基于“三才”学说的男式商务T恤色彩设计

针对男式商务T恤品牌化的发展趋势,以及品牌和设计师在进行产品开发过程中面临的色彩设计因素繁杂和缺乏理性指导原则的问题,结合问卷调研,对该类男装的色彩设计方法进行深入的分析研究。将具有中国传统文化特色的"三才"制衡学说,创新性地引入到男式针织服饰色彩设计研究中,创造性地总结出以人为本的个性诉求、以事为主的服饰诉求和以物为重的环境诉求,并系统全面地分析无彩色、冷色调和暖色调设计与各因素之间的关系,科学地分类并梳理出男式商务T恤色彩设计因素及其关系,为针织男装色彩设计提供参考。     

Un détail de ce qui change: Function of a Function

Why should computation be leading to a bifurcation in architectural detailing, resulting in a simultaneous, and opposing, tendency towards either greater precision in fabrication or increasing plasticity? Architectural designer and theorist Peter Macapia asks what is driving these propensities in computation, and what in turn historically might be the relation between the detail and force. What comes into play now, though, when architectural style is no longer identified by a taxonomy of parts, or a vocabulary of orders, but rather by a network of forces and functions correlating actions? How might economic and political power be interacting with force, the diagram and function in contemporary design?     

Detailing the Walled Garden for Lebbeus

Neil Spiller , the Hawksmoor Chair of Architecture and Landscape and Deputy Pro Vice Chancellor of the University of Greenwich, London, has an unrivalled international reputation for the virtuosity of his visionary graphic work. Here, in a highly personal and poetic eulogy to Lebbeus Woods, Spiller pays tribute to his master through the lens of his own work, where detail becomes an important element in an imagined, augmented world in which the concrete or the specific lends credence to the fictional.     

Digital Doppelgängers: Future Scanscapes

Over the course of the last two years, ScanLAB Projects have explored various fragments of the natural and man-made world through the eyes of their forensic measuring machine. From surface mapping of Arctic ice floes in the Fram Strait (gateway to the Arctic) to the documentation of torture and detention sites in the Balkans, via the accidental editing of a Richard Long sculpture, to purposeful acts of detail theft from Foster and Wren. Here, Matthew Shaw and William Trossell discuss the capture, analysis and refabrication of their digital architectural doppelgängers.     

Animating Architecture: Coupling High-Definition Sensing with High-Definition Actuation

Ruairi Glynn , lecturer on interactive architecture at the Bartlett School ofArchitecture, University College London (UCL), puts the pressing question: ‘What does a world of hyper-connective, high-definition sensing offer architectural design?’ Despite the pervasiveness of ubiquitous computing – the Internet of Things (IoT) – and students' ability to speculate, build and test responsive lifesize installations, could practice itself be in danger of getting left behind?     

What We Want Is in That Room

Ilona Gaynor and Benedict Singleton , founding partners of design and research studio The Department of No, look beyond the specific technological possibilities of acute accuracy and explore the principle of zero tolerance as an aesthetic of precision. How is such an aesthetic at work when an architectural strategy places a heightened emphasis on the exact placement of objects in space and time? Could the precision in which a single spatial intervention is pursued have more fundamental and far-reaching consequences than we ever imagined?     

The Rise of the ‘Invisible Detail’: Ubiquitous Computing and the ‘Minimum Meaningful’

The architectural detail has provided the essential material building block for conveying an idea. Carlo Ratti and Matthew Claudel of the SENSEable City Lab at the Massachusetts Institute of Technology (MIT) ask how this, though, is all set to change in a digital context. As technologies shrink and vanish from sight, what might become the new minimum meaningful unit for architecture? How might a new relational scale establish itself, at the level of the ‘invisible detail’ or the microchip? How might this, in turn, change the very nature of buildings as they become highly responsive, human-occupied transmitters?     

The Deep Structure of the Picturesque

The late Paul Coates was one of the first students at the Architectural Association (AA) in London to submit an international computation-based diploma, in 1969. Responsible for introducing a series of computational techniques, Coates was also the founder of the MSc in Computing and Design at the University of East London, and in 2002 the Centre for Evolutionary Computing in Architecture (CECA). In this unpublished article from 2008, which has been prepared and rewritten for publication by Christian Derix , Coates recounts his pursuit of ‘the particle physics of architecture’ - geometric rules that inform both unplanned and planned human occupation of space.