Animating Architecture: Coupling High-Definition Sensing with High-Definition Actuation

Ruairi Glynn , lecturer on interactive architecture at the Bartlett School ofArchitecture, University College London (UCL), puts the pressing question: ‘What does a world of hyper-connective, high-definition sensing offer architectural design?’ Despite the pervasiveness of ubiquitous computing – the Internet of Things (IoT) – and students' ability to speculate, build and test responsive lifesize installations, could practice itself be in danger of getting left behind?     

The Global Architectural Influences on London

London today has become ‘a laboratory and testing ground’ for neoliberal capitalism, attracting investment from the Middle East, Russia, India, the Far East and Australasia as well as the US. Murray Fraser describes the urban impact of economic globalisation in the capital, while exploring ways that it might potentially be countered. Copyright © 2012 John Wiley & Sons, Ltd.     

Networks and the City

‘Cities need to change to survive. As living beings that are constantly replacing their cells, rebuilding their veins and arteries, and pumping energy and matter or producing waste, cities are also growing and evolving as they age.’ Just how complex, though, are cities? Sergi Valverde and Ricard V Solé of the ICREA-Complex Systems Lab at the Universitat Pompeu Fabra in Barcelona look at how network theory and emergent dynamics might be bringing us closer to an overarching theory of urban organisation.     

The Persistence of the Pastoral

Architect, animator and educator Nic Clear challenges the contemporary notion of the pastoral to go beyond the simplistic binary opposites of the untainted rural idyll and the industrialised city. He explores how the narratives of the pastoral have provided a mainstay for science fiction and how this can be used to re-imagine nature itself with the aid of advanced biotechnologies to create new architectures for the 21st century.     

Jamie Fobert Architects: Inside Out

The architect of several artists' homes, Jamie Fobert is now landing himself a string of acclaimed arts and commercial commissions. From his warehouse in Old Street in London, he explained to Howard Watson how the sensitive integrity of his architecture has developed out of ‘an inside-out approach’, which puts particular store in ‘framing light and views’ and the sculpting of space aided by physical model-making, rather than the synthetic top-down views that are imposed by widely used CAD programs. Copyright © 2008 John Wiley & Sons, Ltd.     

What Happened to Ecology? John McHale and the Bucky Fuller Revival

Since the early 20th century, the environmental impulse in architecture has waxed and waned. Anthony Vidler considers this cyclical phenomenon, particularly in relation to the Independent Group in Britain during the 1950s, which culminated in John McHale's discovery of Richard Buckminster Fuller in 1955 and the full-blown Bucky Fuller revival of the 1960s. Copyright © 2010 John Wiley & Sons, Ltd.     

Italian Architecture from the Inside

Fulvio Irace focuses on the internal tendencies of Italian contemporary architecture. In his identification of national characteristics, he recognises the part that a consolidated approach to Modernism has played. Looking backwards as well as forwards, Modernism in Italy, in all its manifestations, has been simultaneously concerned with ‘the exaltation of the new’ and ‘the obsession with memory’. Copyright © 2007 John Wiley & Sons, Ltd.     

Plug-In,Clip-On,Tune-Up: A Throwaway Architecture with Optional Extras

For Simon Herron drawing is an innate, even an addictive, compulsion. Here he lets us into his own personal world of drawing: ‘a private haptic language of invention’, which simultaneously has the power to shock and resonate with its time. He traces his graphic lineage back to the work of his father, Ron Herron of Archigram, and projects it forwards through the output of his students.     

Relentless Patterns: The Immersive Interior

What happens when patterns become all pervasive? When pattern contagiously corrupts and saturates adjacent objects, artefacts and surfaces; blurring internal and external environment and dissolving any single point of perspective or static conception of space. Mark Taylor ruminates on the possibilities of relentless patterning in interior space in both a historic and a contemporary context. Copyright © 2009 John Wiley & Sons, Ltd.     

Emerging Technologies and Drawings: The Futures of Images in Architectural Design

Mark Garcia , Senior Lecturer in History and Theory in the Department of Architecture, University of Greenwich, explores the technologically mediated future of drawings in architecture ‘without hands’. He highlights how multiple technological innovations are putting us on the brink of an exploding spectrum of possibilities for the image, and looks at three distinct areas of potential: new media and materials; emerging and future technologies; and theory embodied in fiction and art.     

Serving,Owning, Authoring

Service provider or creative – which is the architect's primary role? And what legal, economic and ethical implications does each aspect carry? Architect and theorist David Ruy examines evolving business models in the architectural profession, from forays into property management to a focus on intellectual property rights, and considers the complexities of copyright law in the digital era.     

Drawn into Space: Zaha Hadid

Visionary New York architect Lebbeus Woods reviews the evolution of Zaha Hadid's work from the 1970s to the present. Tracking the shifts in her work from a Suprematist-informed fragmentation in the 1980s to a more contemporary fluidity and a preoccupation with complex curvilinearity, he throws light on the relationship between Hadid's drawing and her architecture. Copyright © 2008 John Wiley & Sons, Ltd.     

Architecture (and the other 99%): Open-Source Architecture and Design Commons

Under the current commercial practice model, can architecture ever really be cutting-edge or egalitarian in its aims? If only 2 per cent of the world's buildings are designed by architects for 1 per cent of the richest clients, is it possible to design for a wide cross section of the population let alone be truly subversive? Alastair Parvin of architecture studio 00 (zero zero) and co-founder of the Wiki-House puts the case forward for a whole new model of open-source practice.     

Too Good to Be True: The Survival of English Everyday PoMo

‘Intelligent, eclectic, witty, profoundly humanistic, and keen to debunk an inflexible, elitist and dangerously authoritarian Modernism’: Kester Rattenbury evokes the spirit of early British Post-Modernism. She reminds us of how in the early 1980s it spearheaded a spirited community architecture that played a strategic role in protest against wholesale, motorway-led redevelopments and the survival of Convent Garden. Copyright © 2011 John Wiley & Sons, Ltd.     

Newness,Tradition and Identity: Existential Content and Meaning in Architecture

At a time when novelty and aesthetic invention have become the established norm for contemporary architecture, the esteemed Finnish author and architect Juhani Pallasmaa speaks out in defence of tradition. He explains how nuance, expressive subtlety and an ambition for an experiential and existential quality in a work require a sense of historical continuum: ‘An embodiment of the essence of tradition’ as a precursor for ‘meaningful creativity’.     

Lebbeus – A Postmodernist? Early Scenes of Shopping and Dwelling

Vivid colours, commedia dell’arte, collage and hypergraphics, and villae jutting out of the cliffsides designed for the unknown dwellers – are these projects postmodern? American art, architecture and design critic Aaron Betsky investigates this question and its context, focusing on the V.I.P. Center Shopping Mall, an unbuilt scheme that was to win Lebbeus Woods his first professional acknowledgement under the auspices of the Progressive Architecture Award.     

A Deeper Structural Theory

The architectural critic and author Nina Rappaport celebrates a new structural synthesis that takes a holistic approach to tectonics, uniting the bones or structure of a building with its skin. She calls for a new structurally based theory that effectively fuses culture and technology, embracing ‘deep decoration’ and ‘subtle innovation’ and reviving a design tradition that can be traced back to AWN Pugin and John Ruskin. Copyright © 2010 John Wiley & Sons, Ltd.