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Rashid Heidari‐Moghadam Alireza Mortezapour Saeedeh Mosaferchi Iman Dianat 《Color research and application》2019,44(6):1042-1044
The key role of colour in ergonomics has been emphasized by a number of researchers and design professionals. Although several research studies have been published regarding the use of colour in ergonomics, there are still some areas that need to be considered. The issue of deciding a “colour of the year” is an example, which represents a new challenge for researchers in the field of ergonomics. This is of particular interest considering the fact that the nature of research on the selection of a “colour of the year” is generally based on user experience. This paper argues that ergonomics should play a more prominent role in this field to ensure better user experience and performance. This paper highlights specific areas that need further study and development. 相似文献
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The present work deals with the problem of colorimetric fidelity of digitized colour slides representing fine art paintings. This consists of a comparison between colour measurements provided by spectrophotometry on fourteen original colour samples, which are uniformly painted square-shaped patches and those taken on digitized colour slides of the same colour samples. Digital acquisition of slides were performed by a 3CCD detector and a combination of colour correction filters. The obtained Rcam, Gcam, and Bcam values were then corrected and transformed into Xcam, Ycam, and Zcam values based on the CIE 1931 XYZ colorimetric system. The colour difference, , in the CMC uniform colour space is also calculated and found to be equal to seven, = 7, in average value, when colour compensating filters are used. This method is finally applied to four art works reproduced on different slides, and colour results were qualitatively compared as an indication to these resulting from Ostwald disk and saturation diagrams of previous research studies related to paintings that are created by the same artists. This comparison led to the same conclusions that were already proposed by the previous researchers. The results clearly demonstrate the contribution of the method to a computer-aided study of art works through image data banks that are realized by slides, taking into consideration, however, that this study consists of a first approach, offering a promising solution to the problem of colour accuracy of slides. © 1997 John Wiley & Sons, Inc. Col Res Appl, 22, 326–334, 1997 相似文献
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Because China has put more emphasis on people with disabilities, their living conditions and protection have received increasing attention. In an emergency, the visually impaired people are limited in their ability to evacuate, especially along egress paths with obstacles. This paper studied the relationship between the travel time of visually impaired people and obstacle density in their path. Eight sighted people and 32 people with visual impairments were chosen to carry out the walking experiment. The results of the experiment showed that the travel time of sighted people was shorter than that of visually impaired people under the same obstacle and non‐obstacle situations. Based on the analysis of variance of travel time, it was clear from the results that the travel time of the visually impaired people rapidly increased when there were obstacles. When the obstacle density was kept to within a certain range, there was no obvious increase in travel time. Once the density exceeded this range, there was another obvious increase. Based on this result, it can be seen that keeping the obstacle density to within a certain range could be helpful for the visually impaired people during an evacuation when the egress paths cannot be made obstacle‐free. 相似文献
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生活陶艺是最贴近生活和表达现代人审美情感的一种艺术形式，它贴近民众民心，关注人性和人的心理问题，对当下的生活进行追踪和艺术反馈．因而得到民众的认同和赞扬。生活陶艺是对传统生活陶瓷艺术的继承和发展，更重要的是通过革新和创造，赋予了生活陶艺以审美新质。 相似文献
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多媒体技术是集文字、图像、动画、视频、音乐等为一体的综合学科。学好它必须具备一定的艺术修养。通过几年的教学发现影响学习质量的主要问题不是应用软件本身,而在于非艺术类学生普遍缺乏艺术方面的修养,因而在多媒体技术教学中融入艺术欣赏是非常必要的。 相似文献
