Chromaticity‐matched but spectrally different light source effects on simple and complex color judgments

As light‐emitting diode (LED) light sources mature, lighting designers will be able to deliver white light with a variety of spectral power distributions and a variety of color rendering properties. This experiment examined the effects of three spectral power distributions (SPDs) that were matched in illuminance and chromaticity on three measures of color perception: one objective (performance on the Farnsworth‐Munsell 100 hue test) and two subjective (judgments of the attractiveness of one's own skin, and preferences for the saturation of printed images). The three SPDs were a quartz‐halogen (QH) lamp and two LED sources that were matched to the QH lamp in terms of both illuminance and chromaticity; the three light sources were nominally CCT = 3500 K, x = 0.40, y = 0.39 and ～ 400 lx. LED A used three channels (red, green, blue), and had very poor color rendering (R_a = 18). LED B used four channels (red, amber, cyan, white) and had very good color rendering (R_a = 96, whereas the QH had R_a = 98). Secondary hypotheses addressed the effects of age and skin and eye color on the dependent measures. As expected, LED A delivered very different color perceptions on all measures when compared to QH; LED B did not differ from QH. The results show that it is possible for LED sources to match the familiar incandescent sources. However, although it is possible to deliver what appear to be millions of colors with a three‐chip (RGB) device, there is the risk of creating a very poor luminous environment. © 2013 National Research Council Canada and Wiley Periodicals, Inc. Col Res Appl, 39, 263–274, 2014; Published Online 12 April 2013 in Wiley Online Library ( wileyonlinelibrary.com ). DOI 10.1002/col.21811     

Designing white‐light LED lighting for the display of art: A feasibility study

When displaying art, several criteria must be balanced when designing illumination including the artist's intention, damage, energy efficiency, viewing experience and understanding, and for commercial galleries and sales. The most common lighting for art includes natural daylight and incandescent spotlights. Neither source is optimal for all criteria; thus there is considerable interest in the use of white‐light light‐emitting diode (LED) lighting. A feasibility study was conducted to address two questions. First, was it possible to design a three‐primary LED source that yielded the same color rendering as common museum lighting? Second, could one design the lighting to achieve specific color appearance attributes? Three‐primary lights using a Gaussian function were optimized matching the chromaticity of D65 and minimizing color differences for a set of acrylic dispersion paints. The optimal wavelengths depended on bandwidth. Lights were also optimized that either maximized or minimized average chroma. A set of real LEDs was selected that produced similar results when evaluated computationally. A source that increases chroma may be useful when used to illuminate works of art with high light sensitivity: very low illuminances are necessary and such a source will compensate for the reduction of colorfulness and visual clarity. A source that decreases chroma may be used to render art in similar fashion to low‐light conditions such as churches and caves. In general, white LED lighting is advantageous for art conservation because they do not emit UV and IR radiation and their visible radiation is reduced when compared with their continuous spectrum equivalent. © 2010 Wiley Periodicals, Inc. Col Res Appl, 2011     

Optimization of LED‐based light blendings for object presentation

This study looks at the perceived quality of light‐emitting diode (LED)‐based lighting of various colors. The objective was to find out whether LEDs could provide better (i.e., more relevant and acceptable) lighting than that which is obtained with standard halogen or fluorescent sources. The perception of objects was assessed under different lighting schemes. Subjects were invited to add red, cyan and/or amber to white LED‐based light to match the halogen and fluorescence rendering on specific targets: a color chart and a painting. They were also asked to rate the difference between the two, and to express their preference. The results obtained for the perception of LED‐based lighting were quite positive. Color blendings of LED light were found to provide illuminated situations similar to halogens or fluorescent sources. These blendings were well accepted, and indeed often preferred, although the color rendering index (CRI) was always low. This indicates that the CRI as it stands is inadequate to characterize the color rendering of solid‐state light sources, and needs to be updated. LED‐based lighting systems seem to have considerable potential for use in shops and display units, where they may well outperform existing lighting systems. © 2009 Wiley Periodicals, Inc. Col Res Appl, 34, 310–320, 2009     

An ergonomic study of visual optimization by light color managements

Light‐emitting diodes (LEDs) have the advantage of controllable light colors and provide the optimal lighting quality against various color attributes required in different environments. However, from the humanized design point of view, beside satisfying physical demands of people, it is also important to achieve satisfaction. With a good match between the LED lighting equipment and ambient colors, the space imagery that complies with psychological needs of human beings can be found. This is expected to become a new market direction for future lighting. In this study, the LED light source feature of adjustable correlated color temperature is used to match wall colors of typical commercial spaces and for the investigation and analysis of the impact of colors of light sources and environments on human beings. The measures of mental and subjective feelings of a group of people under various circumstances have also been investigated. Multivariate analysis of variance has been conducted on three color temperatures of light sources, six wall colors, and measures of five emotion adjectives, and the correlation between these three variables has been further investigated. © 2014 Wiley Periodicals, Inc. Col Res Appl, 41, 72–84, 2016     

