共查询到20条相似文献,搜索用时 0 毫秒
1.
2.
Banu Tomruk 《Architectural Design》2010,80(1):46-51
Banu Tomruk investigates the post-1980s transformation of the built environment of medium-scale Anatolian cities. She examines the subject through a conceptual and physical framework that places as much emphasis on populist rhetoric – ‘identity crisis’, ‘historicisation’, ‘the making of a tourist city’ – as on the built structures themselves and their realisation as standardised apartment blocks and gated communities. Copyright © 2010 John Wiley & Sons, Ltd. 相似文献
3.
Grahame Shane 《Architectural Design》2007,77(2):24-35
How are urban actors, such as landscape designers, community groups, developers and local politicians, actively restructuring their environments to meet the challenges of the American city in the new global context? Grahame Shane outlines the approaches to landscape that have been emerging since the mid-20th century and are set to recombine urban assemblages whether they are located in historic city centres, postindustrial waterfronts or suburban sprawl. Copyright © 2007 John Wiley & Sons, Ltd. 相似文献
4.
RE Somol 《Architectural Design》2012,82(5):108-113
At a time when architecture's historical relationship to the city -founded on various formal and, more recently, informal homologies – has been rendered inoperative, how might a renewed architecture constructively inform the megalopolis? RE Somol flings all the formal and informal protocols offered to the city by architecture out of the pram and calls for a politics of shape, a potential trajectory tested with two projects by Zago Architecture. 相似文献
5.
Benjamin H Bratton 《Architectural Design》2009,79(4):90-97
Is the iPhone and a whole new generation of mobiles and PDAs eclipsing the physical city? Whereas once the metropolis alone brought together people, markets, goods, transport and information, the iPhone and similar handheld devices are changing spatial interaction. From Los Angeles, Benjamin H Bratton ruminates on the full impact of this technological shift. Copyright © 2009 John Wiley & Sons, Ltd. 相似文献
6.
Ravi Sundaram 《Architectural Design》2007,77(6):30-33
Over the last decade in India, intensive urbanisation, with the aid of the mass media, has unleashed a new culture of fear. Widespread access to TV, text messaging and the Internet have heightened and played upon individuals' anxieties. Ravi Sundaram describes how in Delhi, in particular, the media provided the catalyst for ‘mass hysteria’ and ‘psychosis’ during the summer of 2002. Copyright © 2007 John Wiley & Sons, Ltd. 相似文献
7.
Valentina Croci 《Architectural Design》2008,78(1):120-123
Computers, mobiles and automatised machines are so omnipresent that the means by which we interact with digital devices is now generally regarded as a given. Italian practice iO Agency, though, questions our use of mechanised interfaces and the language that they require us to learn. Valentina Croci explains how iO Agency has developed more natural ways for people to interact with digital environments through physical or tactile ‘triggers’. Copyright © 2008 John Wiley & Sons, Ltd. 相似文献
8.
Can Altay 《Architectural Design》2013,83(6):102-109
For Turkish artist and educator Can Altay ‘today's cities are full of limits’. This unevenness can be regarded as the manifestation of current investment patterns and political and cultural conflicts. Does, however, transgression offer opportunities to subvert this? Is it possible for a city's inhabitants, artists and architects to open up boundaries and through the power of presence to intervene in the status quo? 相似文献
9.
Andrew Benjamin 《Architectural Design》2010,80(5):24-31
Renowned philosopher and critical theorist Andrew Benjamin provides a framework for thinking about trauma and the city. He returns to Sigmund Freud's definition of trauma as repressed memory and to Aeschylus' formulation of the unmasterable as portrayed in mythical Athens in the Oresteia trilogy. This view of unaccustomed or unpredictable forces, such as civic strife, as ever present and integral to democracy, enables the maintenance of the urban project avoiding repression. Copyright © 2010 John Wiley & Sons, Ltd. 相似文献
10.
David Salomon 《Architectural Design》2006,76(5):54-57
David Salomon examines the history of the original World Trade Center (WTC) competition of 1962 and the more recent 2003 competition, finding interesting parallels in terms of how commercial and bureaucratic, as well as progressive, forces of innovation intersect over larger debates about control, power and questions of collaborative identity and practice within the city as a political machine, and which figure 9/11 in implicitly provocative ways. The 1962 competition featured another progressive architectural collaboration: Walter Gropius's The Architect's Collaborative (TAC). Not unlike the 2003 competition in which United Architects (UA) and other collaborative practices lost to the more stable, individual celebrity identity, TAC lost to Minoru Yamasaki. Salomon also argues that the organisational and structural qualities of UA's WTC proposal sought to embed collective operations of multiplicity rather than mere duplication of the previous WTC Twin Towers within the form of the design itself. Copyright © 2006 John Wiley & Sons, Ltd. 相似文献
11.
