and is articulated through reified courtyards and walls that also retain an intimate conversation with the larger landscape. From residences to large complexes, he uses these elements with great craft and finesse to create dramatic spaces with changing palettes of materials, colours and phenomenally modulated differences between the exterior and interior.‘In our projects, the approach has been to abstract and interpret spatial arrangements as well as building vocabulary,’ he says. ‘The idea is to combine materials, to juxtapose conventional craftsmanship with industrial materials and traditional spatial arrangements with contemporary space organisation. In short, to give expression to the multiple worlds, pluralism and dualities that so vividly characterise the Asian landscape.’ Copyright © 2007 John Wiley & Sons, Ltd.  相似文献   

2.
Estonian architect Veronika Valk of Zizi&Yoyo provides a manifesto for contemporary practice, based on ‘architecture as initiative’; initiative being defined as the basic catalyst for change in a project, whether it is a small-scale art installation or an urban development. As self-contained ideas factories, initiatives generate ‘open and affirmative ways to approach innovation in architecture’.  相似文献   

3.
《Architectural Design》2007,77(6):123-123
Rafiq Azam, based in Dhaka, Bangladesh, has produced interventionist architecture in Dhaka city's unchallenged urbanity where owner-developer profits tightly dictate the terms of engagement. His designs for apartment buildings are regarded as compelling revisions of given typologies. In his urban projects, Azam has dematerialised the obtrusive and anti-urban boundary wall that characterises the city with new layerings of gardens, plantings and other architectural fragments such as gardens in the air. His contribution to the ‘greening’ of apartments is original and clearly an achievement in the rigid mathematics of the market. Copyright © 2007 John Wiley & Sons, Ltd.  相似文献   

4.
《Architectural Design》2007,77(6):124-124
Ann Pendleton-Jullian practises from Cambridge, Massachusetts, where she also teaches at MIT. This combination of teaching and practice allows her to consider the vital exchange between ideas and architecture that is evident in both her commissioned work and her theoretical projects. Her work has been cited for the manner in which it poeticises the intersection between pragmatic concerns and the ‘ambitions of the imagination’. Copyright © 2007 John Wiley & Sons, Ltd.  相似文献   

5.
For three decades architect Liz Diller and artist Ricardo Scofidio have been collaborating on projects that test the boundaries between art and architecture. They have done more than any other practice to champion interdisciplinary research and to advocate architecture as a wider form of cultural production. Olympia Kazi went to talk to Liz Diller to ask her if she thinks theory could really be dead, or merely in a ‘lull’. Copyright © 2009 John Wiley & Sons, Ltd.  相似文献   

6.
Could the primacy of green architecture in recent years be eroding the discipline? Is it reducing architecture to a mere ‘environmental techno-science’? Penelope Dean argues for a revised environmental agenda that is driven by ideas and concepts rather than subservient technologies. Copyright © 2009 John Wiley & Sons, Ltd.  相似文献   

7.
《Journal of Urbanism》2013,6(4):352-372
Landscape urbanism is articulated against the purported failures of traditional urban design practices to conceptualize adequately the transience, adaptability, and ecological complexity demanded by contemporary urbanism. This paper engages Giambattista Nolli’s 1748 map of Rome, a seminal example of the figure ground representational method, to highlight some contradictions in landscape urbanism’s texts and projects. Whereas the figure ground is often reduced to a binary black and white image, Nolli’s map illustrates the intertwining of public and private spaces, through rendering detailed attributes of site, infrastructure, history, and architecture. Also considered is the assertive restructuring of disciplinary influence within what Linda Pollak identifies as ‘constructed ground.’ This reclamation constitutes a re-territorializing of landscape architecture through re-engagement of the urban fabric, as well as the more aspirational and necessary re-territorializing of design through intentional consideration of ecological complexity in the making of public urban spaces.  相似文献   

8.
Fulvio Irace focuses on the internal tendencies of Italian contemporary architecture. In his identification of national characteristics, he recognises the part that a consolidated approach to Modernism has played. Looking backwards as well as forwards, Modernism in Italy, in all its manifestations, has been simultaneously concerned with ‘the exaltation of the new’ and ‘the obsession with memory’. Copyright © 2007 John Wiley & Sons, Ltd.  相似文献   

9.
Urban Flux     
In the 21st century, why does the type of poverty and human exploitation most readily associated with Dickensian London or the ‘dark Satanic Mills’ of Victorian England still persist today? Matthew Gandy , Professor of Geography at University College London, and Director of the UCL Urban Laboratory, lifts the lid on the unevenness of global development, revealing why contemporary urban space continues to be characterised by landscapes of neglect interspersed with areas of intense investment and consumption. Copyright © 2009 John Wiley & Sons, Ltd.  相似文献   

