Analysis of standard chromaticity gamut area metrics

It is herein proposed to measure display gamut sizes by employing the International Telecommunication Union—Radiocommunication Sector Recommendation BT.2020 (Rec. 2020) area‐coverage ratios in the xy chromaticity diagram rather than the standard gamut area metrics that use the horseshoe‐shaped spectrum chromaticity area as the target in the u′v′ chromaticity diagram. It is more reasonable to use the Rec. 2020 gamut than the spectrum gamut as the target because the Rec. 2020 area‐coverage ratios in the xy diagram are better correlated than the spectrum area‐coverage ratios with the volume‐coverage ratios of object color gamuts that are visually significant in displaying natural scenes.     

Measuring the color capability of modern display systems

Historically displays used three colorants in an additive system. During that time, the CIE chromaticity diagram adequately illustrated color capability. Modern displays are not constrained by this additive architecture, and the diagram can fail in its purpose. This is demonstrated by analysis and a large number of display measurements. A device‐independent methodology using CIE 1976 L*a*b* color gamut volume is described that provides a robust means to determine the size of the color gamut. This methodology is then extended to the ‘gamut rings’ diagram as a solution for visualizing color capability that directly correlates to color gamut volume. It is further shown how the methodology can be applied to determine the intersection between two gamut volume boundaries.     

Relationship between mode‐boundary from surface color to fluorescent appearance and preferred gamut on wide‐gamut displays

Abstract— Color‐gamut design is a major concern in wide‐gamut displays. To determine a preferred gamut for displaying object color in natural scenes on a wide‐gamut display, subjective evaluations were conducted to investigate the preferred color and acceptable limit. Then, simple synthesized images were used to determine the mode boundary between surface color and fluorescent color appearance. It was found that (1) observers perceived the colors with high saturation and high lightness as fluorescent colors and (2) the fluorescent appearance decreased preference. The color‐mode index (CMI) was defined as an evaluation index of the color‐appearance mode so that the boundary between surface color and fluorescent color appearance was defined as CMI 100. Additionally, it was found that the CMI 100 loci could be interpreted as an optimal color loci. Then, it was clarified that the mode boundary and the preferred gamut were closely related and that the acceptable limit for L* was 1.1 times L* for CMI 100.     

Effects of display properties on perceived color‐gamut volume and preference

Abstract— The effect of varying the color gamut of an extended‐gamut LCD on color appearance and preference was measured psychometrically in two experiments at each of two separate laboratories over a representative set of 10 images each. The first experiment measured the effect of color gamut on appearance, and the effect on the appearance attribute colorfulness was shown to be relatively strong compared with other attributes as the volume of display color gamut is varied. Overall, colorfulness monotonically increased at constant sensitivity as the gamut area in xy chromaticities increased while tending to become less and less sensitive to increasing the gamut volumes in CIELAB and CIECAM02. In the second experiment, the overall preference indicated an optimal color gamut for the display gamut volume even though the results were shown to be highly scene dependent.     

A method for selecting display primaries to match a target color gamut

Abstract— A method for selecting primaries of a wide‐gamut display is proposed, in which display color gamut is designed to match a target color gamut in CIELAB color space. A standard deviation of the relative maximum chroma of display and target color gamuts is defined. The selection method optimizes display primaries for the minimum standard deviation so that display and target color gamuts are similar in shape. It is shown that the color gamut of a laser display designed by this method is similar in shape to the theoretical maximum, or optimal, color gamut of objects. It is also shown that the color gamut of an LED display can be designed to include 99.7% of the gamut of Pointer's real‐world surface colors. LED primaries are selected to minimize the standard deviation of the relative maximum chroma of effective display color gamut and a target color gamut which is defined to include Pointer's real‐world surface colors. For both the laser and LED displays, it is necessary to constrain the red‐primary wavelength to avoid excessive optical power for the red primary.     

Method to improve color reproduction on a 120‐Hz two‐field color‐sequential LCD

Conventional displays use at least three primaries for full‐color image reproduction. In this contribution, the reproduction of color images using an LCD system with two local dynamic primaries, based on a segmented backlight, will be discussed. The two primaries are chosen to minimize color error by means of total least squares. Simulation results indicate quite good color reproduction for a large set of video data even with a limited number of backlight segments. A statistical analysis of this video content shows that excellent color reproduction (?u′v′ < 0.020 for more than 99.0% of the pixels per frame) can be achieved for 74.2% of the frames using 9216 backlight segments.     

