解读蒙利特公园

通过对巴塞罗那三个主要公园之一——蒙利特公园(Mollet Park)的深入调查和分析,解读设计师恩里克·米拉莱斯(Enric Miralles)所运用的独特设计手法以及逻辑思维方式,从而为探讨现代城市公园的建设与发展起到积极的推动作用。     

Barcelona Reset: Circuit of Ephemeral Architecture

During the summer of 2014, new life was injected into the auspicious squares and parks of the city centre of historic Barcelona by the Enric Miralles Foundation. This came in the form of celebrative temporary installations commissioned from teams, including among them Odile Decq, Yael Reisner and Peter Cook, Grafton Architects and Urban-Think Tank. Commemorating the 300th anniversary of the end of the siege of Barcelona, each group of collaborators was asked by the curators, architect Benedetta Tagliabue and theatre director Àlex Ollé, to create a structure that embodied a universal principle, such as diversity, democracy and identity. Benedetta Tagliabue describes the project.     

解读威尼斯建筑学校

从图纸这个特定的角度对恩里克·米拉利斯的威尼斯建筑学校进行解读，以便探讨建筑师设计理念和设计手法。     

米拉莱斯奥林匹克射击训练场中的设计方法及启发*

在建筑设计过程中,“空间”往往是建筑师们反复推敲的重点.为了实现建筑师理想的空间,往往要借助模型、透视草图、剖面等工具来进行建筑空间的推敲与设计.然而,西班牙建筑师米拉莱斯的奥林匹克射击训练场无论从设计过程还是最终的效果呈现上都不能用一般的设计方法来解读.在这个案例中,建筑师采取了一种“分层—独立处理—叠加—解决矛盾”的设计方法.本文就是对这种设计方法的展开分析.     

毕加索的记忆——巴塞罗那当代立体主义景观设计

本文回顾了立体主义的艺术特点及其对20世纪初现代景观设计的影响,在介绍了毕加索立体主义绘画的艺术时期和他与巴塞罗那的密切关系后,以巴塞罗那典型景观设计项目为例,分析了立体主义艺术影响当代景观设计的特点,包括：从多视点角度分析和设计空间,运用三角形等几何图形分割和联系空间,大胆运用红色等高纯度色彩,立体主义为当代景观设计带来了很有价值的新设计思维。     

叠加与融合——恩里克·米拉利斯建筑中的场地

本文尝试从场地这个特定的角度对恩里克米拉利斯的几个作品进行解读，进而探讨建筑师关于场地与建筑关系的设计理念和设计手法。     

融于大地的景观——伊瓜拉达墓园的设计解读

在西方文化中,墓园建筑并不令人觉得阴森恐怖,而是一个宁静安详的场所。位于西班牙的伊瓜拉达墓园便是一个例子。作为西班牙著名建筑师米拉莱斯的代表作之一,它与周围环境融合,创造了一个供人缅怀与思考的空间,成为了一件完美的大地艺术。通过对它的欣赏与解读,我们可以了解其中的设计手法,学习景观建筑设计的经验。     

The Road to School. The Barcelona case

Mobility of the young population between 6 and 10-year-old has been continuously decreasing the last decades causing problems of health (obesity) and decreasing the development of spatial skills along with the sense of community. The paper focuses on the road between school and home and deals with a specific project called “Camino Escolar” (School Road) which supports parents in the decision to authorize their children to go and walk alone. The empirical case is developed in Barcelona where 136 School Road projects exist but more precisely analyses two specific districts. The methodology is divided into two phases. In the first phase, we conduct an exploratory study based on interviews with the different stakeholders of the education system and conclude on a list of barriers against the development of the School Road project. In the second one, we ask for the parents to prioritize these barriers according to their grade of importance. The results show the different barriers can be classified into four clusters which are physical insecurities, emotional insecurities, the city infrastructure quality and the project management quality. These findings help public managers to better manage such kind of project in order to prepare future cities.     

张大千美术馆,内江,中国

2010年4月,米拉莱斯-塔格里亚布EMBT事务所受卓越集团邀请在内江市设计一座博物馆来纪念艺术家张大千。张大千出生于内江,被誉为20世纪最具传奇色彩的国画大师。内江市正在通过弘扬张大千的艺术思想     

英古拉达墓园设计解读

通过对西班牙建筑师米拉雷斯的英古拉扭达墓园设计恩维的几个不同角度的解读,探讨这个设计的产生背景和深层意义,     

Earthworks

In historic towns and villages, topography layered by the detritus of previous structures mark out and continue to inform the identity and design of new buildings and streets. Spanish architect Josep Lluís Mateo describes two projects in his native Catalonia – one from the early 1980s for the redevelopment the medieval town of Ullastret, near Girona, and another from 2011 for a film theatre in Barcelona – that were influenced from the bottom up by the earth beneath his feet.     

