建筑智能化与绿色建筑

此文从绿色建筑的指标体系和技术要点出发,分析建筑智能化技术在绿色建筑中的应用,说明智能化技术不仅是绿色建筑的技术要点之一,也是促进绿色建筑指标落实的重要手段,提出建筑智能化的内涵应扩展到对绿色生态设施、新能源的监控与管理,并将绿色建筑运营管理的内容纳入建筑智能化集成系统管理中。     

建筑美学

把建筑定义为美学带有主观随意性,局限性,除了形式美,建筑还具有实用,经济,技术等价值。本文分别从建筑的形式美,使用功能,先进技术、环境特色等方面具体阐述建筑美学,对大多数人关心的建筑美学做一个冷静而深入的思考,探究这样一种美从何而来。     

论北京历史建筑色彩美学特征

文章通过研究北京历史建筑色彩的美学特征,以故宫、四合院、颐和园为例,结合日本色彩学家吉田慎悟的环境色彩规划理论、法国色彩学家让.菲利普.朗科洛的研究方法,进行纵深性和延展性分析。进一步探索传统建筑色彩美学对当今建筑色彩设计、城区规划的指导意义。并以此为例证明传统历史建筑色彩美学应该得以延续,而民族自信心和自豪感、中国建筑设计的文化特殊性和存在感也应该加强。     

建筑工程管理与绿色建筑工程管理研究

在绿色建筑推进的过程中,管理是至关重要的,建筑公司要想正确实施创新管理和绿色建筑发展计划,就必须加强绿色建筑的管理并创新管理方法。基于此,本文对建筑工程中绿色建筑工程管理的重要性、当前绿色建筑工程管理中出现的问题以及解决绿色建筑工程管理问题的措施建议进行了分析。     

计算机模拟分析在绿色建筑设计中的应用

计算机模拟技术于2006年进入我国建筑领域,现在,就绿色建筑的设计和评断而言,计算机模拟技术已成为了必不可少的方面。由于我国研究与设计机构当前依旧处于对绿色建筑计算机模拟解析的摸索运用时期,其模拟方式与方案改进手段截然不同,所以绿色建筑设计效果很难尽如人意。笔者在本文中概括了绿色建筑计算机模拟方式与方案改进手段,给予绿色建筑设计人员方法指点,借此增强绿色建筑的设计效果。     

蜀河古镇的美学探究

文章通过对蜀河古镇独特的地理位置、气候环境、独一无二古镇布局、建筑特点的多角度分析,探寻陕南山区民居的美学特点,期望达到吸引各方面的关注,进而让古镇的传统建筑环境美学得以发扬光大,以期探寻适合陕南山地的现代新建筑及其环境设计方法。     

中国传统造物艺术研究——中国古代建筑环境造物艺术的美学特征

美学是研究美、美感以及艺术美的学科,对于中国古代建筑环境造物艺术的美学特征,自古有之,它充分的体现了中国悠久的建筑的历史,同时表达了人们对生活的向往和热爱。本文就以中国古代建筑环境造物艺术的美学特征进行论述,从文中可以领会到中国古代建筑环境造物艺术的博大精深。     

基于软件可量化计算的绿色建筑能耗控制仿真

传统绿色建筑能耗控制方法无法准确计算绿色建筑能耗评价指标权重,导致绿色建筑能耗组成预测以及平均年能耗密度预测的结果均出现精度偏低问题.于是提出基于软件可量化计算的绿色建筑能耗控制方法.构建绿色建筑能耗评价指标体系,并采用AHO法量化处理绿色建筑能耗评价指标.在群体性判断原则的基础上扩大数据来源,提高绿色建筑评价指标权重...     