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本文从情感入手，通过对艺术创作者和鉴赏者意识层面的分析，以现代陶艺为载体，希望将这种从直觉而来的创作，通过作品的表现（即情感宣泄），最终在观赏者的配合下，发生情感异化的过程而完整地阐述出来。 相似文献
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从现代陶艺的装饰技法之一的“泥条装饰”为纵向切入点，阐述了不同民族文化熏陶对的陶艺家及其作品的影响。并试图通过对不同民族精神的横向分析无论是美学理念积累还是历史文化沉淀，找出艺术风格与人文精神的联系，进而汲取养分，以求切实地发现其对现代陶艺的启悟，并帮助鉴赏者解读不同陶艺作品更深层次的文化内涵。 相似文献
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邵丽平 《陶瓷研究与职业教育》2013,(2)
美术欣赏选修课对提高大学生的综合素养水平发挥着极其重要的作用。但目前高职院校美术欣赏选修课的开设存在着缺乏专业师资和适用教材、教学方法陈旧、教学效果不佳、课程考核不够合理等诸多问题。结合高职院校美术欣赏选修课开设的现状,提出了规范高职院校美术欣赏选修课的途经。 相似文献
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The aim with our research is to contribute to a better understanding of how colour research findings can be conveyed to a broader target audience, using digital media. This article presents a user study focusing on the popular science project the Virtual Colour Laboratory (VCL). The VCL is an interactive webpage for presenting and demonstrating existing research results on spatial colour phenomena. It was initiated and carried out with the intention of spreading knowledge of colour appearance and colour perception to a wider target audience, from the viewpoint of practice based architectural colour research. The VCL enables the user to investigate actively how colours appear in different situations, and provides information on relevant literature and links for further studies. In a questionnaire study, carried out in 2014, two groups of users including architecture students and professionals within architecture, art and design evaluated the usability of the VCL with a combination of qualitative and quantitative methods. The predominant result showed that the VCL generally was highly appreciated. However, the results also show differences in how the two groups experienced the visual and written content of the stations in the VCL, as well as differences in how they experienced the VCL as a whole. This highlights the importance of adjusting levels of information depending on the target group, as well as presents advantages and difficulties of showing research on spatial colour appearance on the web using digital visualization as a medium for presentation. © 2015 Wiley Periodicals, Inc. Col Res Appl, 41, 611–625, 2016 相似文献
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本文从历史的考察与作品的赏析入手,探索了生活陶艺的产生过程,分析了现代生活陶艺赏用结合的本质特征,指出它是一门拓展性的设计艺术。 相似文献
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将传统图形艺术结合到现代陶艺装饰的设计中。并不是要对传统图形进行纯粹的拷贝或者简单的挪用，而是要去认识和了解传统图形，并在此基础上，逐步挖掘、变化和改造传统图形，让传统图形成为现代陶艺设计的一个新的创意点和启示点．从而创作出焕有生命力的中国型现代陶艺。 相似文献
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超越之美表现在思想中，是乐观旷达、忧国忧民、舍生取义等人格魅力；超越之美表现在艺术中，是艺术生命的灵魂，是灵感产生的导火线。超越之美是人性升华，思想净化，艺术提升的土壤。 相似文献
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王浩文 《工业技术与职业教育》2021,19(1)
美育对人的全面发展有着十分重要的意义。当下的高职工科学生,其成长过程适逢“视觉文化的转向”,其学习经历的学科分野又使得他们更易受到现代技术的压制。影视艺术的综合性与大众性契合了高职工科学生的普遍审美需求。因此,影视鉴赏课程成为了高职工科生美学素养培育的有效路径之一。在影视鉴赏课程的实践中,教师既要重视对学生进行影视知识的普及、人文思维的培养,也要注重学生自身想象力、创造力的开发,更要关注其美感的产生,实现育美于“影”。 相似文献
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指导艺术创作的审美意识的形成应当是艺术家对艺术传统、对人类文明的历史，对艺术家所处时代的思想、情感、观念充分了解与深刻理解并在此基础上认真思考的结果。陶瓷艺术的审美观是随着人们生活的变化而变化的，商品经济的高速发展，必然会冲击人的审美观念。本文就陶瓷艺术的审美意识特征，陶瓷艺术的时代性和民族性进行了探讨。 相似文献
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我国民间艺术是自给自足的自然经济的产物,涉及到人们的心理、情感、思维方式、习俗等各个方面,与人们的衣食住行密切相关,有较为宽广的生活根基和群众生活的积淀。凝注着浓郁的乡土感情,孕育着美好的艺术想象,它们的美的内涵,极其朴实而真挚,体现了物质和精神的高度统一,具有自身的优势。民间艺术中的色彩、图案的特点、吉祥寓意等方面是现代陶瓷艺术取之不竭的灵感源泉和丰富给养,更是凸显民族文化精神深化设计语言的重要途径与手段。 相似文献
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John Hutchings 《Color research and application》1995,20(5):307-312
The philosophy of the Total Appearance concept and its application to the measurement of scenes have been described in Part I of this article. The part played by the concept in the creation of images is now outlined with respect to six real scenes. Widely different types of scenes are described in terms of the images that might be engendered in the perceiver. The sources of these images are traced in terms of the properties of the scene and the characteristics of the perceiver. © 1995 John Wiley & Sons. Inc. 相似文献
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本文主要探讨设计元素在满足陶艺实用功能和审美方面的作用，以及从传统、自然和工艺材料几大层面展开和解读设计元素在陶艺中的意义。 相似文献