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1.
The density of development in Belgium is such that the entire country has become an open city, with little sense of where one metropolitan area begins and another ends. Bruno De Meulder describes the underlying logic of this unbroken urbanscape, and the opportunity it affords for re-editing and reinserting informal social spaces in areas of wasted land. Copyright © 2008 John Wiley & Sons, Ltd.  相似文献   

2.
《Architectural Design》2007,77(6):124-124
Ann Pendleton-Jullian practises from Cambridge, Massachusetts, where she also teaches at MIT. This combination of teaching and practice allows her to consider the vital exchange between ideas and architecture that is evident in both her commissioned work and her theoretical projects. Her work has been cited for the manner in which it poeticises the intersection between pragmatic concerns and the ‘ambitions of the imagination’. Copyright © 2007 John Wiley & Sons, Ltd.  相似文献   

3.
Alex Romer and Naïm Aït-Sidhoum define EXYZT's practice as one characterised by ‘transgressive forms’ and ‘construction devices’. They explain how this has come about through the studio's penchant for the loose conditions of leftover spaces – derelict urban sites or marginal spaces by the sides of roads and railway lines – which require the building of temporary structures in tight timetables on limited budgets.  相似文献   

4.
In the last few decades an entirely new conception of the material world has emerged. Here, philosopher Manuel DeLanda , whose work has become synonymous with this ‘new materialism’, introduces this novel understanding of materiality. Like any other conceptual framework, it has precedents in the history of philosophy - the work of the Dutch philosopher Baruch Spinoza is a good example - but only recently has it become coherently articulated with science and technology. Gone is the Aristotelian view that matter is an inert receptacle for forms that come from the outside (transcendent essences), as well as the Newtonian view in which an obedient materiality simply follows general laws and owes all its powers to those transcendent laws. In place of this, we can now conceptualise an active matter endowed with its own tendencies and capacities, engaged in its own divergent, open-ended evolution, animated from within by immanent patterns of being and becoming.  相似文献   

5.
Brett Steele, former director of the Architectural Association's Design Research Laboratory (AADRL) and now director of the Architectural Association, reflects upon the DRL as a laboratory for the production of a different kind of student and teacher, and ultimately as a new model for architectural education. His ‘screenshots’ offer an informal image/text-based window through which to browse the general atmosphere of that research endeavour. The DRL was also very active in employing outside specialists from a variety of disciplines including computer programming and robotics. These interests were situated within the DRL's much larger ambition of rethinking the very definition of research itself, not isolated in the purely reflective interests of history and criticism but based on the projective desires of innovation. Moreover, the organisation of these new laboratories of design life begin to resemble their objects of study. Copyright © 2006 John Wiley & Sons, Ltd.  相似文献   

6.
For the last three decades, Italian architecture has been characterised by an extreme polarisation. At one end of the spectrum have been the neo-conservators, who are subsumed by Italy's history, and at the other end the avant-garde for whom innovation is the Holy Grail and the present is a clean slate. Francesco Proto outlines the current potential for steering a middle course that will afford a greater eclecticism, enabling a natural balance between pragmatism and theory. Copyright © 2007 John Wiley & Sons, Ltd.  相似文献   

7.
Under the current commercial practice model, can architecture ever really be cutting-edge or egalitarian in its aims? If only 2 per cent of the world's buildings are designed by architects for 1 per cent of the richest clients, is it possible to design for a wide cross section of the population let alone be truly subversive? Alastair Parvin of architecture studio 00 (zero zero) and co-founder of the Wiki-House puts the case forward for a whole new model of open-source practice.  相似文献   

8.
In her concluding ‘Userscape’, Valentina Croci assesses the state of interactive design as it becomes an increasingly mature practice, with over 10 years of activity behind it. Looking at works by some of the most significant designers internationally, she emphasises how this new field of spatial design has enabled new sensory investigation and innovative explorations into the relations between people. Copyright © 2010 John Wiley & Sons, Ltd.  相似文献   

9.
The superblock in China has become the dominant unit of urban planning, allowing for rapid urban growth while also meeting the needs of state and property developer alike. Kjersti Monson explains the conditions that have given rise to the superblock, while challenging it by proposing an alternative ‘stringblock’ approach, rooted more in collective culture and addressing the demands of the market-driven economy. Copyright © 2008 John Wiley & Sons, Ltd.  相似文献   

10.
Protocell technology has a precedent in the innovative use of plastic in the 1960s, when chemistry first came up with an innovative new material that could be applied to architecture, interiors and product design. Omar Khan describes how at the Center for Architecture and Situated Technologies at the University at Buffalo in New York, he is developing a line of research that builds on the legacy of the 1960s and 1970s for soft materials and the capabilities of an elastic responsive architecture. Copyright © 2011 John Wiley & Sons, Ltd.  相似文献   