从萨沃伊别墅探究勒·柯布西耶的机器美学

文章论述了萨沃伊别墅的机器美学思想,主要结合了勒·柯布西耶在1926年提出的"建筑新五点"来探讨他所主张的机器美学在萨沃伊别墅上是如何得以实现。     

绿色建筑暖通空调设计技术探析

随着人们环保意识越来越强，“绿色生产”“、绿色建筑”等概念不断深入人心。暖通空调在建筑能源消耗中占有一大部分，所以，提高建筑暖通空调节能设计技术刻不容缓。本文将会简单探讨目前我国绿色建筑暖通空调设计技术的现状和应用。     

The role of non-visual aesthetics in consumer product evaluation

The present article addresses the impact of non-visual aesthetics of consumer products on the outcomes of usability tests such as perceived usability, user performance and user affect. Building on the research surrounding the impact of visual aesthetics in usability testing, the present work aimed to determine whether the same pattern of effects repeatedly found for visual aesthetics will also be found for non-visual aesthetics. A series of three experiments was carried out, all examining sound and touch as two prominent dimensions of non-visual aesthetics. To increase the robustness of the results, the experiments were conducted with three different consumer products, which were a smartphone (N=60), vacuum cleaner (N=60), and video racing game (N=60). Although manipulation checks confirmed that users generally experienced both sound and tactile product properties as intended by the experimental manipulation, in none of the studies the results showed an effect on perceived usability. Other outcome variables such as affect and performance showed a few selected effects. Overall, this suggests that findings from the field of visual aesthetics cannot be easily transferred to the domain of non-visual aesthetics. The findings of the present studies are discussed within the framework of Schifferstein’s work on sensory dominance.     

从“窗”元素看中西方设计美学差异

在建筑装饰文化史上,窗蕴含着博大精深的文化意味。在中西文化差异面前,无论是窗的材料、结构或是意蕴都存在着明显的差异,本文试图从材料、结构、文化意蕴等角度探寻中外古典建筑中"窗"的设计艺术和造型装饰规律。以"窗"元素角度为出发点,探索传统文化以及中西方设计美学的差异性。     

Component-oriented decomposition for multidisciplinary design optimization in building design

The potential of Multidisciplinary Design Optimization (MDO) is not sufficiently exploited in current building design practice. I argue that this field of engineering requires a special setup of the optimization model that considers the uniqueness of buildings, and allows the designer to interact with the optimization in order to assess qualities of aesthetics, expression, and building function. For this reason, the approach applies a performance optimization based on resource consumption extended by preference criteria. Furthermore, building design-specific components serve for the decomposition and an interactive way of working. The component scheme follows the Industry Foundation Classes (IFC) as a common Building Information Model (BIM) standard in order to allow a seamless integration into an interactive CAD working process in the future. A representative case study dealing with a frame-based hall design serves to illustrate these considerations. An N-Square diagram or Design Structure Matrix (DSM) represents the system of components with the disciplinary dependencies and workflow of the analysis. The application of a Multiobjective Genetic Algorithm (MOGA) leads to demonstrable results.     

可计算图像美学研究进展

可计算图像美学研究目的是希望计算机能够模拟人类的视觉系统与审美思维对图像进行美学价值的判断。其研究成果可以应用到融合主观感知的基于语义的图像检索、图像美学质量评估、图像的美学修正、摄影的美学预测、艺术作品风格分析、人机交互等方面。该研究涉及美学、艺术、认知科学、计算机科学、心理学等多个学科,属于多学科交叉的创新性前沿研究课题,具有重要的理论研究价值和应用前景。总结国际上最新研究成果,对该研究的常用方法和存在问题进行了系统的分析及综述,给出了可计算图像美学分析研究的一般框架,对图像的审美度量、美学视觉特征提取和美学推导等关键技术,以及图像美学的应用与发展前景等进行了详细讨论,并且针对当前研究存在的问题提出关键的解决方案。     

先秦儒、道、墨——中国传统设计美学思想之渊源

代表着先秦诸子百家文化中的儒、墨、道,三者对美学的感悟是中国传统设计美学思想的源头活水。儒家美学的中和之美,道家美学的无为之美,墨家美学的实用之美,交织形成了内容丰富而独特的中国传统设计美学思想体系。     