Seventeen‐inch laser backlight in‐plane switching liquid crystal display with 8K, 120‐Hz driving,and BT.2020 color gamut

We have developed a 17‐inch laser backlight in‐plane switching liquid crystal display satisfying the main BT.2020 specifications, which are 8K, 120‐Hz driving, and a BT.2020 wide color gamut. The color gamut of the developed in‐plane switching liquid crystal display covers 98% of the BT.2020 wide color gamut, thanks to a laser backlight and appropriate color filters. The liquid crystal response time of 5 ms, which is sufficient for 120‐Hz driving, is achieved by adapting a faster in‐plane switching liquid crystal display, namely, the short‐range lurch control in‐plane switching liquid crystal display.     

Non‐metamerism of boundary colors in multi‐primary displays

Abstract— A control sequence gives the intensities of the primaries for a pixel of a display device. The display gamut, i.e., the set of all the colors that a display can produce, is a zonohedral subset of CIE XYZ space and contains both boundary and interior colors. Displays with four primaries or more exhibit metamerism, in which different control sequences produce colors that appear identical to an observer. This paper shows mathematically that, provided no three primaries are linearly dependent, metamerism can only occur for interior colors. When there are four or more primaries, metamers can always be found for interior colors. A color on the gamut boundary, by contrast, is only produced by a unique control sequence. The proof used for displays can be extended to object‐color solids, to show that optimal colors, which are on the boundary of an object‐color solid, have unique reflectance functions.     

Heuristic approach to selecting a color appearance model for hue‐preserved wide‐color gamut mapping

With the advent of wide‐gamut system colorimetry for ultra‐high definition television, the development of a gamut mapping algorithm for wide to standard gamuts is greatly needed. Most gamut mapping techniques have been developed to retain the perceived hues of the source as predicted by a color appearance model. However, some color appearance models erroneously predict the saturated colors, generating a serious hue discontinuity in wide‐color gamut mapping onto the Rec. 709 gamut boundary. This paper presents a heuristic approach to determining whether a color appearance model may create such artifacts when used in hue‐preserved gamut mapping algorithms.     

Analysis of color volume of multi‐chromatic displays using gamut rings

There are claims that multi‐chromatic displays can achieve a wider color gamut by the use of additional highly saturated secondary color channels. However, there are other claims that these displays lose lightness and/or color saturation at brighter levels. These apparently divergent views have led to some controversy in the display industry and at standard setting organizations. This study examines the color gamut volume for a variety of simulated and measured multi‐chromatic (sometimes incorrectly referred to as “multi‐primary”) displays using combinations of white and/or secondary color channels, such as cyan, magenta, and yellow. Furthermore, a two‐dimensional gamut representation, referred to as “gamut rings,” is introduced to illustrate that the addition of nonprimary optical color channels to a trichromatic (RGB) display can result in a significant decrease in the chroma at higher lightness levels. The additional saturated color channels can increase the gamut volume only around their hues at darker levels. The results also confirm the validity of comparing the color light output and white light output for revealing the design trade‐offs between the high‐peak white and the color‐image brightness for multi‐chromatic displays.     

A 3.0‐in. 308‐ppi WVGA AMOLED with a top‐emission white OLED and color filter

Abstract— A 3.0‐in. 308‐ppi WVGA top‐emission AMOLED display with a white OLED and color filters, driven by LTPS TFTs demonstrating a color gamut of >90% and a Δ(u′,v′) of <0.02 is reported. A white‐emission source with a unique device structure was developed using all fluorescent materials and yielded efficiencies of 8.45% and 16 cd/A at 4000 nits with CIE color coordinates of (0.30, 0.32).     