11.
Sean Lally of WEATHERS lets out a rallying cry to all architects. He calls on them to make environmental conditions the subject of design rather than regarding them as a standardised part of a building's services. Here he highlights the potential of material systems, which are usually applied to conditioning the interiors of buildings, in the generation of new forms and activities; whether it is in the honing of the performance aspect of a building's function, as in the Water Cube at Beijing (2008), or in the seasonal planning that underpins the concept behind WEATHERS' Wanderings project (2008-9). Copyright © 2010 John Wiley & Sons, Ltd.  相似文献   

12.
In cinema, the post-apocalypse has become a recurring theme offering endless opportunities to envisage and keep on reimagining the end of the world as we know it. Here Mark Fisher explores the post-apocalyptic in Children of Men (2006), The Road (2006) and Terminator Salvation (2009), and asks whether these seminal films point towards a tendency to imagine the end of existence over the end of capitalism. Copyright © 2010 John Wiley & Sons, Ltd.  相似文献   

13.
At their most supernatural, interactive design environments can have a transformative effect. They take the visitor to somewhere else. By actively involving the public they are both ‘porous’ and ‘responsive’, beckoning us like the rabbit in Alice in Wonderland to enter and participate in another world. Here Lucy Bullivant kicks off her introduction to this issue of AD by looking at an installation designed by Daan Roosegaarde for the Netherlands Media Art Institute in Amsterdam which epitomises this approach. Copyright © 2007 John Wiley & Sons, Ltd.  相似文献   

14.
Artists and researchers Oron Catts and Ionat Zurr of SymbioticA, based at the School of Anatomy, Physiology and Human Biology at the University of Western Australia, are internationally renowned as pioneers in the field of biological arts, challenging audiences with their tissue engineering projects. Catts and Zurr discuss how synthetic biology has increasingly become ‘the new frontier for exploitation’ and why there is currently ‘a resurgence of the application of engineering logic in the fields of the life sciences’ in which life itself becomes a raw material.  相似文献   

15.
The shop floor of the department store has increasingly become a cluttered no-man's-land, no more than a space between competing branded concessions. Howard Watson describes how at Lotte, a department store in Seoul, South Korea, Universal Design Studio has applied its subtle decorative design style – first launched internationally in the Stella McCartney stores – to unifying effect. Copyright © 2007 John Wiley & Sons, Ltd.  相似文献   

16.
If economic growth is only possible with the availability of cheap energy, what happens as production of oil peaks, and petroleum extraction declines? Rob Hopkins , an activist behind the Transition movement, argues for a new bottom-up approach to economic development that is also more localised and nourishing. Shifting the emphasis from sustainability towards resilience, he seeks a rethinking of the way local communities feed, house and power themselves.  相似文献   

17.
The omnipresence of the iPod and mobile phone has ensured portable and wearable technologies' highly privileged position in contemporary society. They are at the top of the pile where conspicuous consumption is concerned - you only have to visit an Apple store on a Saturday afternoon to witness the degree to which this highly sought-after gadgetry has become subject to consumer frenzy and speculation. Here, Despina Papadopoulos reviews the particular social and cultural impact of wearable devices. She also welcomes in a new generation of interactive designers who are investigating the human and emotional potential of emergent technologies. Copyright © 2007 John Wiley & Sons, Ltd.  相似文献   

18.
ecoLogicStudio     
From their office in Hackney, in London's East End, Italian duo Claudia Pasquero and Marco Poletto, have established an international reputation as ecoLogicStudio, an innovative practice that fuses digital technologies with environmental design. As Terri Peters explains, the ethos and approach of the studio extends beyond that of finding technological solutions to ecological design projects. Copyright © 2010 John Wiley & Sons, Ltd.  相似文献   

19.
Art and architecture have a strong tradition of humanism in which man and the human body are the centre and measure of all things. Maria Fernández describes the work of artist Rafael Lozano-Hemmer whose work transgresses and challenges these preconceptions through performance, seeking to expose the body and society's receptivity to instability, fluctuation and re-imagining. Copyright © 2007 John Wiley & Sons, Ltd.  相似文献   

20.
The large-scale residential settlements that have sprung up over the last decade to house migrants flocking to join Brazil's burgeoning rural industries are in urgent need of retrofitting with infrastructure and community facilities if they are to become sustainable. To this end, international urban design practice the BAÚ Collaborative has initiated the ‘Eden’ project – a participatory design process that involves state authorities, local NGOs, residents and social workers. Rainer Hehl , a cofounder of BAÚ, outlines the problem, the project, and its test-site: the mining town of Parauapebas.  相似文献   

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