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1.
In the last few decades an entirely new conception of the material world has emerged. Here, philosopher Manuel DeLanda , whose work has become synonymous with this ‘new materialism’, introduces this novel understanding of materiality. Like any other conceptual framework, it has precedents in the history of philosophy - the work of the Dutch philosopher Baruch Spinoza is a good example - but only recently has it become coherently articulated with science and technology. Gone is the Aristotelian view that matter is an inert receptacle for forms that come from the outside (transcendent essences), as well as the Newtonian view in which an obedient materiality simply follows general laws and owes all its powers to those transcendent laws. In place of this, we can now conceptualise an active matter endowed with its own tendencies and capacities, engaged in its own divergent, open-ended evolution, animated from within by immanent patterns of being and becoming.  相似文献   

2.
Brett Steele, former director of the Architectural Association's Design Research Laboratory (AADRL) and now director of the Architectural Association, reflects upon the DRL as a laboratory for the production of a different kind of student and teacher, and ultimately as a new model for architectural education. His ‘screenshots’ offer an informal image/text-based window through which to browse the general atmosphere of that research endeavour. The DRL was also very active in employing outside specialists from a variety of disciplines including computer programming and robotics. These interests were situated within the DRL's much larger ambition of rethinking the very definition of research itself, not isolated in the purely reflective interests of history and criticism but based on the projective desires of innovation. Moreover, the organisation of these new laboratories of design life begin to resemble their objects of study. Copyright © 2006 John Wiley & Sons, Ltd.  相似文献   

3.
The London Blitz has come to epitomise the golden age of urban togetherness and bonhomie when the public was bound by a common enemy threat. Through his reading of Thomas Pynchon's Gravity's Rainbow, literary critic Bruce Robbins questions the archetypal view of the Second World War as a watershed after which the ideal intact city and its community were ultimately destroyed. Copyright © 2008 John Wiley & Sons, Ltd.  相似文献   

4.
Architecture is on the cusp of systemic change, driven by the dynamics of climate and economy, of new technologies and new means of production. There is a growing interest in the dynamics of fluidity, in networks and in the new topologies of surfaces and soft boundaries. This is part of a general cultural response to the contemporary reconfiguration of the concept of ‘nature’ within the discourse of architecture; a change from metaphor to model, from ‘nature’ as a source of formal inspiration to ‘nature’ as a mine of interrelated dynamic processes that are available for analysis and digital simulation. Michael Weinstock presents an account of the dynamics of natural metabolisms, and suggests an agenda for the development of metabolic morphologies of buildings and cities. Copyright © 2008 John Wiley & Sons, Ltd.  相似文献   

5.
The density of development in Belgium is such that the entire country has become an open city, with little sense of where one metropolitan area begins and another ends. Bruno De Meulder describes the underlying logic of this unbroken urbanscape, and the opportunity it affords for re-editing and reinserting informal social spaces in areas of wasted land. Copyright © 2008 John Wiley & Sons, Ltd.  相似文献   

6.
Valentina Croci kicks off a new series on interactive technologies with an investigation of the integrated, interdisciplinary research of the new media artist Brigitta Zics. Zics' projects throw light on how conventional architecture might learn from the interactive, placing a greater understanding on the sensory and the user's perceptual experience of a particular space. Copyright © 2007 John Wiley & Sons, Ltd.  相似文献   

7.
Sean Lally of WEATHERS lets out a rallying cry to all architects. He calls on them to make environmental conditions the subject of design rather than regarding them as a standardised part of a building's services. Here he highlights the potential of material systems, which are usually applied to conditioning the interiors of buildings, in the generation of new forms and activities; whether it is in the honing of the performance aspect of a building's function, as in the Water Cube at Beijing (2008), or in the seasonal planning that underpins the concept behind WEATHERS' Wanderings project (2008-9). Copyright © 2010 John Wiley & Sons, Ltd.  相似文献   

8.
Artists and researchers Oron Catts and Ionat Zurr of SymbioticA, based at the School of Anatomy, Physiology and Human Biology at the University of Western Australia, are internationally renowned as pioneers in the field of biological arts, challenging audiences with their tissue engineering projects. Catts and Zurr discuss how synthetic biology has increasingly become ‘the new frontier for exploitation’ and why there is currently ‘a resurgence of the application of engineering logic in the fields of the life sciences’ in which life itself becomes a raw material.  相似文献   

9.
Mike Wells , the Director of Biodiversity by Design, and Ken Yeang outline the need for biodiversity targets in architecture to provide a more far-reaching basis for green design. Rather than just literally ‘greening’ a building by covering it with foliage, they seek to encourage designers to engage with wider ecological processes and in more specific detail. Copyright © 2010 John Wiley & Sons, Ltd.  相似文献   

10.
A mixed-use programme for Penang in Malaysia with the potential to accommodate a resident population of 27,000 required OMA to operate at a planning level, while providing architectural definition. João Bravo da Costa describes how this led to a strategy that focused on types rather than objects, and specifically a typological distribution of programme across the site.  相似文献   

