书画笔墨与建筑形式语汇的对应——基于山水画范畴移植的建筑形式美学

中国画笔墨自觉具有与西方抽象艺术相类似的观念并蕴含丰富的人文精神.建筑师若能克服不同专业术语的差异而在建筑形式语汇与笔墨之间建构对应关系,借鉴传统书画论中的骨法用笔、见笔、墨由笔出、一画论、笔精墨妙等命题对中国传统建筑与西方现代建筑做出解读,或可获得新的具有启发意义的美学判断,充实现有的基于西方形式美原则的美学语境,从而为当代建筑中民族性的抽象表达提供新的思路.     

建筑美学教学方法思考与探索

本科阶段的建筑美学教育,是在设计技巧训练之外,培养学生城市规划与建筑学的专业审美眼光和美学思维方式,其作用意义不可忽视。重点分析了教学中出现的问题,介绍了天津大学建筑美学课程教学注重天大传统美学理论的延续,关注前沿创新理论,通过调整教学内容比例,开展横向主题式教学,采用多元结合的教学方法,改善教学效果的做法以及取得的成效。     

关于工业建筑美

简要地论述了工业建筑的含义及工业化建设在国民经济中的重要地位。引述国内外的一些经典设计名作 ,展示了工业建筑所特有的美学感染力。从而说明工业建筑是可以让建筑师大有作为的     

Marketing through research: William Caudill and Caudill,Rowlett, Scott (CRS)

The partners of Caudill Rowlett Scott (CRS), a post-Second World War architecture firm in Texas, USA, were especially innovative in their professional and business practices. One of their original contributions was the firm's marketing strategy, which was based on promoting not only design achievements but also the CRS ‘research attitude’ by publishing and distributing studies produced by members of the firm. This strategy, which built on a wide-spread American belief in the fundamental role of science and research in the nation's progress and development, was successful in the first two decades of the firm, but was dissolved in the 1970s with the firm's expansion and transformation into a profit-oriented enterprise. This paper describes the firm's research-based marketing strategy and argues that the success of the marketing strategy relied on the CRS partners' ability first, to integrate marketing into the firm's approach to architecture and design and into cultural norms of the time and secondly, to balance the expectations of both their potential clients and their professional peers. The CRS marketing strategy is an important case study for architects today as they respond creatively to similarly competing demands.     

Marketing through research: William Caudill and Caudill,Rowlett, Scott (CRS)

The partners of Caudill Rowlett Scott (CRS), a post-Second World War architecture firm in Texas, USA, were especially innovative in their professional and business practices. One of their original contributions was the firm's marketing strategy, which was based on promoting not only design achievements but also the CRS ‘research attitude’ by publishing and distributing studies produced by members of the firm. This strategy, which built on a wide-spread American belief in the fundamental role of science and research in the nation's progress and development, was successful in the first two decades of the firm, but was dissolved in the 1970s with the firm's expansion and transformation into a profit-oriented enterprise. This paper describes the firm's research-based marketing strategy and argues that the success of the marketing strategy relied on the CRS partners' ability first, to integrate marketing into the firm's approach to architecture and design and into cultural norms of the time and secondly, to balance the expectations of both their potential clients and their professional peers. The CRS marketing strategy is an important case study for architects today as they respond creatively to similarly competing demands.     

女性建筑师之思

该文从女性主义美学出发,对几位世界著名女建筑师的设计作品及思想进行了分析探讨,进而从新一代女性建筑师看似风格迥异的作品中总结出相通的女性元素。可归纳为：反对审美的二元对立,重塑多元的审美体系;调动多种感官,使人与人、人与自然进行交流和互动;体现女性关怀的伦理;关注生态与和谐共生。女性建筑师从女性性别特质出发去思考、实践,颠覆和丰富着建筑审美标准,展现女性的审美主张。     

现代化与地域主义——对崔愷作品的一些思考

崔愷是中国新生代建筑师里最广受评议的代表之一。有着近30年职业生涯的他．很难再被视作一名年轻的建筑师,尽管如此,他不墨守成规的思考方式和激进的设计手法使其成为新生代中国建筑师中的先锋人物。成为许多建筑系学生和年轻建筑师的精神向导。他的作品是对当今主流建筑中盛行的消费主义的一种强有力的同应,在遵循现代理性和技术逻辑的同时。又深深植根于中国的传统文化和当下现实。     