Perceptual and emotional effects of light and color in a simulated retail space

This article aims to address two aspects of lighting often treated intuitively by designers in charge of creating retail atmospheres, that is, the impact of color and light distribution, as design variables. The study comprised a controlled experiment with a repeated measure design with three directions of lighting (front, overhead, and wallwasher), as the within‐subject factor and four color combinations of the walls (yellow‐blue, magenta, gray, and green‐magenta), as the between‐group variable. The perceptual (visually) and emotional responses of 184 participants revealed the interplay between light and color on these psychological outcomes. Specifically, the results showed that the overhead direction of lighting improves the appearance of the less favored color conditions, either in terms of lack of visual complexity (monochromatic) or color itself (gray). In turn, the wallwasher lighting emphasized these attributes, differing according to visual or emotional aspects. In retailing, emotional dimensions such as activation and evaluation are desired, and they were confirmed across all the lighting and color conditions of this study. The results provide designers with certain perceptual cues regarding colors and their lighting mode to create desirable impressions and affect in retail spaces.     

Effects of correlated color temperature on focused and sustained attention under white LED desk lighting

Since the Kruithof's work on general illumination, the relationships between correlated color temperatures (CCTs) and human behavior are well documented. In the recent years, because of the high growth of light‐emitting diode (LED) lighting products, studies on the effects of LED lighting on human behavior have emerged. This study examines the effects of CCTs on focused and sustained attention under white LED desk lighting. Three CCT conditions (2700, 4300, and 6500 K) are examined, and the Chu Attention Test was used to measure focused and sustained attention. Results show that CCTs affect attention. In specific, the 4300 K condition resulted in a significantly better focused and sustained attention. Comfortableness and clarity are rated by the subjects. The self‐reported comfort shows no significant differences among the three conditions, but clarity shows significant differences. Gender differences are also discussed. It is found that the self‐reported clarity by males show no significant differences among the three lighting conditions, whereas the self‐reported clarity by females is significantly lower when CCT is 2700 K. © 2014 Wiley Periodicals, Inc. Col Res Appl, 40, 281–286, 2015     

Evaluation of discomfort glare from color leds and its correlation with individual variations in brightness sensitivity

The light‐emitting diode (LED) has attracted attention as an alternative light source to fluorescent and incandescent lighting. The characteristics of LED light are different from other sources, but regulations for LED products have not been completely established. Common LED lights, such as automotive lamps, street lighting systems and traffic lights, are produced under the existing glare regulations for other light sources, and some organizations are seeking to establish standardized regulations for LED products. Glare can impair vision and cause discomfort and must be considered when establishing regulations for lights. In this study, we measured the sensitivity of observers to the discomfort glare from color LEDs and analyzed the correlation between discomfort glare sensitivity and brightness sensitivity using heterochromatic brightness matching and flicker photometry. The results indicate a correlation between discomfort glare sensitivity and brightness sensitivity using blue LEDs and mild correlations with green and red LEDs. © 2010 Wiley Periodicals, Inc. Col Res Appl, 2010.     

Categorical color constancy under RGB‐LED light sources

The light‐emitting diode (LED)‐based light sources have been widely applied across numerous industries and in everyday practical uses. Recently, the LED‐based light source consisting of red, green and blue LEDs with narrow spectral bands (RGB‐LED) has been a more preferred illumination source than the common white phosphor LED and other traditional broadband light sources because the RGB‐LED can create many types of illumination color. The color rendering index of the RGB‐LED, however, is considerably lower compared to the traditional broadband light sources and the multi‐band LED light source (MB‐LED), which is composed of several LEDs and can accurately simulate daylight illuminants. Considering 3 relatively narrow spectral bands of the RGB‐LED light source, the color constancy, which is referred to as the ability of the human visual system to attenuate influences of illumination color change and hold the perception of a surface color constant, may be worse under the RGB‐LED light source than under the traditional broadband light sources or under the MB‐LED. In this study, we investigated categorical color constancy using a color naming method with real Munsell color chips under illumination changes from neutral to red, green, blue, and yellow illuminations. The neutral and 4 chromatic illuminants were produced by the RGB‐LED light source. A modified use of the color constancy index, which describes a centroid shift of each color category, was introduced to evaluate the color constancy performance. The results revealed that categorical color constancy under the 4 chromatic illuminants held relatively well, except for the red, brown, orange, and yellow color categories under the blue illumination and the orange color category under the yellow illumination. Furthermore, the categorical color constancy under red and green illuminations was better than the categorical color constancy under blue and yellow illuminations. The results indicate that a color constancy mechanism in the visual system functions in color categories when the illuminant emits an insufficient spectrum to render the colors of reflecting surfaces accurately. However, it is not recommended to use the RGB‐LED light source to produce blue and yellow illuminations because of the poor color constancy.     

