A comprehensive model of colour appearance for related and unrelated colours of varying size viewed under mesopic to photopic conditions

CIE has recommended two previous appearance models, CIECAM97s and CIECAM02. However, these models are unable to predict the appearance of a comprehensive range of colours. The purpose of this study is to describe a new, comprehensive colour appearance model, which can be used to predict the appearance of colours under various viewing conditions that include a range of stimulus sizes, levels of illumination that range from scotopic through to photopic, and related and unrelated stimuli. In addition, the model has a uniform colour space that provides a colour‐difference formula in terms of colour appearance parameters. © 2016 Wiley Periodicals, Inc. Col Res Appl, 42, 293–304, 2017     

A comparison of colour appearance for surface colours between outdoor and indoor environments

Psychophysical experiments of colour appearance, in terms of lightness, colourfulness, and hue, were conducted outdoors and indoors to investigate whether there was any difference in colour appearance between outdoor and indoor environments. A panel of 10 observers participated in the outdoor experiment, while 13 observers took part in the indoor experiment. The reference white had an average luminance of 12784 cd/m² in the outdoor experiment and 129 cd/m² in the indoor experiment. Test colours included 42 colour patches selected from the Practical Coordinate Color System to achieve a reasonable uniform distribution of samples in CIECAM02. Experimental results show that for both outdoor and indoor environments, there was good agreement between visual data and predicted values by CIECAM02 for the three colour appearance scales, with the coefficient of variation values all lower than 25 and the R² values all higher than 0.73, indicating little difference in the three dimensions of colour appearance between indoor and outdoor viewing conditions. Experimental data also suggest that the observers were more sensitive to variation in lightness for grayish colours than for highly saturated colours, a phenomenon that seems to relate with the Helmholtz-Kohlrausch effect. This phenomenon was modeled for predicting perceived lightness (J′) using the present experimental data. The new J′ model was tested using three extra sets of visual data obtained both outdoors and indoors, showing good predictive performance of the new model, with an average coefficient of variation of 14, an average R² of 0.88, and an average STRESS index of 14.18.     

Colour appearance of room colours

Psychophysical experiments were conducted to investigate the colour appearance changes between small colour patches and real room colours. The results clearly showed that colours appear lighter and more colourful for room colours. A method based on CIECAM02 was developed to quantify the colour size effect. © 2010 Wiley Periodicals, Inc. Col Res Appl, 2010     

An evaluation of the Hunt94 color appearance model under different light sources at low photopic to low mesopic light levels

Color appearance models allow for the quantification of color appearance under a variety of viewing conditions. Such models may ultimately provide a measure for accurate assessments of the color‐rendering properties of light sources. This article evaluates the Hunt94 color appearance model using a new set of color‐naming and magnitude‐rating data. At one photopic level (10 cd/m²), the evaluations showed that for a xenon lamp and an enhanced metal halide lamp that have chromaticities and spectra close to an equal energy spectrum, the Hunt94 model provided good predictions of the primary and secondary color names and hue magnitudes for a wide range of color chips under the two illuminants. However, for other light sources the Hunt94 model predictions deviated considerably from the evaluations. Three modifications were applied to the Hunt94 color appearance model to predict color‐naming and magnitude‐rating data better for all light sources. The modified Hunt94 model gave good predictions (correlation coefficients r ～ 0.95) of the secondary hue magnitude of the color chips used in the experiment at photopic light levels (10 cd/m² and 1 cd/m² background luminances) under “white” light sources. However, the modified model was still unable to predict color appearances at low mesopic light levels (0.1 cd/m² and 0.01 cd/m²). © 2005 Wiley Periodicals, Inc. Col Res Appl, 30, 107–117, 2005; Published online in Wiley InterScience (www.interscience.wiley.com). DOI 10.1002/col.20088     

Unique hue data for colour appearance models. Part II: Chromatic adaptation transform

Unique hue settings of 185 observers under three room‐lighting conditions were used to evaluate the accuracy of full and mixed chromatic adaptation transform models of CIECAM02 in terms of unique hue reproduction. Perceptual hue shifts in CIECAM02 were evaluated for both models with no clear difference using the current Commission Internationale de l'Éclairage (CIE) recommendation for mixed chromatic adaptation ratio. Using our large dataset of unique hue data as a benchmark, an optimised parameter is proposed for chromatic adaptation under mixed illumination conditions that produces more accurate results in unique hue reproduction. © 2011 Wiley Periodicals, Inc. Col Res Appl, 2013     