‘History is not the Past but Another Mightier Presence’: the founding of the institute for the History and Theory of Architecture (gta) at the Eidgenössische Technische Hochschule (ETH) Zurich and its effects on Swiss Architecture

The Institute for the History and Theory of Architecture (gta) was founded in 1967 explicitly to facilitate exchange between the architects and the historians of architecture teaching in the Faculty of Architecture at Zurich's famous Eidgenössische Technische Hochschule (ETH). The founding members, Adolf Max Vogt, Paul Hofer, Bernhard Hoesli and others, encouraged a younger generation of architects to deepen and widen their knowledge of the history of architecture by working in the institute as research assistants and often writing doctoral dissertations. But it was very much due to the catalyst of the guest professor Aldo Rossi that the link between architecture and the history of architecture seriously influenced design strategy. Two of the many research collaborators at the gta who proved to be particularly important for their fellow students were Bruno Reichlin and Martin Steinmann. With the help of history they developed a ‘recherché patiente’ into the semiology of building and took this as a starting point for the design process, which influenced a whole generation of young architects to develop what became the new Swiss architecture so lauded today.     

Measuring the beauty of forests

Aesthetic considerations are increasingly being taken into account when forest management decisions are made, but more quantitative studies testing assumptions are needed. This study tests the assumption that mature forests are perceived as being more beautiful than young forests; it also tests the philosophical concept of ‘serious beauty’, which hypothesises that the more knowledge one has about the ecological functioning of an environment, the more beautiful it will seem. All tests were done in situ. University students (N = 334) rated the mature forest as more beautiful than the young forest. The young forest was rated as less than neutral in appearance, and the mature forest was rated as more beautiful than neutral. Male students rated the forest as more beautiful than the females did. No significant difference was seen between the ratings from before or after an ecology presentation. Thus we did not confirm the serious beauty hypothesis in this instance.     

从“启蒙”回归日常 新一代前沿建筑师的建筑实践运作

文章以2008年后中国大陆建筑设计执业环境的变化为线索,探究新一代前沿建筑师的建筑实践运作正在发生的变化。作者认为其核心在于＂启蒙＂的姿态减弱,而日常操作受到更多的重视。文章还通过一些实例具体论述了这种变化对前沿建筑师及其作品特征的影响。     

对中国现代建筑艺术情结的质疑

文章论述了什么是中国现代建筑艺术的情结，现代中国建筑美学现代性，境界与典型，消解艺术情结，生态美学和生态建筑艺术等方面的问题。作者认为：在生态科学影响下的建筑审美思考，有可能成为２１世纪中国建筑艺术的第四个源头，并提出建筑师的主要着眼点     

八卦与建筑——建筑师与普通人离的有多远和多近

八卦!为什么? 所有七个建筑师均认为,八卦对其实际的建筑工作亳无影响,反而强调说是技术培训和审美眼光创造了这个世界范围的专业人士圈子.这看起来很像是在建筑师当中流行的信念——特别是那些在其本土文化之外工作的人——技术培训成为道德标准的主要来源,同时审美选择变成了个人身份的重要标志.     

解放的空间 超建筑组织的多重路径

归根结底,建筑不仅是专业组织的过程,同时也是一个更广泛的社会组织进程的环节与结果。通常情况下,建筑专业组织需要服从于社会综合组织的更高要求。当建筑专业诉求囿于社会组织的诸多限制而常常难以实现时,某些大胆的建筑师们会试图突破专业领域的藩篱,跳到更高的"超建筑"的社会组织环节去影响甚至控制整体的综合组织进程。文章选取卢强、张弘、马清运、黄印武、黄声远这五位"逆袭"超建筑领域的建筑师的实践,展现中国当代建筑师介入超建筑组织的多样状态与多重路径。     

