Digital Cottage Industries

Mike Aling 's ProunStretcher project engages with the recent global revival of cottage industries, fuelled by the application of digital technologies, as a means to address ‘the manifold social issues present across our rural landscape-as-urban-extension’.     

Distructuring Utopias

In order to meet the challenges of fast-paced urban transformations, Laurent-Paul Robert and Dr Vesna Petresin Robert of Rubedo call for a rethinking of the perennial Utopian model of urban design. They espouse a design strategy that is both able ‘to reflect the dynamics of urban growth and decay’, while meeting the needs of a ‘post-capitalist economy’ - a condition in which change is the only constant. Copyright © 2009 John Wiley & Sons, Ltd.     

是景观都市主义吗？

21世纪之交“景观都市主义”的论述和实践认为风景园林日趋成为当代城市的典范和载体。文章详述了风景园林师作为当代城市规划专家的观点,并从学科形成和职业特征的角度论证了风景园林作为城市化载体的观点。同时将风景园林职业的起源称作19世纪的“新艺术”,协调着工业城市的设计及其生态和社会的功能。并将景观都市规划师的论述起源定位于新自由主义经济背景下先进的建筑文化和民粹的环保主义的交融。     

Finding Time

What has our sense of the acceleration of time got to bear on our experience of cities? How might it be consciously countered by architects ‘finding time’ through ‘thoughtful design and measured observation’. ‘A self-declared ‘cultural polymath’, Tim Makower is the founder of Makower Architects. A partner at Allies and Morrison for many years, he has significant experience in leading large-scale projects, ranging from the King's Cross Masterplan in London to the Old Doha Regeneration Framework, which he draws on here and in his book Touching the City: Thoughts on Urban Scale (Wiley, 2014).     

(Science) Fiction,Ecophysical Apparatus and Skizoid Machines: Animism,Vitalism and Machinism as a Way to Rearticulate the Need to Confront the Unknown in a Contradictory Manner

François Roche of R&Sie(n) ruminates on the contradictory nature of the present: a time that is ‘vibrating’ while ultimately ‘lacking momentum’. Reclaiming ‘the scenarios and substances that condition architecture’, he rejects the large-scale flights of fancy of international signature architects and argues for the reactivation of ‘a throbbing, complex and unfinished “localism”’. In so doing, he advocates a machinism that enables fictionalisation and speculation. Copyright © 2010 John Wiley & Sons, Ltd.     

‘Never Mind All That Environmental Rubbish,Get On With Your Architecture’

Could the primacy of green architecture in recent years be eroding the discipline? Is it reducing architecture to a mere ‘environmental techno-science’? Penelope Dean argues for a revised environmental agenda that is driven by ideas and concepts rather than subservient technologies. Copyright © 2009 John Wiley & Sons, Ltd.     

Animating Architecture: Coupling High-Definition Sensing with High-Definition Actuation

Ruairi Glynn , lecturer on interactive architecture at the Bartlett School ofArchitecture, University College London (UCL), puts the pressing question: ‘What does a world of hyper-connective, high-definition sensing offer architectural design?’ Despite the pervasiveness of ubiquitous computing – the Internet of Things (IoT) – and students' ability to speculate, build and test responsive lifesize installations, could practice itself be in danger of getting left behind?     

The Grand Work of Fiction: The Detail as Narrative

A practising architect and Professor at the University of Virginia School of Architecture, Edward Ford is the leading expert on the architectural detail and the author of three seminal books on the subject. Here Ford explains that, though the decision ‘to abstract or to articulate’ architecture ‘may be largely subconscious’, it is never ‘arbitrary’. For ‘in the well-designed building, it is done in the service of the creation of a larger narrative, a unity of vision’.     

Good Natured Stuff

Neil Spiller ruminates on nature and what ‘the odd naughty leaf’ has contributed to art and architecture over the years - culminating in evolutionary design and parametrical modelling today. He flags up the work of two of the most ‘talented young bucks’ in the field - Dennis Dollens and Cloud 9. But how realistic is it for us to really expect biomimicry to influence how and what we build? Copyright © 2007 John Wiley & Sons, Ltd.     

Louise T Blouin Institute,West London

The borderlands of Notting Hill and Shepherd's Bush – at the very fringes of the Westway – have become the site of London's largest new privately owned artspace. A nonprofit foundation funded by Louise T Blouin MacBain, the Canadian CEO of a global media business and an arts philanthropist, the institute has been designed both as a home for the Blouin Foundation and as an effective showcase for the work of newly emerging and established artists. Jeremy Melvin describes how architects Borgos Dance have used the ‘intriguing’ exterior of an old coachbuilder's workshop to their advantage, in hewing out a ‘compelling’ new interior. Copyright © 2007 John Wiley & Sons, Ltd.     

Head Banging: Engineering Neutrality + the Parametric Ceiling

Through the work of Unit 15 at the Architectural Association in London, Francesca Hughes and Noam Andrews have been exploring the limits of parametric systems. Here Francesca Hughes questions whether parametricism has now hit a ‘developmental ceiling’. What are the full cultural implications of the promised instantaneity of completed components in architectural production? Where does the ‘strange engineered neutrality’ of ‘optimisation’ take us? Is there a real danger that an ambivalence to context is returning us to the tabula rasa of Modernism?. Copyright © 2009 John Wiley & Sons, Ltd.     

