墙体在构筑广西地域建筑空间中的作用

结合墙体与建筑的哲理关系,分析了广西地域建筑墙体形态在空间构筑中的作用,同时通过墙体的轻重感受与冷暖感受,阐述了墙体质感在空间构筑中的功能作用,表现出了广西地域建筑所具有的传统文化及地域特征。     

西南地域文化与建筑创作的地域性

文章从地域建筑创作人手,分析了建筑师与地域文化、地域环境与地域建筑创作的关系。并结合西南地域近年的地域性建筑作品,讨论并分析总结了地域建筑的创作理论和方法。     

基于BIM技术的地域性绿色建筑设计

总结过去经验发现,全国发展绿色建筑采取的技术措施、绿色材料等都极为相似,缺少了对建筑特定地域的地域性思考。建筑信息模型(BIM)的协同设计、参数化表达等优点有助于推动绿色建筑地域化发展。以BIM技术为基础,建立地域性绿色建筑设计优化平台,梳理BIM技术与昆明DBJ53/T-49—2015《绿色建筑评价标准》之间的相互关系,以及BIM与地域特性及《绿色建筑评价标准》的对应关系,提出了地域性绿色建筑方案设计阶段应用BIM技术的设计流程与设计观念模型,该模型结合《绿色建筑评价标准》与地域特性建立早期设计模型,结合绿色建筑性能分析软件进行设计方案优化得到优化模型,为今后推动绿色建筑地域化发展提供设计思路,提高建筑设计质量。     

建筑文化的明天——全球文化与地域文化

文章在对现代建筑的发展及全球化现状分析的基础上,提出了一种地域主义建筑观,提倡建筑在全面进行和积极发展的同时,自觉寻求与地域文化的结合,体现文化的真实延续。     

拉斐尔·莫内欧的类型学设计思想浅析

莫内欧的类型学设计实践积极关注建筑场所、历史环境与地域文化,本文简述了建筑师拉斐尔·莫内欧的生平成就及类型学设计理念,并结合建筑案例从类型学的内在组织,历史要素转化及地域要素转化三个方面进行分析与阐述.     

火车站建筑设计中的地域性因素考量——以桑植站建筑方案设计为例

该文通过桑植火车站的建筑方案设计,完成了对地域文化建筑原型的探索。同时,密切结合建筑地域性特征的表达,现代建筑材料与技术,交通建筑类型特征等多元性因素,在反映地域文化建筑原型的同时,表达了整体建筑意境及装饰色彩等风格特征。     

浅析西南地域建筑创作历程与表现手法

在全球化进程所导致的"千城一面"背景下,本文从地域建筑的创作着手,通过梳理西南地区近30年来地域建筑的发展历程,结合各个时间节点具有代表性的建筑作品与设计思潮,归纳并总结了地域建筑的创作方法,进一步探讨了地域建筑的未来走向。     

地域建筑的复杂性形态设计初探

当代世界建筑在"复杂性科学研究"的影响下,建筑形态呈现平滑、折叠、混沌的趋势以及复杂性形态。本文研究的内容是:结合地域建筑文化、技术和环境的多样性与不确定性,生成相应的多变与多元化的复杂性形态。地域建筑因"时"、"空"不同而具有差异性,形成了地域形态的丰富多变。地域建筑创作的复杂性形态,符合了地域建筑对于创造性的需求,同时解决了过于技术化的非线性建筑观所缺失的人文精神。本文对山地地域建筑的形态设计也可以起到借鉴作用。     

城市建筑风貌的影响因素及引导控制

结合海南省的建筑文化背景,从简、透、瘦三个角度,论述了海南省建筑的主要特征,探讨了海南省建筑在未来的发展趋势及引导控制策略,使海南的建筑风貌与文化融为一体,体现出海南的地域特征。     

中国现代建筑的传统继承

介绍了中国传统建筑的现状及中国建筑的发展历程,探讨了我国传统建筑的发展趋势及方向,指出对现代建筑的传统继承应从把握地域特色、结合所处环境着手,从而设计出既符合传统文脉、地域特色,又合乎时代要求的设计作品。     

An account of critical regionalism in diverse building types in postcolonial Indian architecture

Critical regionalism is an architectural concept that seeks to balance local needs and capabilities with the progressive lessons of modernisation. Critical regionalism has been an influential architectural approach in postcolonial Indian architecture. Even before the term was coined in the 1980s, architects in India had subconsciously begun pursuing the ideas of critical regionalism in designing their buildings. The degree of influence of critical regionalism on postcolonial Indian architecture has varied over the course of time as a result of economic, political and social changes. This paper identifies key architectural projects realized in India since 1947 that adhere to the ideas and principles of critical regionalism. The identified regionalist projects have been categorized according to their building programmes and significant examples in each building type are discussed chronologically while bringing forth their qualities that make them regionalist in first place. By focusing on regionalist projects of significance in each building type, the paper highlights that critical regionalism is capable of producing potent architecture to cater to any building programme.     

