Treatment 1: Notes from an Informal Discussion on Interinstitutional Design Research and Image Production

Since 2003, Benjamin Bratton and Hernan Diaz-Alonso have conducted a series of parallel theory seminars and design studios at SCI-Arc (Southern California Institute of Architecture). These collaborations have addressed questions of collectivity at varying scales: personal (between two individuals, each with separate professional practices), institutional (between two disciplinary positions, one analytical and the other creative) and cultural (between what is inside and outside the architectural imaginary). The work featured in the article represents another primary mandate of their interinstitutional project: the transdisciplinary implications of design as a general form of practice as opposed to the historical definitions of ‘architecture’ or the architect. Copyright © 2006 John Wiley & Sons, Ltd.     

Eat Me… Drink Me…

Sean Lally of WEATHERS lets out a rallying cry to all architects. He calls on them to make environmental conditions the subject of design rather than regarding them as a standardised part of a building's services. Here he highlights the potential of material systems, which are usually applied to conditioning the interiors of buildings, in the generation of new forms and activities; whether it is in the honing of the performance aspect of a building's function, as in the Water Cube at Beijing (2008), or in the seasonal planning that underpins the concept behind WEATHERS' Wanderings project (2008-9). Copyright © 2010 John Wiley & Sons, Ltd.     

Archi-Union Architects,City of Breeze,Shenzhen Bay,Shenzhen, China

What happens when ancient cultural practices are combined with the most current design technologies? Archi-Union Architects used the opportunity of their entry to the 2014 Shenzhen Bay ‘Super City’ International Competition to develop a bespoke generational method that integrated feng shui with advanced environmental simulation techniques. Philip F Yuan, the founder and director of Archi-Union Architects, who is Associate Professor in Architecture at Tongji University, Shanghai, here describes the City of Breeze project and the design methodology behind it.     

Biodiversity Targets as the Basis for Green Design

Mike Wells , the Director of Biodiversity by Design, and Ken Yeang outline the need for biodiversity targets in architecture to provide a more far-reaching basis for green design. Rather than just literally ‘greening’ a building by covering it with foliage, they seek to encourage designers to engage with wider ecological processes and in more specific detail. Copyright © 2010 John Wiley & Sons, Ltd.     

Deus Ex Machina: From Semiology to the Elegance of Aesthetics

Architecture's ability to realise large-scale effects permits its emphasis to shift aesthetics on a project-by-project basis. Elegance unleashes a specific visual intelligence that can be achieved by refinement and precision of surface. Here, Mark Foster Gage investigates how elegance can be designed into a project. This requires a ‘visual and formal expertise’ combined with a careful curation of mutation and awareness of ‘extreme differentiation’. Elegance often only reveals itself partially, acquired, in the design stage, through ‘isolated views and expertly calibrated moments’ and perceived fleetingly in built work. Copyright © 2007 John Wiley & Sons, Ltd.     

Intimacy: Eragatory's Experiments in Materiality,Deep Texture and Mood

Because of their textural and sensory qualities – even or uneven, smooth or rough, cold or warm, reflective or matt – particular materials tend to evoke particular moods. But this does not mean that their nature and structure cannot be played with in order to create surprising atmospheres. London-based design practice Eragatory's ‘Intimacy’ series of interiors does just that, producing visual anomalies that distort the viewer's material understanding of space. Isaie Bloch , the firm's founder, describes how.     

The AADRL: Design,Collaboration and Convergence

Brett Steele, former director of the Architectural Association's Design Research Laboratory (AADRL) and now director of the Architectural Association, reflects upon the DRL as a laboratory for the production of a different kind of student and teacher, and ultimately as a new model for architectural education. His ‘screenshots’ offer an informal image/text-based window through which to browse the general atmosphere of that research endeavour. The DRL was also very active in employing outside specialists from a variety of disciplines including computer programming and robotics. These interests were situated within the DRL's much larger ambition of rethinking the very definition of research itself, not isolated in the purely reflective interests of history and criticism but based on the projective desires of innovation. Moreover, the organisation of these new laboratories of design life begin to resemble their objects of study. Copyright © 2006 John Wiley & Sons, Ltd.     

Local Code: Real Estates

With the employment of a geographical information system (GIS), the city can be revealed and analysed with an alacrity that was never previously imagined possible: vacant sites and spaces between buildings can immediately be located. Nicholas de Monchaux describes his project Local Code: Real Estates, based in San Francisco, which has highlighted the potential and scale of residual spaces situated around highways and industry as a new collective resource for community design. Copyright © 2010 John Wiley & Sons, Ltd.     

Hertzian Space: Material Response to Spatial Presence

Mark Taylor describes how an interest in the possibilities of generating spaces that fully respond to people's presence and their activities led him and Mark Burry to undertake a project with students at Victoria University Wellington, New Zealand, that spatialises the dynamics of a full body massage. Copyright © 2007 John Wiley & Sons, Ltd.     