Contemporary tendencies in Colombian urban planning: the case of the ‘Planes Parciales’ in Medellín

After decades of internal conflict, Colombia is experiencing economic growth and urbanization. It remains, however, one of the most socially unequal countries in Latin America. Medellín, acclaimed the most innovative city, implemented large-scale transport infrastructures to link socially excluded areas to the city; new educational and cultural facilities; new public spaces and housing projects, rooted in the Barcelona model. This so-called ‘social urbanism’ has shifted local perceptions, though its socio-economic impact has been questioned. This paper focuses on the less analysed transformations in planning policy and management through two instruments: the Land Use Plan (Plan de Ordenamiento Territorial – POT) and the ‘Plan Parcial’. The research, based on a desktop review, interviews and site visits, examines the application of these instruments in Medellín, reflecting on how they contribute to achieving the aims of ‘social urbanism’. The paper explores the differences between ‘rhetoric’ and practice that are reflected in those between the city’s overarching plan (POT) and the implementation of ‘planes parciales’, focusing on redevelopment, urban renewal and urban expansion. Such differences mirror the deficiencies in the adaptation of the ‘urban project’ Barcelona model in Medellín, and provide the basis for a call to develop ‘social urbanism’ that is genuinely more socially, territorially comprehensive and inclusive.     

Exuberance,I Don't Know; Excess,I Like

Hernan Diaz Alonso redefines ‘excess’ and ‘exuberance’ on his own terms. Fully au fait and comfortable with the excessive, he describes how in relation to his own work he views excess as more of a tendency or a logic, which sums up his approach; whereas he perceives the exuberant as removed from the design process and more like an ‘adjective’, an ‘emerging quality’ observed by others. Copyright © 2010 John Wiley & Sons, Ltd.     

Renewable Types and the Urban Plan

The notion of designing according to building type for some might imply constraint, or even a reversion to convention. In Diploma Unit 6 at the AA in London, Christopher Lee and Sam Jacoby have proved typology can be used to liberating effect, producing series that harness ‘the cumulative intelligence’ of type, while ‘surpassing both its idea and its deep structure’. Copyright © 2008 John Wiley & Sons, Ltd.     

Medium-Scale Anatolian Cities: Conceptual and Physical Routes of Urban Transformation

Banu Tomruk investigates the post-1980s transformation of the built environment of medium-scale Anatolian cities. She examines the subject through a conceptual and physical framework that places as much emphasis on populist rhetoric – ‘identity crisis’, ‘historicisation’, ‘the making of a tourist city’ – as on the built structures themselves and their realisation as standardised apartment blocks and gated communities. Copyright © 2010 John Wiley & Sons, Ltd.     

From Product to Process: Building on Urban-Think Tank’s Approach to the Informal City

Adriana Navarro-Sertich interviews a pioneer of the informal in architecture, co-founder and co-director of Urban-Think Tank (U-TT) Alfredo Brillembourg . Brillembourg explains how U-TT's work seeks to connect informal settlements with the formal city, enabling inhabitants to access services and infrastructure. U-TT is now taking the lessons it has learnt in working in Latin American cities, such as Caracas and São Paulo, elsewhere in the world with the aim of ‘working globally and acting locally’. Copyright © 2011 John Wiley & Sons, Ltd.     

The Architectural Detail and the Fear of Commitment

Mark Burry holds a unique position in architecture, straddling the worlds of practice and academia as Senior Architect to the Temple Sagrada Família in Barcelona and as Professor at RMIT in Melbourne, where he is Founding Director of the RMIT Design Research Institute. In his Counterpoint to this issue of AD, he puts the spotlight back on construction, asking whether the detail could be in danger of falling victim to an inadvertent and ‘massive separation of design from making’. As he states: ‘to detail effectively is to understand not only what the building “is”, but how it will be made’.     

Architecture + Textiles = Architextiles

A hybrid term, ‘architextiles’ encompasses a wide range of projects and ways of thinking that unite architecture and textiles. By way of introduction to this issue, guest-editor Mark Garcia highlights the significant rise of interest in this confluence by theorists, architects, engineers, textile designers, materials scientists and artists. He also explains how, as a hybrid mode of design and practice, architextiles is better able to respond to society's fast-changing cultural and consumer demands, enabling the production of more dynamic, flexible, interactive, event and process-based spaces. Copyright © 2006 John Wiley & Sons, Ltd.     

Common Artefacts

With offices in Beijing, Mumbai and London, Serie Architects is an international practice that spans Asia. Here, co-founder and principal Christopher CM Lee looks beyond the superficial ‘exotic’ stereotypical image of ‘orientalism’ that was traditionally imposed on Asia by the West. With particular reference to Serie Architects' Tote, Mumbai, and Yan Zhenqing Museum in Linyi, China, he shifts the question of identity to what is common within the context of architectural production: what might imbue architecture with social and cultural validity? How might it be possible to attempt to create ‘common artefacts’ through the most typical elements – the ‘dominant types’.     

The Eighth Day: God Created the World in Seven Days. This is The Eighth Day

Beirut-born architect and writer Tony Chakar describes how the July 2006 Israeli attacks on Beirut prompted memories of the Lebanese War and provided the essential catalyst for producing his work The Eighth Day. Careful not to stipulate prescribed meanings, Chakar delivers the series of images as a lecture that provide luminosity in ‘the space of catastrophe’ where ‘language is undone’. Copyright © 2010 John Wiley & Sons, Ltd.