基于寻路理论的博览建筑观展路径诱导因素综述

观展路径设计是博览建筑设计的核心,本文通过回顾博览建筑、寻路和计算机行为模型三个领域的相关文献,以寻路理论为基础,综述研究了博览建筑观展路径诱导因素。首先,建立了观展路径研究系统;其次,综述了观展路径影响因素诱导性能的相关研究,包括三个部分：（1）观展路径诱导因素（2）观展行为策略（3）观展路径选择计算机模型;最后,讨论空间因素对观展路径选择的影响。认为：在众多观展路径诱导因素中,空间因素应优于其它因素,在设计之初即引起重视。另外,需要进一步研究局部建筑线索计算机模型,用于评估和优化博览建筑观展路径的设计方案。     

现象学与建筑学的交织--上海世博会场馆建筑体验探析

建筑体验这一抽象的词汇指由建筑空间、材质、光影等一切物质和人文因素所营造的建筑环境给人们真实感受。随着中国博览类建筑的蓬勃发展以及公众参与的逐渐增多,建筑体验也越来越受到人们的重视。就在设计师需要一种理论依据的时候,现象学与建筑学的交织产生的理论体系为设计师开辟了新的道路。该文以上海世博会场馆为解析对象,借鉴世博会各场馆成功的独特经验,试图从建筑现象学的理论角度分析世博场馆在营造建筑体验中的独到之处。     

Exhibiting Architecture à la Manière de

Contemporary architecture exhibitions constitute an adventurous domain involving architects, artists, curators, and scholars in various roles. Not only do architecture exhibitions mediate designs and research, they advance particular auteur approaches to the very practice of exhibiting. This article presents a hands-on study of selected exhibition authors' means and strategies in making architecture exhibitions. The basis for comparison in this research-by-design project is a brief to display student work in the context of an architecture department.     

当代中国建筑展览现象的再思考

从《建筑展览的“厚度”》一文引发对当代中国建筑展览(集合设计)现象的再思考,强调全面理解当代建筑的多元属性价值,并以原创性作为先锋性的评判标准,由此透视了当代中国建筑展览背后的功利与浮躁。提出真正的原创主要体现在:①呼应生活,改良社会;②突破建筑自身局限(空间,材质,风格):③以建筑准确表达社会新思潮。通过对欧洲当代成功的建筑展览(集合设计)的借鉴,总结了建筑展览活动的关键因素如:有意义的选址选题,多角度参与的主办方,多类型的建筑师参与,全社会的动员与参与等。     

THE ARCHITECTURAL NARRATIVE: On Michael Speaks' Ruminations on a ‘Big,Soft, Orange’

The Big, Soft, Orange exhibition on four Dutch architectural firms focuses on the (soft) processes these architects have evolved for dealing with the large scope(big) of contemporary architectural undertakings and the particular historical and geographical conditions these attempts address in the contemporary Netherlands (orange). Following the precedent of the curator. Michael Speaks' comments, the content of the exhibition will be seen to have broader relevance for Architecture. Speaks' own circumstance is considerably influenced by his relationship with, and critique of the work of, Frederic Jameson. By reading between Jameson and Speaks, this paper will use Speaks' exhibition to question the success of the architecture of postmodernity's preoccupation with overtuming the modern-modernism's Utopian assertions, its preoccupation with form, its totalising tendency, and the strictures of the ‘handed-down’ discipline of architecture with a telos in Building.From a Heideggerian perspective the paper will consider the architectural process as the concrete materialisation of the narrative of architectural production informs other than, but leading toward, the traditionally privileged architectural form: Building. Rather than the architectural approaches of postmodernity overturning modernism,it will be concluded that these approaches are merely innovative differentiation as they ‘flesh-out’ and articulate hitherto unformed narratives already extant within the reductive frames of modernity     