动漫时代,建筑审美教育遭遇的困境

建筑审美是建筑学专业学习内容的一个重要组成部分,对提高学生建筑设计水平和鉴赏力意义重大。由于动漫时代特有信息环境的影响,建筑审美教育在今天陷入了困境。该文运用归纳、演绎、列举实例和对比研究等方法,详细分析了审美教育困境产生的时代背景、对其产生影响的诸多社会人文现象、审美困惑在审美能力和价值取向两方面的表现,并最终提出了摆脱困境具体方案之前的三项准备工作。     

反思风景园林学——写在学科专业目录调整 之际

本轮学科专业目录调整为风景园林专业学位研究生培养带来了机遇，但也对风景园林学科学性、学科性与知识生产提出了诘问。从学科困境、人才培养困境、执业注册制度困境3个维度反思风景园林学的问题与瓶颈。提出加快建立风景园林师执业注册制度、深入建构理论体系与教学体系、以科学哲学理论解析风景园林学理论内核的建议。     

天津青年建筑师素描

文章从天津的城市建设、建筑设计单位和建筑教育的发展入手,梳理天津建筑设计行业发展的历程,总结当前天津青年建筑师扎实、踏实、务实的作风,分析天津建筑设计界与青年建筑师集体失语的主客观原因。     

浅谈建筑设计题目的设置

从朱家角设计竞赛引发的一系列关于建筑教学思考出发,通过反思现有教学和学生的现状,阐述了建筑设计教学的关注点及设置题目的理论基础和方法,指出这对于引发学生的积极思考,培养适应时代需求的职业建筑师具有直接意义.     

Report of lunchtime meeting addressed by Michael Allaby of the soil association

The structure of contemporary environmental design is distorted by paradoxes perpetuated by the professional associations, practitioners, university faculties, and many design students prior to their graduation. Although landscape architectural education is utilized, in this paper, to exemplify three of the structuring paradoxes, planners, architects, and interior designers will readily note similarities within their own respective professional educational processes. The paradoxes are presented as an outgrowth of the rise of technical rationality and the transition from traditional to modern society. They are examined through interviews and discussions with a cross section of undergraduate landscape architecture students at the universities of Toronto and Guelph in Ontario and Rutgers University in New Jersey. Awareness of the paradoxes enables the formulation of suggestions as to how to begin restructuring the professional education of environmental designers.     

Willem Marinus Dudok: the lyrical music of architecture

Willem Marinus Dudok stands out from his Dutch and European peers for resisting the temptation to conform to the aesthetic norms of the avant-garde and for the unique aesthetics in his work. A man who shunned movements and dogma in a time when new architectural manifestos abounded, Dudok preferred to say little about his designs. Yet by combining a close reading of his design work with the few essays that survive, it becomes apparent that one important inspiration for Dudok was classical music composition, in particular counterpoint. Dudok was the son of a professional musician; he played the piano all his life, even sketching his design ideas on scores, probably when he was practising. Analogies between music and architecture date back centuries; typically architects worked with the aspects of form, rhythm, harmony and proportion. But Dudok added another element to the musical arsenal: he used classical counterpoint as an organising principle in plan and elevation. Although he never outlined exactly how he translated his extensive knowledge of music to architecture, Dudok used musical metaphors often enough when describing his work for us to know that music was always on his mind. Dudok was a prolific architect, and considered important during his lifetime—he won the UK's Royal Gold Medal and the American Institute of Architects Gold Medal, there were Dudok societies all around the world—and yet he is largely overlooked today because his work never conformed to the aesthetic expectations of modernism. This paper examines Dudok's design method, in particular his use of musical composition techniques, and re-positions his work as an outstanding example of a different kind of modernism.     

环境美学视角下中国风景园林史教学研究

中国风景园林是中华文化的精粹,然其历史教学却存在趣味性和应用性缺失、知识依靠于机械记忆等问题.为深化教学,提出将环境美学融入中国风景园林史课程,厘清环境美学思想与风景园林史的关系,以传统环境审美对象观照风景园林的历史形态,注重传统环境审美思想与当代风景园林的对话.引导学生将学习方式从被动记忆转化为主动领悟,培养学生汲取...