The New Materiality

In the last few decades an entirely new conception of the material world has emerged. Here, philosopher Manuel DeLanda , whose work has become synonymous with this ‘new materialism’, introduces this novel understanding of materiality. Like any other conceptual framework, it has precedents in the history of philosophy - the work of the Dutch philosopher Baruch Spinoza is a good example - but only recently has it become coherently articulated with science and technology. Gone is the Aristotelian view that matter is an inert receptacle for forms that come from the outside (transcendent essences), as well as the Newtonian view in which an obedient materiality simply follows general laws and owes all its powers to those transcendent laws. In place of this, we can now conceptualise an active matter endowed with its own tendencies and capacities, engaged in its own divergent, open-ended evolution, animated from within by immanent patterns of being and becoming.     

Biodiversity Targets as the Basis for Green Design

Mike Wells , the Director of Biodiversity by Design, and Ken Yeang outline the need for biodiversity targets in architecture to provide a more far-reaching basis for green design. Rather than just literally ‘greening’ a building by covering it with foliage, they seek to encourage designers to engage with wider ecological processes and in more specific detail. Copyright © 2010 John Wiley & Sons, Ltd.     

Josep Lluís Mateo/MAP Architects

By focusing on a ‘scientific approach’ that emphasises the importance of cause and effect, Josep Lluís Mateo/MAP has developed a design for the Camp Nou Stadium in Barcelona that is less about spectacle and more about the people it accommodates. Croatian critic and architect Krunoslav Ivanisin admires the structure for the ‘inherent logic of its parts’, but also for its prioritisation of communal life. Copyright © 2009 John Wiley & Sons, Ltd.     

‘Happy Meals’: Finding Happiness with Hans Becker and the Humanitas Care Model

Hans Becker , originally a professor at the Erasmus School of Economics in Rotterdam, is a seemingly unlikely guru for elderly care. In 1992 he was appointed Chair of the Rotterdam-based housing association Humanitas with the task of overturning the outmoded and failing commercial model of its nursing homes. He set about replacing them with ‘apartments for life’ that promoted independent living. In order to understand more about the successful Humanitas model, David Birkbeck , Chief Executive of Design for Homes in the UK, interviewed Becker and found out how the move to a new housing type was enabled by a philosophical shift that placed an emphasis on the engendering of happiness among its residents – with food and the creation of convivial on-site restaurant facilities proving a critical tool.     

Digital Morphogenesis

Taking its inspiration from biology, digital morphogenesis operates through a logic of optimisation. Departing from the notion of architecture primarily as form-finding that privileges appearance, Neil Leach describes how morphogenesis places emphasis on ‘material performance’ and ‘processes over representation’. Copyright © 2009 John Wiley & Sons, Ltd.     

The Taxonomy of Contemporary Chinese Cities (We Make Cities): A Sampling

Rem Koolhaas famously highlighted the uniformity of Chinese cities with his identification of ‘the generic city’ in the Pearl River Delta in the 1990s. Here Jiang Jun , Editor-in-Chief of Urban China magazine, and Kuang Xiaoming highlight the ‘unified diversity’ and complexity of contemporary urbanism through his own system of classification. Copyright © 2008 John Wiley & Sons, Ltd.     

Deus Ex Machina: From Semiology to the Elegance of Aesthetics

Architecture's ability to realise large-scale effects permits its emphasis to shift aesthetics on a project-by-project basis. Elegance unleashes a specific visual intelligence that can be achieved by refinement and precision of surface. Here, Mark Foster Gage investigates how elegance can be designed into a project. This requires a ‘visual and formal expertise’ combined with a careful curation of mutation and awareness of ‘extreme differentiation’. Elegance often only reveals itself partially, acquired, in the design stage, through ‘isolated views and expertly calibrated moments’ and perceived fleetingly in built work. Copyright © 2007 John Wiley & Sons, Ltd.     

Putting the ‘I’ back into Architecture

Neil Spiller gets personal in a bid to put the ‘I’ back into architecture. He celebrates the spatial experimentation of the work of Charlotte Erckrath. Creating a space of desire, she produces a subjective ‘synthesis of architect, body, space and view’. Copyright © 2008 John Wiley & Sons, Ltd.     

Ann Pendleton-Jullian

Ann Pendleton-Jullian practises from Cambridge, Massachusetts, where she also teaches at MIT. This combination of teaching and practice allows her to consider the vital exchange between ideas and architecture that is evident in both her commissioned work and her theoretical projects. Her work has been cited for the manner in which it poeticises the intersection between pragmatic concerns and the ‘ambitions of the imagination’. Copyright © 2007 John Wiley & Sons, Ltd.     

The ‘valley of ashes’ and the ‘fresh green breast’: metaphors from The Great Gatsby in planning New York

ABSTRACT

Visions in planning of what a city could or should be tend to be constructed around metaphors, rhetorical tropes that crystalize the image of a preferable future city. Such metaphorizations are never innocent: they draw on pre-existing cultural narratives and activate particular frames of expectation. This article examines two metaphors used in the planning of New York City, and its shores, in particular: the spectre of the ‘valley of ashes’ and the dream of the ‘fresh green breast’. These metaphors, taken from F. Scott Fizgerald’s novel The Great Gatsby (1925), appear time and again in the planning and thinking of the New York shoreline, from Robert Moses’s plans for Flushing Meadow to Major Bloomberg’s waterfront development and Eric Sanderson’s vision of a 2406 New York in Mannahatta (2006). This article examines how the metaphors of the ‘valley of ashes’ and the ‘fresh green breast’ have been adapted throughout decades of planning New York City to accommodate changing relationships, conflicts and ideals, always infused by a pastoral undercurrent that is already questioned in Fitzgerald’s novel.     