Evaluation of the visibility of colored objects under led lighting with various correlated color temperatures

This study proposes a “visibility” concept of colored objects that includes a combination of color brightness and appearance perception of colored objects that are illuminated by seven LED lights (each with a CIE color rendering index under 80 but with various correlated color temperatures). To determine the brightness perception of colored objects, luminance calculations and measurements were conducted. The areas of the “color brightness graph” in this study correspond to the results of eight different color sample papers under each of the LED lights with different CCTs. The luminance values were calculated by multiplying the SPD by the spectral luminous efficiency and spectral reflectance of a colored object. The luminance values were measured under these conditions to identify the relationship between the luminance calculations and the measured values. Efficient CCTs were identified for each color sample in terms of the brightness of the colored object. Further subjective evaluations were also conducted to identify the relationship between luminance values and subjective brightness perception. In addition, subjective evaluations of the color appearance perception were conducted to identify the overall visibility concept of colored objects. The subjective evaluations included brightness perception, color appearance, and similarity of the reference light source. The visibility of the colored objects was analyzed according to the results of the brightness and appearance perception of the colored objects that were illuminated by LED lights with various CCTs. © 2016 Wiley Periodicals, Inc. Col Res Appl, 42, 78–88, 2017     

Testing LED lighting for colour discrimination and colour rendering

Light‐emitting diode (LED) technology offers the possibility of obtaining white light, despite narrow‐band spectra. In order to characterize the colour discrimination efficiency of various LED clusters, we designed a classification test, composed of 32 caps equally distributed along the hue circle at about 3 ΔE* _ab‐unit intervals. Forty normal colour observers were screened under four different LED test light sources adjusted for best colour rendering, and under one control incandescent light of the same colour temperature. We used commercially available red, green, blue, and/or amber LED clusters. These yielded a poor colour rendering index (CRI). They also induced a significantly higher number of erroneous arrangements than did the control light. Errors are located around greenish‐blue and purplish‐red shades, parallel to the yellow‐axis direction, whereas when the distribution of light covers the full spectrum, the LED clusters achieve satisfactory colour discrimination efficiency. With respect to the lights we tested, the colour discrimination is correlated with the CIE CRIs as well as with a CRI based on our sample colours. We stress the fact that increasing the chroma of samples by lighting does not necessarily imply an improvement of colour discrimination. © 2008 Wiley Periodicals, Inc. Col Res Appl, 34, 8–17, 2009.     

基于彩色光/频转换器的新型旋光仪设计

采用业界首款数字彩色光/频转换器芯片TCS230设计一款新型旋光仪。运用软件算法判断旋光方向,并应用LED光源、红外测温、半导体制冷、步进电机细分驱动等相关技术,实现数字化、低功耗、低成本、高性能设计。     

Helical structure of complementary colors' relative spectral distribution function

I report a curious double helix in psychophysical data. As recently reported, color complementarism structures at least 40 functional roles in vision including all Red‐, Green‐, Blue‐peaked functions (e.g., color matching functions, Helmholtz–Kohlrausch effect, saturation discrimination, lightness discrimination, and wavelength discrimination). These can be modeled from the relative spectral power distribution (SPD) function of complementary colors (at requisite power ratios to neutralize complements). So, the SPDs three‐dimensional (3D) structure is of interest. Extended to the hue cycle, the SPD is plotted in a rectilinear graph of wavelength versus wavelength with radiance vertical to the plane. In this rectilinear color mixture space, the white locus representing the illuminant chromaticity is not a single point (representing the junction of complementary pairs of wavelengths) but a sinusoidal curve whose 3D structure is a double helix, representing an SPD and its complementary SPD. The structure's purpose is possibly to store and access global complementary colors data across illuminants. © 2012 Wiley Periodicals, Inc. Col Res Appl, 38, 292–296, 2013     

White light emission of wide-bandgap silicon carbide: A review

White light-emitting diodes (LEDs) are the most promising alternative to the conventional lighting sources due to their high efficacy and energy saving in illumination. Silicon carbide (SiC) has a wide optical bandgap and could be tailored to emit light at different wavelengths across the entire visible spectrum by introducing different dopants. Donor and acceptor (DA) co-doped fluorescent SiC (f-SiC) is a potential candidate for replacing phosphor material in white LEDs, as it has been observed as a good wavelength converter overcoming the disadvantages of rare earth-containing phosphors, such as poor color-rendering index (CRI), short lifetime, and short degradation time. The current study attempts to present an overview on the available approaches to fabricate f-SiC for generating the white light emission and challenges in fundamental research issues to enhance quantum efficiency, color rendering performance, stability, reproducibility of color quality, and lifetime of f-SiC.     