VIRTUAL REALITY FOR IMMERSIVE DATA INTERACTION

In a time shaped by technological developments dissolving the boundaries between the real and the virtual world, we are challenged to newly define the potentials of virtual and mixed reality in the field of landscape architecture. Critical analyses of the primary application areas of these technologies show that the current focus mostly lies on the optimization of 3D visualization and navigation in virtual space. Within professional practice, mixed reality tools are increasingly being used to test and communicate design decisions, for marketing purposes, and more often, within the smart building industry as well. Thus far, the incorporation of immersive environments in landscape architecture is lacking research on human-centered data interaction and the perception of space. At Aalto University, Finland, the team of Pia Fricker, Professor of Practice for Computational Methodologies in Landscape Architecture and Urbanism, researches new immersive co-design methodologies to introduce new meaningful trajectories for participatory processes. Mixed reality applications are thus extended beyond common and conventional uses to help create multidisciplinary immersive interactive spaces using data informed processes. The research and teaching results showcased in the article address international discourse on the larger theme of “Digital Humanism — Big Data and Human-Centered Design.”     

空间设计为主线的建筑学二年级教学实践与探索——以“方体限定与展览空间设计”为例

空间是现代建筑学的核心问题和关键要素,空间设计训练则是当前国内大多数建筑院校低年级建筑设计教学的重点和难点,在整个建筑教学体系中起重要作用。文章关注建筑学主干课程体系中的空间设计教学,以山东建筑大学建筑学专业二年级建筑设计课程——方体限定与展览空间设计为例,阐述相关教学探索,总结经验与不足。教学实践利用空间设计作为串联系列课程设计的主线,引入分析思考与空间操作的方法,使空间概念理解和设计思辨过程变为可教、可控,改善了传统教学模式的不足,使课程设计既符合当前建筑教育的国际趋势,也具有自身特色。     

建筑展览：当代建筑文化的推进器

本文综述现当代建筑展览的发展历程,分析展览对推动建筑文化发展的巨大作用,并指出当代中国建筑展览的现状与问题。     

Living laboratories for interactive art

This paper explores the idea of the exhibition as a living laboratory in the making and curating of interactive art. It suggests that museums can act as living laboratories where curators, artists and audiences collaborate in real-world settings. Such laboratories are shown to be essential for the study of the audience experience of interactive art, a key part of understanding interactivity as a medium. The paper describes Beta_space: an experimental public exhibition venue and research environment for interactive art. It places this initiative within a historical continuum of transversal cultural display and the use of the museum as laboratory. It identifies an emerging phenomenon of hybrid research, production and exhibition spaces, and argues that such initiatives work to overcome the continued distinctions, within traditional cultural institutions, between art, science and technology, object and experience, creation and consumption.     

Confronting the Contemporary: Stefano Boeri

Diego Caramma describes Stefano Boeri's pervasive influence on architectural thought in recent years as editor of Domus, exhibition curator and founder of the Multiplicity urban research platform. As he explains, Boeri's significance lies in his ability to confront contemporary conditions for architecture rather than just the dissemination of current trends and ideas. Copyright © 2007 John Wiley & Sons, Ltd.     

Exhibiting the Workaround

One way to question the nature of architectural work and the tasks of the architectural “worker” is to examine the specificity of a related group of practitioners. This was the approach of WORKAROUND: Women, Design, Action, an exhibition at RMIT University's Design Hub Gallery in Melbourne (July 25–August 11, 2018), which demonstrated an emerging movement of women working within an expanded field of architecture and education. In this paper, we explore some of the processes, conceptual frameworks, outcomes, and implications of the WORKAROUND exhibition, revisiting its central theme—the workaround itself—and its value for enabling change in architectural education and practice.     

在展览中发现建筑

建筑展览是展示建筑项目还是建筑思想？特定时期的建筑展览往往对于建筑学有着承前启后的巨大贡献。本文认为建筑议题和建筑空间的展示与社会生活与技术领域所事实界定的＂结构＂与＂系统＂有关。建筑展览的社会影响正来自于建筑理论的现实土壤,讨论这样的展览无法离开特定的文化情境。     

From the viewpoint of a client

Collaboration between choreographers and architects still usually takes the traditional form of the latter designing sets for the former, while research on the relationship between architecture and dance is scant. One of the few examples of a choreographer working with then-current architectural concerns is William Forsythe and the Ballett Frankfurt in the late 1980s, particularly in Enemy in the Figure (1989) and Limb's Theorem (1990). These pieces show a profound understanding of and engagement with architectural issues then being addressed by Daniel Libeskind. Forsythe's interest in Libeskind was not his ‘deconstruction’, as has often been asserted, but in his operations on drawing. Their coincidence of intellectual interests and resulting friendship allows us to see clearly how concerns in architecture were also explored through the medium of ballet. It is a reminder too of a period, postmodernism, when architecture led theoretical discussions.     