Found in translation: Mackintosh,Muthesius and Japan

The theme of this paper is the presence of the Japanese influence in the work of Charles Rennie Mackintosh and, in particular, the Glasgow School of Art. This has often been observed but never satisfactorily explained. Rather than simply listing the evidence, this paper investigates the relationship between him and Hermann Muthesius against the background of the time Muthesius spent working as an architect in Tokyo. Using the correspondence held in the Deutscher Werkbund Archiv, Berlin, as evidence of the close relationship between the two men and the others of The Four, this paper suggests that it was Muthesius's sensitivity to Japanese architecture which encouraged the direction of Mackintosh's work in the late 1890s and early 1900s and in so doing, offers an explanation of the more idiosyncratic and unexplained features of the library at the Glasgow School of Art.     

城市化过程中的巴塞罗那公共市场——形式演变与发展动因

巴塞罗那市场历史悠久,它的形式演变反映了这座城市公共空间的形态发展。从露天集市到市政设施,现代市场既实现了对卫生环境、公共秩序的需求,也成为城市资本的象征。而后,随着巴塞罗那区域范围的扩大,40余座市场形成网络系统,保证居民步行易达。如今,在城市更新的背景下,市场设计项目与其他社区功能复合,被重新塑造为当代邻里的活动中心。     

Weaving Architecture: Structuring the Spanish Pavilion,Expo 2010, Shanghai

A complex basket-like structure woven from lightweight steel and wicker, the Spanish Pavilion for the Expo 2010, in Shanghai, is the site of a unique collaboration between architects EMBT (Enric Miralles and Benedetta Tagliabue) and MC2 Structural Engineers. Here Julio Martínez Calzón and Carlos Castañón Jiménez of MC2 describe how intense dialogue became key to the realisation of the pavilion, as form-finding and the development of the underlying structural system were equally integral to the design process. Copyright © 2010 John Wiley & Sons, Ltd.     

Cities and Grids: In Search of New Paradigms

The wider global influences of expanded populations, new technologies and economies in both Europe and the Far East are having a direct impact on the pattern and planning of urban form. Joan Busquets , the principal of B Arquitectura I Urbanisme (BAU) in Barcelona, and Professor in Practice of Urban Planning and Design at Harvard Graduate School of Design (GSD), describes how the urban grid is continuing to evolve with these changes, becoming ‘a matrix for innovation within urban development, allowing the creation of sustainable and compact cities’, enabling the forming of ‘new networks and innovative city systems’.     

Segregation and urban spatial structure in Barcelona

We propose an analysis to identify the degree of spatial segregation among different communities of residents in Barcelona. We elaborate a theoretical setting as an extension of the monocentric framework, yielding the creation of mixed spatial units. Our idea is to assess the extent to which spatial segregation is connected to the urban spatial structure, the neighbourhood's status, and the spatial autocorrelation. As a novelty, we perform the empirical exercise by relying on an original database that gathers information for the period 1947–2011. Estimations emphasize that Barcelona increasingly shows a spatial segregation pattern that is based mostly on the gentrification of high-skill workers.     

建筑师约瑟夫·里纳斯的设计思想及作品评述

本文通过对西班牙巴塞罗那当代最受关注的建筑师之一约瑟夫·里纳斯（Josep Llinàs）职业生涯中的主要作品进行评述,展示其建筑设计思想与风格的变化过程,同时映射出巴塞罗那当代建筑设计思潮的发展趋势。     

“巴塞罗那经验”之城市街道解读——以兰布拉斯林荫道为例

兰布拉斯林荫道是巴塞罗那最著名的城市街道,经过20世纪80年代的改造,形成了充满活力的步行空间,其空间模式逐渐被世界上其他国家的城市街道广泛运用,其步行空间的发展策略也成为“巴塞罗那经验”的重要组成部分。     

浅析白色建筑的演进——巴塞罗那当代美术馆游历后的思考

众所周知,以勒·柯布西耶（Le Corbusier）的“萨伏伊别墅”和理查德·迈耶（Richard Meier）的“巴塞罗那当代美术馆”等作品为代表的白色建筑曾在现代主义早期和中晚期被作为经典的建筑流派而载入现代建筑史册。从历史的角度来看,两者之间的差异又恰恰反映了现代建筑在经历长达近一个世纪的发展和沿革的结果。发展至今天,白色建筑也应反映当代的价值观念——地域主义、公众价值等人本主义精神。以笔者设计的东南大学苏州研究院所采用的白色建筑为例,对这两方面进行了阐释,并从材料发展的角度上延伸了白色建筑的哲学内涵。     

融于大地——新苏格兰议会之环境

新苏格兰议会富有创意的设计代表了一个崭新的苏格兰,不再是一个高高在上的权利的象征。新议会的外环境部分以有机的形式表达了“融于大地”的理念,并且给苏格兰人民提供了一个更加安全的表达意愿的场所。虽然设计者是西班牙人恩里克·米拉雷斯(EnricMiralles),但是苏格兰人已经把整件艺术品作为苏格兰的骄傲。