10.
A hybrid term, ‘architextiles’ encompasses a wide range of projects and ways of thinking that unite architecture and textiles. By way of introduction to this issue, guest-editor Mark Garcia highlights the significant rise of interest in this confluence by theorists, architects, engineers, textile designers, materials scientists and artists. He also explains how, as a hybrid mode of design and practice, architextiles is better able to respond to society's fast-changing cultural and consumer demands, enabling the production of more dynamic, flexible, interactive, event and process-based spaces. Copyright © 2006 John Wiley & Sons, Ltd.  相似文献   

11.
Taking its inspiration from biology, digital morphogenesis operates through a logic of optimisation. Departing from the notion of architecture primarily as form-finding that privileges appearance, Neil Leach describes how morphogenesis places emphasis on ‘material performance’ and ‘processes over representation’. Copyright © 2009 John Wiley & Sons, Ltd.  相似文献   

12.
Mike Wells , the Director of Biodiversity by Design, and Ken Yeang outline the need for biodiversity targets in architecture to provide a more far-reaching basis for green design. Rather than just literally ‘greening’ a building by covering it with foliage, they seek to encourage designers to engage with wider ecological processes and in more specific detail. Copyright © 2010 John Wiley & Sons, Ltd.  相似文献   

13.
Architecture is on the cusp of systemic change, driven by the dynamics of climate and economy, of new technologies and new means of production. There is a growing interest in the dynamics of fluidity, in networks and in the new topologies of surfaces and soft boundaries. This is part of a general cultural response to the contemporary reconfiguration of the concept of ‘nature’ within the discourse of architecture; a change from metaphor to model, from ‘nature’ as a source of formal inspiration to ‘nature’ as a mine of interrelated dynamic processes that are available for analysis and digital simulation. Michael Weinstock presents an account of the dynamics of natural metabolisms, and suggests an agenda for the development of metabolic morphologies of buildings and cities. Copyright © 2008 John Wiley & Sons, Ltd.  相似文献   

14.
Neil Spiller gets personal in a bid to put the ‘I’ back into architecture. He celebrates the spatial experimentation of the work of Charlotte Erckrath. Creating a space of desire, she produces a subjective ‘synthesis of architect, body, space and view’. Copyright © 2008 John Wiley & Sons, Ltd.  相似文献   

15.
Rem Koolhaas famously highlighted the uniformity of Chinese cities with his identification of ‘the generic city’ in the Pearl River Delta in the 1990s. Here Jiang Jun , Editor-in-Chief of Urban China magazine, and Kuang Xiaoming highlight the ‘unified diversity’ and complexity of contemporary urbanism through his own system of classification. Copyright © 2008 John Wiley & Sons, Ltd.  相似文献   

16.
Bonheiden, in the province of Antwerp in Belgium, lies in a region known for its exceptional natural beauty. Though the surrounding rural setting has remained protected this has often been to the detriment of urban life, as the built environment has been subject to a process of banal suburbanisation. Els Verbakel and Elie Derman explain how they propose to turn this situation around by creating public spaces that use the town's ‘original landscape as the base material’. Copyright © 2008 John Wiley & Sons, Ltd.  相似文献   

17.
By focusing on a ‘scientific approach’ that emphasises the importance of cause and effect, Josep Lluís Mateo/MAP has developed a design for the Camp Nou Stadium in Barcelona that is less about spectacle and more about the people it accommodates. Croatian critic and architect Krunoslav Ivanisin admires the structure for the ‘inherent logic of its parts’, but also for its prioritisation of communal life. Copyright © 2009 John Wiley & Sons, Ltd.  相似文献   

18.
《Architectural Design》2007,77(6):68-68
Gerard da Cunha maintains his practice from the old Portuguese colony of Goa, which he considers has a novel history in that it was the site of the ‘first sustained encounter between the East and the West’. This encounter has engendered a unique culture and architecture that is evident in da Cunha's lively and rather Gaudíesque work. Copyright © 2007 John Wiley & Sons, Ltd.  相似文献   

19.
Stalker/ON     
How might we ‘reboot’ architecture and ‘regain the critical’? American architectural critic and professor Peter Lang finds in Stalker's interactive field study of a Romany community around Rome a trigger for a re-energised way of thinking that questions how we might effectively live communally and economically. Copyright © 2009 John Wiley & Sons, Ltd.  相似文献   

20.
Tom Wiscombe advances an argument for an architecture of ‘extreme integration’, where the sanctity of the single surface responsible solely for affect is challenged by multilayered and multidimensional built surfaces. The new species of architecture is ‘robust enough to be both formally and technologically innovative’, replacing a mechanistic model with a biological jungle ecology of messiness and excess. Copyright © 2010 John Wiley & Sons, Ltd.  相似文献   

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