售楼部建筑设计初探——兼论传播学对建筑设计的影响

售楼部是一种新的建筑类型,在建筑艺术上很有代表性.该文首次提出了售楼部建筑的类型和分期,同时分析比较了各种展示性建筑的基本特点,紧扣售楼部建筑的本质特征,并结合创作实践,初步探讨了建筑设计中隐含的传播学规律.     

现象学方法介入博览建筑设计的可行性研究

在当前建筑设计蓬勃发展和全球化的背景下,过分关注形式与技术的建筑日益凸显其弊端。传统精神文化丧失,情感世界的空虚愈加严重。博览建筑的创作实践也普遍存在浮躁的心理。博览建筑不仅跳出了兼顾城市肌理的"桎梏",更成为了景象化的标志性建筑。该文试图阐释现象学方法与博览建筑设计之间的内在联系,从而使现象学方法得以介入博览建筑设计,使其摆脱形式和技术至上理念的影响,真正地创造出关注使用者感受,反映建筑功能、兼顾城市空间形态的博览建筑。     

Self-adaptability and topological deformation of Ganlan architectural heritage: Conservation and regeneration of Lianghekou Tujia village in Western Hubei,China

The authenticity of architectural heritage is interpreted differently in diverse cultural traditions. Can this inspire the conservation and contemporary regeneration of architectural heritage to adapt to the changing needs of modern life and society, rather than static exhibits in museums? This research focuses on Ganlan (pile-built timber construction) architecture to demonstrate how adaptive conservation and regeneration can keep traditional construction systems living and sustainable. Ganlan, a vernacular architectural archetype in the humid subtropical regions of Asia, has the following common features: free plans with an assembling frame structure, open and interactive envelopes to cope with the hot and damp climate, and stilts to deal with the rugged terrain. This research employed a threefold method of field investigation, topological deformation, and experimental design in examining Lianghekou, a historic Tujia village in Western Hubei, China. The findings reveal that Tujia people build their stilt houses with adaptable features to meet the changing functional requirements and variable topographies. These traditions can be transmitted into the contemporary design, as our experimental design illustrates. The self-adaptability and topological deformation of Ganlan architectural heritage demonstrate a unique perspective of understanding authenticity, and contribute toward innovative application in the conservation and regeneration of vernacular architecture.     

Toward Turnkey: Architectural Opportunities or Pitfalls?

This article contrasts the dynamic, interactive building delivery processes that characterize the current practice of architecture with the traditional, professional concept of architectural practice. It concludes that the prime challenge facing architectural practice and education is the development of processes and techniques that will enhance architects' design contributions in the many and varied types of project organizations formed to address society's need for buildings.     

中国民居的特征及其在现代建筑中的借鉴与运用

建筑现代化的涵义，它主要指建筑功能、建筑技术上的现代化，途径是建筑满足现代化生产和生活需要，采用最新科学技术成就。建筑民族化主要指建筑具有本国家本民族本地区的特色。途径是传统建筑现代化和外来建筑民族化。我国传统建筑分为官式的和民间的两大体系。民居，作为传统建筑具有明显的地方特色和浓厚的民族特色。从民居的历史实践中，总结出它的优秀特征和经验，可以在现代建筑创作中加以借鉴和运用，它对我国建筑创作的现代化民族化道路将有启发作用和现实意义。     

风景建筑五说

总结了笔者多年从事风景建筑设计的若干思考,讨论了风景建筑设计的相关问题。从建筑教育中对待城市及景观的态度论及建筑师的自然观,继而从风景建筑选址、场所感营造、地形地貌处理、建筑师对待遗存的态度、建筑的体量感及中心性控制、建筑风格与形式,以及风景建筑的材料选择与建构逻辑等方面展开论述,最后从方法论视角探讨了风景建筑设计的2种途径:哲学的途径和体验的途径。