White LEDs using the sharp β‐sialon: Eu phosphor and Mn‐doped red phosphor for wide‐color gamut display applications

The sharp β‐sialon (Si_6‐zAl_zO_zN_8‐z : 0 < z < 0.1):Eu green phosphor, combining with a blue LED and CaAlSiN₃:Eu red phosphor, is suitable for the wide‐color gamut white LEDs backlighting system, because of its sharp and asymmetric emission spectrum shape. However, the color gamut and the brightness of the aforementioned display is restricted because of the wide emission band of the CaAlSiN₃:Eu red phosphor. In this work, we used K₂SiF₆:Mn as an alternate red phosphor, which has a sharp emission spectrum. The display with the white LED using sharp β‐sialon:Eu and K₂SiF₆:Mn shows a wide‐color gamut, which covers the hole NTSC triangle. The use of K₂SiF₆:Mn enables to realize not only a wider color gamut but also a higher brightness of displays, compared with the use of CaAlSiN₃:Eu. Furthermore, it is confirmed that the white LED using sharp β‐sialon:Eu and K₂SiF₆:Mn is stable against temperature and also durable under the accelerated drive conditions.     

Preferred balance between luminance and color gamut in mobile displays

Abstract— To improve the image quality of a mobile display, the balance between color‐gamut size and luminance was studied in two subjective experiments. The first experiment was performed during the Asian Society for Information Display (ASID) conference in Nanjing, February 2004. Nearly 600 participants ranked the quality of images displayed for fixed combinations of color‐gamut size and display luminance on small color supertwisted nematic (CSTN) and thin‐film transistor (TFT) twistednematic (TN) displays. In the second experiment, a broader range of color‐gamut sizes and luminance levels were simulated on a cathode‐ray tube (CRT) display, and 20 participants were asked to score perceived image quality. The results of these experiments were used to model image quality as a function of color‐gamut size and display luminance for images differing in the level of chromaticity of their content. This model can be used to estimate the increase in luminance required to compensate for a reduction in color‐gamut size.     

A full‐color eyewear display using planar waveguides with reflection volume holograms

Abstract— A full‐color eyewear display with over 85% see‐through transmittance with a 16° horizontal field of view was developed. Very low color crosstalk, less than 0.008 Δu′v′ uniformity, and 120% NTSC color gamut were achieved. Waveguides with two in‐ and out‐coupling reflection volume hologram elements enabled a simple configuration that has an optical engine beside the user's temples. The reflection volume hologram elements used on the waveguides realized a small thickness of 1.4 mm for each waveguide, and an out‐coupling reflection volume hologram used as an optical combiner contributed a high see‐through transmittance of 85% due to its wavelength selectivity. However, there are technical challenges in achieving a reasonable screen size and quality color images with optics that utilize holographic waveguides because holograms have large chromatic dispersions compared to conventional optical elements such as lenses and mirrors. Approaches to overcome these issues are described.     

A novel spectrum‐sequential display design with a wide color gamut and reduced color breakup

Abstract— The advantage of RGB color‐sequential displays is that they have no color filters, but the disadvantage is that they need to run at high refresh rates (> >180 Hz) to prevent flicker and color breakup. An alternative color‐sequential display, which can operate at relatively low refresh rates (～ 100 Hz) without disturbing color breakup or flicker, has been developed. The display has two color filters per pixel (cyan and magenta) on the LCD panel and the backlight can generate two types of spectra (blue‐green and green‐red), which results in a wide gamut four‐primary display, effectively. One part of the paper describes the color reproduction, including color‐filter design, gamut mapping, and multi‐primary conversion. The other part deals with the reduced perception of color breakup on the novel spectrum‐sequential display compared to conventional color‐sequential displays.     

Detection and correction of purple fringing using color desaturation in the xy chromaticity diagram and the gradient information

This paper proposes a method to detect and correct purple fringing, which is one of color artifacts due to characteristics of charge coupled device sensors in a digital camera. The proposed method consists of two steps: detection and correction of purple fringing. In the first step, we detect the purple fringed regions that satisfy specific properties: image regions with large gradient magnitudes and with the chromaticity values within the purple color range set in the CIE xy chromaticity diagram. In the second step, color of the purple fringed regions is corrected in the CIE xy chromaticity diagram by color desaturation of the detected pixels. The proposed method is able to detect purple fringe artifacts more precisely and correct them more naturally than existing methods. It can be used as a post processing in a digital camera.     