Unique hue data for colour appearance models. Part I: Loci of unique hues and hue uniformity

Psychophysical experiments were conducted to assess unique hues on a CRT display for a large sample of colour‐normal observers (n = 185). These data were then used to evaluate the most commonly used colour appearance model, CIECAM02, by transforming the CIEXYZ tristimulus values of the unique hues to the CIECAM02 colour appearance attributes, lightness, chroma and hue angle. We report two findings: (1) the hue angles derived from our unique hue data are inconsistent with the commonly used Natural Color System hues that are incorporated in the CIECAM02 model. We argue that our predicted unique hue angles (derived from our large dataset) provide a more reliable standard for colour management applications when the precise specification of these salient colours is important. (2) We test hue uniformity for CIECAM02 in all four unique hues and show significant disagreements for all hues, except for unique red which seems to be invariant under lightness changes. Our dataset is useful to improve the CIECAM02 model as it provides reliable data for benchmarking. © 2010 Wiley Periodicals, Inc. Col Res Appl, 2011     

Theoretical aspects of mesopic photometry and their implication in data assessment and investigation planning

There is no photometric standard observer for the mesopic region, but five systems of mesopic photometry have been proposed, each based on its own experimental data set. But more experimental data are required, especially for parts of the colour gamut. In order to make the best use of existing data and to optimize the value of new data, theoretical aspects need to be considered. These lead to the conclusion that not all data are acceptable. © 1998 John Wiley & Sons, Inc. Col Res Appl, 23, 264–273, 1998     

Investigation of colour size effect for colour appearance assessment

Three psychophysical experiments were conducted to investigate the colour appearance changes between different sizes under various media or viewing conditions. The results are highly consistent that when increase stimulus size, the colour will appear to be lighter and more colourful with little change in hue. © 2010 Wiley Periodicals, Inc. Col Res Appl, 36, 201–209, 2011;     

Unique hue data for colour appearance models. Part III: Comparison with NCS unique hues

In this study, Swedish Natural Color System (NCS) unique hue data were used to evaluate the performance of unique hue predictions by the CIECAM02 colour appearance model. The colour appearance of 108 NCS unique hue stimuli was predicted using CIECAM02, and their distributions were represented in a CIECAM02 a_c–b_c chromatic diagram. The best‐fitting line for each of the four unique hues was found using orthogonal distance regression in the a_c–b_c chromatic diagram. Comparison of these predicted unique hue lines (based on the NCS data) with the default unique hue loci in CIECAM02 showed that there were significant differences in both unique yellow (UY) and unique blue (UB). The same tendency was found for hue uniformity: hue uniformity is worse for UY and UB stimuli in comparison with unique red (UR) and unique green (UG). A comparison between NCS unique hue stimuli and another set of unique hue stimuli (obtained on a calibrated cathode ray tube) was conducted in CIECAM02 to investigate possible media differences that might affect unique hue predictions. Data for UY and UB are in very good agreement; largest deviations were found for UR. © 2014 Wiley Periodicals, Inc. Col Res Appl, 40, 256–263, 2015     

Changes in colour appearance of a large display in various surround ambient conditions

This article focuses on the change in colour appearance of a large display arising from various illumination conditions. Nine experimental phases were conducted according to different surround conditions including dark, indoor, and outdoor conditions. Each of the presented test colours was assessed by 10 observers using a magnitude estimation method. The surrounds used in all phases were divided into two groups: excluding and including veiling glare. Additionally, the effect due to different sizes of both stimuli and surround was investigated. Diverse visual effects were examined and reported. Finally, the visual colour appearance data were used to test the CIECAM02 colour appearance model. © 2010 Wiley Periodicals, Inc. Col Res Appl, 2010     