Low-Tech Transgression: The Interventional Work of EXYZT

Alex Romer and Naïm Aït-Sidhoum define EXYZT's practice as one characterised by ‘transgressive forms’ and ‘construction devices’. They explain how this has come about through the studio's penchant for the loose conditions of leftover spaces – derelict urban sites or marginal spaces by the sides of roads and railway lines – which require the building of temporary structures in tight timetables on limited budgets.     

Urban Wash

Sean Lally of WEATHERS urges designers to realise the performative capabilities of the ambient effects of the urban wash – the artificial light given off by cities at night. Taking up this principle of a wash within his designs for the Museum of the Second World War in Gdansk, he demonstrates how a ‘climatic wash’ could create an artificial microclimate that extends the seasonal activities of the museum's programmes.     

Auroville: An Architectural Laboratory

Architect Anupama Kundoo describes how ‘the dream of building a new city’ from scratch for an international spiritual community in southern India has created a magnet for architects around the world. As the city now approaches its 50th anniversary, she asks whether Auroville can keep its architectural culture of innovation and experimentation alight. Copyright © 2007 John Wiley & Sons, Ltd.     

The AADRL: Design,Collaboration and Convergence

Brett Steele, former director of the Architectural Association's Design Research Laboratory (AADRL) and now director of the Architectural Association, reflects upon the DRL as a laboratory for the production of a different kind of student and teacher, and ultimately as a new model for architectural education. His ‘screenshots’ offer an informal image/text-based window through which to browse the general atmosphere of that research endeavour. The DRL was also very active in employing outside specialists from a variety of disciplines including computer programming and robotics. These interests were situated within the DRL's much larger ambition of rethinking the very definition of research itself, not isolated in the purely reflective interests of history and criticism but based on the projective desires of innovation. Moreover, the organisation of these new laboratories of design life begin to resemble their objects of study. Copyright © 2006 John Wiley & Sons, Ltd.     

Exuberance,I Don't Know; Excess,I Like

Hernan Diaz Alonso redefines ‘excess’ and ‘exuberance’ on his own terms. Fully au fait and comfortable with the excessive, he describes how in relation to his own work he views excess as more of a tendency or a logic, which sums up his approach; whereas he perceives the exuberant as removed from the design process and more like an ‘adjective’, an ‘emerging quality’ observed by others. Copyright © 2010 John Wiley & Sons, Ltd.     

‘Never Mind All That Environmental Rubbish,Get On With Your Architecture’

Could the primacy of green architecture in recent years be eroding the discipline? Is it reducing architecture to a mere ‘environmental techno-science’? Penelope Dean argues for a revised environmental agenda that is driven by ideas and concepts rather than subservient technologies. Copyright © 2009 John Wiley & Sons, Ltd.     

Metabolism and Morphology

Architecture is on the cusp of systemic change, driven by the dynamics of climate and economy, of new technologies and new means of production. There is a growing interest in the dynamics of fluidity, in networks and in the new topologies of surfaces and soft boundaries. This is part of a general cultural response to the contemporary reconfiguration of the concept of ‘nature’ within the discourse of architecture; a change from metaphor to model, from ‘nature’ as a source of formal inspiration to ‘nature’ as a mine of interrelated dynamic processes that are available for analysis and digital simulation. Michael Weinstock presents an account of the dynamics of natural metabolisms, and suggests an agenda for the development of metabolic morphologies of buildings and cities. Copyright © 2008 John Wiley & Sons, Ltd.     

Animating Architecture: Coupling High-Definition Sensing with High-Definition Actuation

Ruairi Glynn , lecturer on interactive architecture at the Bartlett School ofArchitecture, University College London (UCL), puts the pressing question: ‘What does a world of hyper-connective, high-definition sensing offer architectural design?’ Despite the pervasiveness of ubiquitous computing – the Internet of Things (IoT) – and students' ability to speculate, build and test responsive lifesize installations, could practice itself be in danger of getting left behind?     

The Vitality of Matter and the Instrumentalisation of Life

Artists and researchers Oron Catts and Ionat Zurr of SymbioticA, based at the School of Anatomy, Physiology and Human Biology at the University of Western Australia, are internationally renowned as pioneers in the field of biological arts, challenging audiences with their tissue engineering projects. Catts and Zurr discuss how synthetic biology has increasingly become ‘the new frontier for exploitation’ and why there is currently ‘a resurgence of the application of engineering logic in the fields of the life sciences’ in which life itself becomes a raw material.     

Almost All Right: Vienna's Social Housing Provision

The aim of social housing is to manage scarcity by providing affordable accommodation for everyone. Responding to shifts in demand, it also has to adapt to ever-changing economic, political and social conditions. Here, Andreas Rumpfhuber, Michael Klein and Georg Kolmayr look at Vienna's social housing provision, which for over a century has been ‘dealing with scarcity and its ghosts in order to avoid its negative effects’.