Distinguishing Concepts: Lexicons of Interactive Art and Architecture

Interactive design has come about as a result of the intermingling of disciplines. As a consequence, the language it uses has become blurred - borrowed or stolen with little restraint from elsewhere. Though particular terms have become ubiquitous, the original concepts that lie behind them have been lost. This means that all too frequently they are no longer knowingly used. Usman Haque sorts the wheat from the chaff and brings clarity to bear on the vocabulary and thinking behind interactivity. Copyright © 2007 John Wiley & Sons, Ltd.     

The Affects of Realism: Or the Estrangement of the Background

Affect is not just about mood and fantasy; at its best, it is an aesthetic provocation that can generate a profound questioning of the nature of reality. The 19th-century Realist writers and artists understood this – and its political implications – well. After examining the theme with reference to the writings of an international array of cultural critics, architect Michael Young – cofounder with Kutan Ayata of the New York-based studio Young & Ayata – presents a project by his firm that is subtly designed to trigger affective sensations of defamiliarisation.     

Ex Silico Ad Vivo: Computational Simulation and Urban Design at Foster + Partners

What makes a successful city? Can this be replicated simply by following tried-and-tested urban typologies? Francis Aish, Adam Davis and Martha Tsigkari of Foster + Partners' Applied Research + Development (ARD) group argue that technology allows other approaches to urban design. They explain that computational simulation is increasingly valuable in predicting how the dynamic and complex systems of a city might play out in an urban context, forging an exciting new alliance between computation and intuition.     

Performing Elegance

At the level of global culture, the impact of elegant buildings is magnified where there is a seamless integration of complex parts and fabrication expressed through a mastery of techniques and transformative set of features. Hani Rashid of Asymptote explains how, in working at an international scale, the practice is now seeking to propagate innovative design through a ‘developed understanding of the multiple levels of local responses that affect both local and global conditions’. Copyright © 2007 John Wiley & Sons, Ltd.     

Bricked House: How Code and Law Can Lock You Out

Could we be unwittingly divesting too much control in technology? In so doing, could we be sleepwalking into a future in which our personal assets are no longer ours, but all too easily relinquished by the bank or mortgage company? Molly Wright Steenson , an assistant professor in the School of Journalism and Mass Communication at the University of Wisconsin-Madison, thinks so. She evokes an arresting vision of a close future in which our smartphones and the operating systems integrated within our cars and homes become our friend-enemy, immediately locking us out when they are no longer programmed to respond directly to our touch.     

The Hinging Tower

For their project for a tower in downtown Singapore, which they undertook for the Rising Masses Studio at Harvard Graduate School of Design (GSD), Ana María Flor Ortiz and Rodia Valladares Sànchez adopted a mathematical approach. They explicitly used mathematical notation as a mechanism of controlling form, in a manner that could also harness the possibilities of more random and unanticipated influences. Copyright © 2011 John Wiley & Sons, Ltd.     

Algorithmic Tectonics: How Cold War Era Research Shaped Our Imagination of Design

Between 1959 and 1967, the Massachusetts Institute of Technology (MIT) hosted the pioneering Computer-Aided Design Project, funded by the US Air Force. Engineers, researchers and students were brought together to re-imagine ‘design in the language of the machine’, and one of the most renowned students on this programme was Ivan Sutherland, the inventor and programmer of Sketchpad - the first interactive graphics system. Here, Daniel Cardoso Llach , an architect and researcher based at MIT, traces the influence of this Cold War project on the culture of building design and production today.     

Josep Lluís Mateo/MAP Architects

By focusing on a ‘scientific approach’ that emphasises the importance of cause and effect, Josep Lluís Mateo/MAP has developed a design for the Camp Nou Stadium in Barcelona that is less about spectacle and more about the people it accommodates. Croatian critic and architect Krunoslav Ivanisin admires the structure for the ‘inherent logic of its parts’, but also for its prioritisation of communal life. Copyright © 2009 John Wiley & Sons, Ltd.     

The India Project

While pockets of India are now approaching the living standards of Switzerland, other regions are debilitated by a level of poverty that is akin to that of Zimbabwe. Sunil Khilnani asks what remains of the universalist project of India's political founders. Has architecture, in the rush for market and economic success, lost its self-understanding? Copyright © 2007 John Wiley & Sons, Ltd.     

Otherwise Engaged: New Projects in Interactive Design

What are the possibilities of interactive technologies delivering a new level of social engagement in architecture? Taking 2002, with the ETH Ada project and Diller & Scofidio's Braincoat project, as an important watershed, Mark Garcia reviews the advances that have been made per se, and with four projects in particular, in socially interactive spatial design. Copyright © 2007 John Wiley & Sons, Ltd.     

A Simple Heart: Architecture on the Ruins of the Post-Fordist City

In A Simple Heart, DOGMA (Pier Vittorio Aureli and Martino Tattara) develops an archetype for the contemporary European city. An ‘Edufactory’ of 22 residential units, it has its direct antecedent in Cedric Price's Potteries Thinkbelt (1964–6) project that proposed transforming a redundant railway network in North Staffordshire into a university campus.