Tao Zhu 《Architectural Design》2009,79(1):88-93
China's Open Door Policy and economic development set in motion in 1978 can be regarded as the triumph of pragmatism over theory - specifically Chairman Mao's brand of Marxist theory. Tao Zhu traces the progress of reform over the last 30 years, and its impact on Chinese architectural culture. Copyright © 2009 John Wiley & Sons, Ltd. 相似文献
12.
13.
Andrew Hudson-Smith 《Architectural Design》2014,84(1):40-47
The proliferation of social media and software, such as building information modelling (BIM), has led to an unprecedented accumulation of data in the last few years, which can be tracked, tagged and scanned.With it, buildings and cities have been transformed into portals for information. Andrew Hudson-Smith , Director at the Centre for Advanced Spatial Analysis, University College London (UCL), describes how the ability to use emerging urban analytic tool kits provides the possibility of a real-time view of the city and a crystal-ball-like glimpse into urban networks of the future. 相似文献
14.
The late Paul Coates was one of the first students at the Architectural Association (AA) in London to submit an international computation-based diploma, in 1969. Responsible for introducing a series of computational techniques, Coates was also the founder of the MSc in Computing and Design at the University of East London, and in 2002 the Centre for Evolutionary Computing in Architecture (CECA). In this unpublished article from 2008, which has been prepared and rewritten for publication by Christian Derix , Coates recounts his pursuit of ‘the particle physics of architecture’ - geometric rules that inform both unplanned and planned human occupation of space. 相似文献
15.
Steve Parnell 《Architectural Design》2012,82(4):130-135
Architecture as a practice assimilates contradictions. Nowhere is this more apparent than in approaches to materials and sustainability. New finishes, details and products are continually specified and often fetishised, while architects are at pains to show their minimal impact on the environment. Steve Parnell highlights an era in the pages of Architectural Design in the late 1960s and early 1970s that congregated these incongruities by simultaneously advocating low-energy solutions and expendability, most notably the inflatable. 相似文献
16.
17.
Cynthia Ottchen 《Architectural Design》2009,79(2):22-27
The computational design strategist Cynthia Ottchen , who was previously Head of Research and Innovation at OMA, offers insights into the future of building information modelling (BIM). Now in the Petabyte Age of the data deluge, she argues that in our adoption of BIM we have to surpass mere data collection and technical optimisation and open up new ways of thinking with the creative use of ‘soft data’. Copyright © 2009 John Wiley & Sons, Ltd. 相似文献
18.
Lucy Bullivant 《Architectural Design》2007,77(4):6-13
At their most supernatural, interactive design environments can have a transformative effect. They take the visitor to somewhere else. By actively involving the public they are both ‘porous’ and ‘responsive’, beckoning us like the rabbit in Alice in Wonderland to enter and participate in another world. Here Lucy Bullivant kicks off her introduction to this issue of AD by looking at an installation designed by Daan Roosegaarde for the Netherlands Media Art Institute in Amsterdam which epitomises this approach. Copyright © 2007 John Wiley & Sons, Ltd. 相似文献
19.
Stefano Casciani 《Architectural Design》2007,77(3):26-33
At the start of the new millennium, Massimiliano Fuksas was one of the most significant Italian architects working outside his home country. His reputation in Italy and abroad, however, was taken to a further level by his completion of the New Milan Trade Fair. Stefano Casciani, an ex-student of Fuksas, provides an insightful and intriguing account of his ‘old’ professor: a robust and seemingly contradictory figure who is capable of great voluminous expression and delicacy. Casciani also finds constancy in his unrelenting energy, freshness and wit. Copyright © 2007 John Wiley & Sons, Ltd. 相似文献
20.
François Roche 《Architectural Design》2010,80(6):64-71
François Roche of R&Sie(n) ruminates on the contradictory nature of the present: a time that is ‘vibrating’ while ultimately ‘lacking momentum’. Reclaiming ‘the scenarios and substances that condition architecture’, he rejects the large-scale flights of fancy of international signature architects and argues for the reactivation of ‘a throbbing, complex and unfinished “localism”’. In so doing, he advocates a machinism that enables fictionalisation and speculation. Copyright © 2010 John Wiley & Sons, Ltd. 相似文献