疑问语气和焦点对汉语声调音高实现的影响

文章采用声调聚合分析法考察了疑问语气和焦点对汉语4种声调音高实现的影响规律.通过对特定声调组合的实验室语句基频的分析,结果发现,宽焦点条件下,疑问语气提高了阴平以及阳平、去声的高音点,使得疑问句的音域上限逐步升高;疑问句各声调的低音点从句首开始就明显高于陈述句,但音域下限基本保持水平,与陈述句的差异越来越大源于陈述句的...     

一种融合读者心情要素的新闻推送方法

互联网技术的飞速发展增强了用户与网络新闻间的交互性,使得网络新闻不仅包含传统的新闻内容和时间信息,还包含读者心情等交互信息。如何充分挖掘新闻特性,为用户提供便捷的浏览体验已逐渐成为新闻相关领域的研究热点。为方便用户通过输入查询词和心情浏览感兴趣的新闻,该文在考虑新闻的传统特性的同时,融合读者心情要素,提出一种全新的新闻推送方法。该方法重点研究依据读者心情的新闻排序算法,并考虑新闻内容与用户查询的主题相关性,以及新闻重要程度随时间衰减的特性,最终实现一种全新的新闻推送模式。基于所提方法,该文设计了一个融合读者心情要素的新闻推送系统,验证了该方法的有效性。     

基于图象语义描述的品牌本土化形象认知研究

目的探讨品牌本土化形象转译到图形化的设计应用的方法。方法根据佩维奥的\"双重编码\"理论,基于图象语义,运用人物角色和情景板共同描述中国用户对品牌本土化形象认知,提出品牌认知本土化转译设计模型。结果在此基础上,以\"礼乐\"图标设计为案例,初步论证了设计模型的可行性。结论运用品牌认知本土化转译设计模型,使产品服务体验符合本民族的价值观和审美诉求,加强了品牌特性。     

论中国书画艺术在商品包装意境创作中的应用

目的探讨将中国画追求\"意境\"的创作理念运用到产品的包装设计当中的思路和方法。方法对一些成功的包装案例进行解析,结合相关的文献对中国书画艺术中最典型的艺术特征进行分析研究。结论只有将传统文化元素与现代商品包装结合,才能使包装做到神形兼备,满足现代社会人们对包装更加高层面的需求,这不仅是对传统文化的继承与发展,而且是一种设计文化的回归。     

寒地社区绿色空间对老年人主观幸福感影响——以长春市为例

在寒地恶劣气候条件下营造舒适的城市社区绿色空间,对老年人的健康促进、生活质量和幸福感提升具有重要意义。以寒地典型城市长春市为例,通过现场调研、问卷调查和街景图像等方法识别社区绿色空间和测度老年人主观幸福感,运用结构方程模型揭示绿色空间中不同因素对老年人主观幸福感的影响程度及路径,研究解决了老年群体主观幸福感的内涵界定、寒地社区绿色空间质量与幸福感的关系测度等重要问题。研究发现：1）绿色视觉暴露对老人自评健康和情绪情感影响最大;2）最近公园距离对老年人生活满意度影响最大;3）环境维护对情绪情感影响不显著。因此在规划寒地社区绿色空间时应以资源分配合理、服务公平为原则,增加休闲和商业设施数量以提高公园绿地吸引力,增设半开敞取暖活动设施以延长老年人绿地停留时长。     

Volunteer client adult attachment, memory for in-session emotion, and mood awareness: An affect regulation perspective.

In this study, the authors examined relations between volunteer client adult attachment and both (a) memory for negative affect occurring within the first session of therapy and (b) mood awareness (mood labeling and mood monitoring). Participants were 80 volunteer clients (students with a personal issue who volunteered to participate in the research for credit) who participated in 2 counseling sessions with a counselor trainee. As hypothesized, higher levels of attachment anxiety were associated with (a) greater memory for negative affect and (b) more mood monitoring but, contrary to expectation, were not associated with mood labeling. Also contrary to expectation, attachment avoidance was not associated with a minimizing strategy with respect to memory for emotion or monitoring of mood, but it was negatively related to mood labeling. As hypothesized, some evidence emerged for an Attachment Anxiety × Avoidance interaction in predicting memory for negative affect. There were no significant Attachment Anxiety × Avoidance interactions in predicting mood labeling or mood monitoring. (PsycINFO Database Record (c) 2010 APA, all rights reserved)     

The effects of weather on daily mood: A multilevel approach.

The present study examines the effects of six weather parameters (temperature, wind power, sunlight, precipitation, air pressure, and photoperiod) on mood (positive affect, negative affect, and tiredness). Data were gathered from an online diary study (N = 1,233), linked to weather station data, and analyzed by means of multilevel analysis. Multivariate and univariate analyses enabled distinction between unique and shared effects. The results revealed main effects of temperature, wind power, and sunlight on negative affect. Sunlight had a main effect on tiredness and mediated the effects of precipitation and air pressure on tiredness. In terms of explained variance, however, the average effect of weather on mood was only small, though significant random variation was found across individuals, especially regarding the effect of photoperiod. However, these individual differences in weather sensitivity could not be explained by the Five Factor Model personality traits, gender, or age. (PsycINFO Database Record (c) 2010 APA, all rights reserved)     

慢些，慢慢来

艺术是自由生产的衍生品,只有思想自由／人格独立／评论自由,才会有伟大的创造,否则带着铁镣跳舞只能出现当代中国艺术那种变态的、扭曲的作品。中国要想出现乔布斯,自由之精神、独立之人格是前提;中国的建筑师要想像口本建筑师一样走向世界,立足于自身文化、致力于原创设计方是正道。     

氛围：由展览看空间的艺术性

当代艺术中的展览空间是展览设计中新的领域,而当代作品的多样性及其自由、丰富的表现手法则往往是建筑师的设计灵感的源泉。当建筑师参与展览设计的时候,如何展示空间的世界性成为建筑师首要考虑的问题。氛围,作为新的空间艺术性的语汇在这样的情况下被提出,然后慢慢被发展为一种新的建筑理论,一种对空间艺术性的描述。以“感河”（Mood River）展览为例,试图对氛围的空间理论和运用进行阐释。     

试论"意境"与"隐秀"的关系

意境理论是唐以后诗歌理论中大量使用的一个概念,也是极具中华民族特色的文论范畴。在我国诗歌乃至其它抒情作品中,意境是最高的美学追求、而意境的创造则有赖于情与景、意与象的交融统一。要达到这种统一,就必须处理好"藏"与"露"、"显"与隐"的关系,即"隐秀"的关系。探讨了"隐秀"与"意境"理论的内在联系,揭示了"隐秀"理论对意境理论发展的基础作用。