Lighting the world's treasures: Approaches to safer museum lighting

A strategy is reported to optimize lighting to reduce photochemical degradation of works of art and archival documents. The strategy revolves around improving luminous efficiency of the spectral profile to exclude light which doesn't contribute to brightness or color perception, while also trying to maintain color rendering. The work focuses on Old Master Drawings and designing filters for illuminants, but is applicable to the broad range of art and archival documents and the direct design of lighting without filters such as LED. A filter profile is identified which seems to be beneficial, or at worst neutral for all pigments measured. Underlying principles are identified: (1) The best luminous efficiencies arise from multiple band illuminants, and also improves as color rendering is sacrificed. (2) Protection of an object even late in its damage life can significantly extend its remaining life. (3) Protection of an object early in its life can possibly abate some of the light induced damage it may experience across its life, so early intervention in light protection may be advised. This report further goes on to suggest approaches to further enhance the protection, including tailoring the spectral dependence of appearance change. © 2010 Wiley Periodicals, Inc. Col Res Appl, 2010     

Development of efficient and durable sources of white light

This review presents a brief history of the development of light sources over the centuries to provide one of the human race’s basic needs – light. Recent moves in Europe to encourage the adoption of compact fluorescent lamps as more energy‐efficient replacements for incandescent lights, despite certain drawbacks, are described. Rapid strides are now being made in the development of solid‐state ‘white’ lights which are already sufficiently durable and efficient to warrant adoption for both domestic and public lighting purposes. Their basic construction and comparative performance, properties and uses are fully described, together with the many ideas for improving their brightness and durability still further. Solid‐state devices offer additional savings compared with those which should be achieved under the EU’s targeted replacement of incandescent lights by 2012, and later one can expect such devices to compete with high‐pressure sodium luminaires for street lighting.     

汽车涂装线照明的设计及应用

主要介绍了涂装车间照明的种类及形式。以光的基本特性为基础,结合涂装各类工位对照度、色温、显色性等照明特性的需求,分析涂装线照明的设计及应用。     

Chromaticity changes of inorganic pigments in Chinese traditional paintings due to the illumination of frequently‐used light sources in museum

Optical radiation can cause permanent damage to the color of Chinese traditional paintings, which have extremely high responsivity in the museum illumination. In order to obtain quantitative influence laws of artificial illumination on inorganic pigments in Chinese traditional paintings and provide basis for choosing light sources, a long periodic illumination experiment was carried out to examine how prolonged exposure of three light sources (tungsten halogen, metal halide and white light emitting diodes), frequently‐used in museums, affect the chromaticity of five inorganic pigments [azurite (blue), cinnabar (red), orpiment (yellow), ancient graphite (black), clam shell powder (white)], commonly used in Chinese traditional paintings. Through the experiment, we found that the illumination causes a color change to inorganic pigments, and the degree of which is related to the photochemical stability of pigments and the high energy shortwave radiation in the light source spectrum. We also obtain the color change laws of the five pigments and the quantitative relationships of color damage for different painting types. These results can provide data basis for related research on Chinese traditional painting illumination and choice basis for light sources in museum lighting designs.     

Light wavelengths of LEDs to improve the color discrimination in Ishihara test and Farnsworth Panel D‐15 test for deutans

This study was performed to determine significant light wavelengths to improve color discrimination ability of subjects with deutan. We conducted both the Ishihara test and the Farnsworth Panel D‐15 test for subjects with deutan and normal color vision. Seven different LED lights from 450 to 660 nm and an additional D65 white lamp were utilized to change the lighting conditions, including the wavelength and intensity. The results of the Ishihara test and D‐15 test showed that color identification of deutans was markedly improved with the longer wavelength LEDs regardless of the intensity of the additional D65 lamp. Notably, the error rates of deutans in the Ishihara test were <25% for LED wavelengths of 630 and 660 nm. In the case of subjects with normal color vision, the D65 lamp abolished the errors in the Ishihara test, regardless of the LED wavelength. Addition of the D65 lamp also decreased the number of crossings in the D‐15 test. These results suggested that illumination by LED light with longer wavelengths, such as 630 and 660 nm, may provide deutans with greater red‐green discrimination ability in both the Ishihara test and the Farnsworth Panel D‐15 test. © 2016 Wiley Periodicals, Inc. Col Res Appl, 42, 424–430, 2017