Dynamic cone response functions for models of colour appearance

The CIECAM97s type of colour appearance models results in some changes in hue and saturation for series of colours of constant chromaticity but changing luminance factor. To keep hue and saturation constant for such series, a model in which the dynamic cone response is based on a power function has been developed. By optimizing its parameters, its correlates of hue, lightness, colourfulness, brightness, and saturation perform nearly as well as those of CIECAM97s. A similar performance is achieved in a modified power model, which is more physiologically plausible. © 2003 Wiley Periodicals, Inc. Col Res Appl, 28, 82–88, 2003; Published online in Wiley InterScience (www.interscience.wiley.com). DOI 10.1002/col.10128     

A theory of unique hues and colour categories in the human colour vision

A novel approach to assessing colour appearance is described. It is based on a new technique—partial hue‐matching—which allows for measuring colour in terms of component hues objectively, without resorting to verbal definitions. The new method is believed to have a potential to be as exact as colorimetric techniques. In contrast to classical colour matching, which implies visual equivalence of lights, partial hue‐matching is based on judgements of whether two lights that are different in colour have some hue in common. The major difference between classical colour matching and partial hue‐matching is that the latter is intransitive, whereas the former is generally believed to be transitive (though see Logvinenko, Symposium on 75 years of the CIE Standard Colorimetric Observer, Vienna, Austria, 2006). Formally, partial hue‐matching can be described as a reflexive and symmetric binary relation (i.e., tolerance). The theoretical framework of tolerance spaces is used for developing a theory of partial hue‐matching. © 2011 Wiley Periodicals, Inc. Col Res Appl, 2011     

A study of colour emotion and colour preference. Part I: Colour emotions for single colours

This article classifies colour emotions for single colours and develops colour‐science‐based colour emotion models. In a psychophysical experiment, 31 observers, including 14 British and 17 Chinese subjects assessed 20 colours on 10 colour‐emotion scales: warm–cool, heavy–light, modern–classical, clean–dirty, active–passive, hard–soft, tense–relaxed, fresh–stale, masculine–feminine, and like–dislike. Experimental results show no significant difference between male and female data, whereas different results were found between British and Chinese observers for the tense–relaxed and like–dislike scales. The factor analysis identified three colour‐emotion factors: colour activity, colour weight, and colour heat. The three factors agreed well with those found by Kobayashi and Sato et al. Four colour‐emotion models were developed, including warm–cool, heavy–light, active–passive, and hard–soft. These models were compared with those developed by Sato et al. and Xin and Cheng. The results show that for each colour emotion the models of the three studies agreed with each other, suggesting that the four colour emotions are culture‐independent across countries. © 2004 Wiley Periodicals, Inc. Col Res Appl, 29, 232–240, 2004; Published online in Wiley InterScience (www.interscience.wiley.com). DOI 10.1002/col.20010     

Performance of the Ishihara,D‐15, and City University colour vision test as a function of intraocular straylight

Three colour vision tests, the Ishihara test, the City University Test (CUT), and the D‐15 test were studied as a function of induced intraocular straylight, using a commercially available light‐scattering filter. Thirty young individuals (aged 17‐28 years) with no ocular abnormalities and normal colour vision participated in the study. Intraocular straylight was estimated in all individuals using a psychophysical compensation method with the C‐Quant straylight meter, with and without the light‐scattering filter which caused an increase in intraocular straylight typical of that found for cataract. Under normal viewing conditions all the subjects passed each of the 3 tests with no errors. When viewing the Ishihara test plates through the filter, 10 out of the 30 observers made at least 1 error. Three subjects also made errors on the desaturated CUT test plates, but all subjects still passed the D‐15 test with the filter. The errors in the Ishihara test correlated with the amount of intraocular straylight, as measured with the C‐Quant. This study indicates that interpretation of the Ishihara test in a clinical environment will be made more difficult in individuals with higher levels of straylight.     

An experimental comparison of a graphite electrode and a gas diffusion electrode for the cathodic production of hydrogen peroxide

This work studies the production of hydrogen peroxide through the cathodic reduction of oxygen in acidic medium, by comparing the results obtained using a commercial graphite and a gas diffusion electrode. A low pH was required to allow the application of hydrogen peroxide generation to an electro-Fenton process. The influence of applied potential and the gas flow composition were investigated. The gas diffusion electrode demonstrates a higher selectivity for hydrogen peroxide production, without significantly compromising the iron regeneration, thus making its successful application to a cathodic Fenton-like treatment, possible. Unlike the graphite cathode, the gas diffusion cathode also proved to be effective in the air flow.