Is beautiful really usable? Toward understanding the relation between usability,aesthetics, and affect in HCI

This paper analyzes the relation between usability and aesthetics. In a laboratory study, 80 participants used one of four different versions of the same online shop, differing in interface-aesthetics (low vs. high) and interface-usability (low vs. high). Participants had to find specific items and rate the shop before and after usage on perceived aesthetics and perceived usability, which were assessed using four validated instruments. Results show that aesthetics does not affect perceived usability. In contrast, usability has an effect on post-use perceived aesthetics. Our findings show that the “what is beautiful is usable” notion, which assumes that aesthetics enhances the perception of usability can be reversed under certain conditions (here: strong usability manipulation combined with a medium to large aesthetics manipulation). Furthermore, our results indicate that the user’s affective experience with the usability of the shop might serve as a mediator variable within the aesthetics–usability relation: The frustration of poor usability lowers ratings on perceived aesthetics. The significance of the results is discussed in context of the existing research on the relation between aesthetics and usability.     

从传统视觉文化中探寻设计美学观念

中国特有的传统美学根源于中国悠久的历史文化遗产和中华民族特有的文化个性。我们现代设计师应该在充分理解传统文化及艺术神韵的基础上,从传统文化中寻找美的元素和美的思想,用以和现代设计美学相结合,才能创作出既有历史美感又有现代气质的设计作品。     

Engineering aesthetics and aesthetic ergonomics: theoretical foundations and a dual-process research methodology

Although industrial and product designers are keenly aware of the importance of design aesthetics, they make aesthetic design decisions largely on the basis of their intuitive judgments and "educated guesses". Whilst ergonomics and human factors researchers have made great contributions to the safety, productivity, ease-of-use, and comfort of human-machine-environment systems, aesthetics is largely ignored as a topic of systematic scientific research in human factors and ergonomics. This article discusses the need for incorporating the aesthetics dimension in ergonomics and proposes the establishment of a new scientific and engineering discipline that we can call "engineering aesthetics". This discipline addresses two major questions: How do we use engineering and scientific methods to study aesthetics concepts in general and design aesthetics in particular? How do we incorporate engineering and scientific methods in the aesthetic design and evaluation process? This article identifies two special features that distinguish aesthetic appraisal of products and system designs from aesthetic appreciation of art, and lays out a theoretical foundation as well as a dual-process research methodology for "engineering aesthetics". Sample applications of this methodology are also described.     

小型太阳能发电系统与光伏建筑一体化

太阳能发电系统是利用光伏电池组件将太阳能直接转变为电能的一种装置。太阳能电池组件是利用半导体材料的电子学特性来实现P—V转换的一种固雄装置,在广大的无电力网地区,该装置可以方便地实现为用户照明及家用电器供电,某些发达国家还将其与区域电网并网实现互补。目前从民用的角度来看,在国外”光伏建筑一体化”的技术研究已趋于完善和成...     

Engineering aesthetics and aesthetic ergonomics: Theoretical foundations and a dual-process research methodology

Although industrial and product designers are keenly aware of the importance of design aesthetics, they make aesthetic design decisions largely on the basis of their intuitive judgments and ‘educated guesses’. Whilst ergonomics and human factors researchers have made great contributions to the safety, productivity, ease-of-use, and comfort of human-machine-environment systems, aesthetics is largely ignored as a topic of systematic scientific research in human factors and ergonomics. This article discusses the need for incorporating the aesthetics dimension in ergonomics and proposes the establishment of a new scientific and engineering discipline that we can call ‘engineering aesthetics’. This discipline addresses two major questions: How do we use engineering and scientific methods to study aesthetics concepts in general and design aesthetics in particular? How do we incorporate engineering and scientific methods in the aesthetic design and evaluation process? This article identifies two special features that distinguish aesthetic appraisal of products and system designs from aesthetic appreciation of art, and lays out a theoretical foundation as well as a dual-process research methodology for ‘engineering aesthetics’. Sample applications of this methodology are also described.