从天台博物馆的设计剖析批判性地域主义建筑

批判性地域主义强调的是建筑与当地的自然环境、文化背景以及本土建材等之间的紧密联系,通过对天台博物馆的剖析,深入解读批判性地域主义建筑的特征及其存在的意义,挖掘批判性地域主义观念在现代建筑设计实践中的积极指导作用。然后对天台博物馆的创作理念、地域性要素的运用以及创作策略等方面进行分析探索,总结批判性地域主义建筑创作策略和创新思路。     

当代地域主义风格的弊端

针对当前的热门话题——地域主义展开讨论,避开主流的正面观点,从三个方面讨论了地域主义的缺失,以期激起对一种优秀的建筑理论的辩证探讨,从而完善建筑设计。     

The Turn to ‘New Regionalism’: South African Reflections

This article analyses critical policy implications for city-regional and national spatial frameworks in South Africa concerning the turn to new regionalism. International debates are reviewed concerning new regionalism, global city regions, the European Spatial Development Perspective and polycentric mega regions. In South Africa, there is a growing policy interest in the writings and implications of new regionalism as a base for rethinking urban and regional development policies. It is argued that the current depth of South African research and debate on issues raised by new regionalism is limited and that strategic planning for the building of Gauteng as a globally competitive city region is the most significant imprint of new regionalism on the South African policy landscape.     

体育建筑的地域性创作手法解析

体育类建筑的地域性表达是指体育类建筑与其所处地域的自然环境、当地文脉及城市形态等因素的关联互动。该文通过对其地域性创作手法的多层次分析,以及地域性设计手法的探讨,为体育建筑的设计提供借鉴,进而为地域性在设计中的实现提供可能。     

度假酒店地域性设计手法探讨

介绍了度假酒店的含义、功能,分析了影响度假酒店建筑地域性的因素,并以福建西航鸳鸯湖度假酒店设计为例,依据当地独特的自然环境与历史人文环境,对该酒店地域性设计手法进行了探讨,有利于当代度假酒店的创新发展。     

Stealing Baghdad: the city of Opa-locka,Florida and The Thief of Bagdad

Kenneth Frampton's version of the theory of critical regionalism turns on a dialectics between ‘universal civilisation’ and ‘national culture’ while relegating the political circumstances of his chosen architecture merely to a form of negation. Yet Frampton's source for this opposition, Paul Ricoeur, was writing directly about the cultural problems faced by anti-colonial liberation movements. This article returns critical regionalism to the immediately post-colonial moment of Singapore in the early 1960s. It explores the Singapore Conference Hall and Trade Union House (Malayan Architects Co-Partnership, 1962–1965) as an exemplary building of that period. Between colonialism and the rapid modernisation that would be unleashed on Singapore in the later 1960s, the building balanced particular forms of the regional with the universal forms of rationalism that modernism had come to represent. Bound up with this balance was another delicate negotiation. The building was the product and embodiment of the brief alliance between organised labour and the government of Lee Kuan Yew's People's Action Party. The article suggests that a better understanding of the building within these circumstances not only helps to give political, and specifically post-colonial, resonance to theories of critical regionalism, it also provides a counter-balance to Rem Koolhaas's dismissal of this period in Singapore's urban development.     

建筑细部的地域特征及其生态精神

本文通过介绍几位国外建筑师的建筑细部设计理念与实践方法,论述了建筑师如何根据当地不同的地域特点,在建筑细部处理上采用恰当的材料与技术,将地域性与生态性有机结合,创造高品质的建筑细部。     

建筑技术与批判的地域主义

现代建筑运动带来大量缺乏个性的建筑，破坏了城市原有的肌理；能源危机，则促使建筑师们从更高的层面关注人类资源问题；在发展中国家，贫困阶层住房紧张的状况需要缓解。批判的地域主义提出了解决以上问题的方法。本文从建筑技术的视角，通过分析一些具有地域主义倾向的建筑作品，对批判的地域主义的技术观点加以说明，即主张谨慎对待和使用全球性的现代技术；使用需有利于生态、环保、节能的技术：在发展中国家则选择使用“适宜技术”。对照中国的发展状况，希望从中获取有益经验。     

Singapore's moment: critical regionalism,its colonial roots and profound aftermath

Kenneth Frampton's version of the theory of critical regionalism turns on a dialectics between ‘universal civilisation’ and ‘national culture’ while relegating the political circumstances of his chosen architecture merely to a form of negation. Yet Frampton's source for this opposition, Paul Ricoeur, was writing directly about the cultural problems faced by anti-colonial liberation movements. This article returns critical regionalism to the immediately post-colonial moment of Singapore in the early 1960s. It explores the Singapore Conference Hall and Trade Union House (Malayan Architects Co-Partnership, 1962–1965) as an exemplary building of that period. Between colonialism and the rapid modernisation that would be unleashed on Singapore in the later 1960s, the building balanced particular forms of the regional with the universal forms of rationalism that modernism had come to represent. Bound up with this balance was another delicate negotiation. The building was the product and embodiment of the brief alliance between organised labour and the government of Lee Kuan Yew's People's Action Party. The article suggests that a better understanding of the building within these circumstances not only helps to give political, and specifically post-colonial, resonance to theories of critical regionalism, it also provides a counter-balance to Rem Koolhaas's dismissal of this period in Singapore's urban development.