11.
For the last three decades, Italian architecture has been characterised by an extreme polarisation. At one end of the spectrum have been the neo-conservators, who are subsumed by Italy's history, and at the other end the avant-garde for whom innovation is the Holy Grail and the present is a clean slate. Francesco Proto outlines the current potential for steering a middle course that will afford a greater eclecticism, enabling a natural balance between pragmatism and theory. Copyright © 2007 John Wiley & Sons, Ltd.  相似文献   

12.
Neil Spiller reactionary? Spiller finds himself recoiling into a ‘grumpy old man’ as he observes the emergence of an alarming new trend in architecture schools that prioritises style over matter. Copyright © 2008 John Wiley & Sons, Ltd.  相似文献   

13.
Kate Soper describes how at a time when the gap between the rich and poor has grown wider, scarcity has become a product of affluence in a double sense. Not only is consumption using up material and energy resources for everyone, for the wealthiest section of the world's population the pleasures of consumption are also being paid for by the dearth of life's other qualities, such as sufficient leisure time, good health and an environment free of pollution and congestion.  相似文献   

14.
Hans Becker , originally a professor at the Erasmus School of Economics in Rotterdam, is a seemingly unlikely guru for elderly care. In 1992 he was appointed Chair of the Rotterdam-based housing association Humanitas with the task of overturning the outmoded and failing commercial model of its nursing homes. He set about replacing them with ‘apartments for life’ that promoted independent living. In order to understand more about the successful Humanitas model, David Birkbeck , Chief Executive of Design for Homes in the UK, interviewed Becker and found out how the move to a new housing type was enabled by a philosophical shift that placed an emphasis on the engendering of happiness among its residents – with food and the creation of convivial on-site restaurant facilities proving a critical tool.  相似文献   

15.
If a new stringency with economic and material resources is to become a new way of life, how should austerity be recast as a positive force rather than a negative imposition? Daliana Suryawinata and Winy Maas look at definitions of austerity and describes the Austeria project at The Why Factory at Delft University of Technology (TU Delft) that looked at new models for combating excessive consumption, such as the ‘Zen road to affluence’.  相似文献   

16.
Software increasingly determines what can be designed, constructed and even how design occurs. Here, Alexander R Galloway and Eugene Thacker present a series of investigations with the collaborative Radical Software Group (RSG). Their practice examines the nature of software code as a form of language. Addressing theoretical issues regarding meaning and representation, they argue for thinking more abstractly and generatively about language, and propose a new, or liberated, computer language in which the representational determinations implicit to any software are geared towards innovation in communication and design. By rewriting the software that allows for the transmission and translation of knowledge across previously discrete fields of production, programming allows for new and productive cross-pollination. Indeed, programming becomes a new site of design that enfolds disciplines not traditionally seen as part of the creative processes of innovation. Copyright © 2006 John Wiley & Sons, Ltd.  相似文献   

17.
Neil Spiller reveals the complexity of architectural systems to us, or is it the complexity of the architectural mind? For Spiller, the potential of a single notation as a seed for a truly ecological architecture provides an essential catalyst, triggering a multifaceted musing that takes in diagrams, Paul Preissner's new competition entry for the Taiwan Centre of Disease Control and his future work with Dr Rachel Armstrong on complex biological systems. Copyright © 2009 John Wiley & Sons, Ltd.  相似文献   

18.
What are the implications of the inherent reflexivity of the Internet for the design professions? Anthony Burke argues that radically innovative and distributed forms of information exchange such as BitTorrent suggest a general shift away from the traditional conception of the architect as master builder to one more in line with the collaborative remixing and patching tactics of the hacker. BitTorrent is a communications protocol that allows massive information exchange across infinite users with minimum resources. Through its sheer force of collectively pooled imagination, it provides a potent example of the sorts of platforms of information exchange that foster the new forms of communal organisation that Michael Hardt and Antonio Negri term the ‘Multitude’, and which productively challenge conventional models of cultural invention and production. In this context, Burke raises questions about the implications of this broader shift for the design professions' business organisation, as well as their more general methodologies. Copyright © 2006 John Wiley & Sons, Ltd.  相似文献   

19.
With the employment of a geographical information system (GIS), the city can be revealed and analysed with an alacrity that was never previously imagined possible: vacant sites and spaces between buildings can immediately be located. Nicholas de Monchaux describes his project Local Code: Real Estates, based in San Francisco, which has highlighted the potential and scale of residual spaces situated around highways and industry as a new collective resource for community design. Copyright © 2010 John Wiley & Sons, Ltd.  相似文献   

20.
Could large-scale urban development and an erosion of rights to public space prove the death knoll for China’s vibrant street life? Shi Jian , Planning Director of ISreading Culture in Beijing, looks at the tradition of Chinese street culture and how it is currently shifting and reinventing itself for new urban contexts. Copyright © 2008 John Wiley & Sons, Ltd.  相似文献   

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