Preferred and maximally acceptable color gamut for reproducing natural image content

Abstract— With the development of wide‐gamut display technology, the need is clear for understanding the required size and shape of color gamut from the viewers' perspective. To that end, experiments were conducted to explore color‐gamut requirements based on viewers' preferred level of chroma enhancement of standard‐gamut images. Chroma preferences were measured for multiple hues using single‐hue images, and a corresponding hue‐dependent preferred chroma enhancement was successfully applied to natural, multi‐hue images. The multi‐hue images showed overall success, though viewers indicated that reds could be decreased even further in colorfulness, and yellows could be increased, which may argue in favor of multi‐primary displays. Viewer preferences do vary within the population, primarily in overall chroma level, and the differences can be largely accounted for with a single parameter for chroma‐level adjustment that includes the preferred hue dependence. Image content dependencies were also found, but they remain too complex to model. The hue‐dependent chroma preference results can be applied to display design and color‐enhancement algorithms.     

Dynamic adaptation model and equal‐whiteness CCT curves for the choice of display reference white

Abstract— A dynamic adaptation model (DAM), based on the variations in the luminance levels under the same chromaticity viewing conditions and equal‐whiteness correlated‐color‐temperature (CCT) curves (EWCCs) derived by using the proposed DAM, is proposed. The proposed model was obtained by the transformation of the test colors for high luminance into the corresponding colors for low luminance. In the proposed model, the optimal coefficients are obtained from the corresponding color data from Breneman's experiments. From the experimental results, it was confirmed that the chromaticity errors between the predicted colors by the proposed model and the corresponding colors of Breneman's experiments are 0.004 in u′v′ chromaticity coordinates. The prediction performance of the proposed model is excellent because this error is the threshold value that distinguishes two adjacent color patches. Equal‐whiteness CCT curves (EWCs) are also proposed using the proposed DAM. By using the proposed EWCCs, an analysis of the difference between the selected video‐display‐unit reference‐white CCT values can be made. Additionally, the proposed EWCCs can be used as the theoretical standard which determines the reference white of the color video display units.     

LED‐backlight feedback control system with integrated amorphous‐silicon color sensor on an LCD panel

Abstract— Thin‐film‐transistor liquid‐crystal displays (TFT‐LCDs) have the largest market share of all digital flat‐panel displays. An LCD backlighting system employing a three‐color red‐green‐blue light‐emitting diode (RGB‐LED) array is very attractive, considering its wide color gamut, tunable white point, high dimming ratio, long lifetime, and environmental compatibility. But the high‐intensity LED has problems with thermal stability and degradation of brightness over time. Color and white luminance levels are not stable over a wide range of temperature due to inherent long‐term aging characteristics. In order to minimize color point and brightness differences over time, optical feedback control is the key technology for any LED‐backlight system. In this paper, the feasibility of an optical color‐sensing feedback system for an LED backlight by integrating the amorphous‐silicon (a‐Si) color sensor onto the LCD panel will be presented. To minimize the photoconductivity degradation of a‐Si, a new laser exposure treatment has been applied. The integrated color‐sensor optical‐feedback‐controlled LED‐backlight system minimized the color variation to less than 0.008 Δu'v' (CIE1976) compared to 0.025 for an open‐loop system over the temperature range of 42–76°C.     

A dual‐gap RGBW transflective TFT‐LCD with adjustable color gamut

Abstract— An adjustable‐color‐gamut dual‐gap RGBW transflective liquid‐crystal display that uses a four‐color manufacturing process and a color‐processing algorithm to achieve the appropriate color performance in both the transmissive and reflective modes is presented. Based on superior‐color‐transformation units, the total brightness and color gamut can be modified under different ambience. The highest NTSC color gamut in the reflective mode (reflectance, 4.4%) that has been fabricated successfully for a RGBW 1.5‐in. dual‐gap panel is 23% with a 7%, 17%, and 40% NTSC color gamut in the transmissive mode by using different algorithms. Compared to a typical RGB panel, it not only provides flexibility for any environment but also satisfies a variety of personal requirements. Based on personal preference, users have more choices to adjust the LCD settings such as color saturation, brightness, etc. The smart RGBW TRLCD will definitely become the developing trend towards sunlight‐readable LCDs in the near future.