板材自动倒角及涂漆设备的研发

为了提高板材刮边倒角、涂漆工段的生产率,减少人工操作,采用电机、气动等传动装置,开发了通过PLC控制整套系统运行的设备,可以实现自动刮边倒角、自动涂漆、烘干和立角倒角4个工位的自动化。     

江南园林中的山水精神与画面感分析

我国的江南园林自元代后,与画家的关系密不可分,而著名的造园家也都会些丹青绘事。可以说,不通画理之人,也难以通园理。而他们两者的联系也不仅仅局限于理论和审美上,而是有更深层的精神内涵的联系。本文以画理为据,从细处窥看江南园林的山水精神与画面感。     

明代书房书画置放原则探析

书画作为书房装饰的重要细成部分,不仅是满足书房的形式美、装饰美,更反映了当时社会的自然环境人文氛围,同时还体现了主人的品味修养。明代书房室内设计精美且陈设摆放考究,与书房家具搭配、与环境气氛融合、与空间结构配合和与主人性格品味相符等置放方式都影响着书画的摆放,这些置放方式也为观代明式风格书房装饰中书画的摆放提供了借鉴与指导。     

“花板代栱”——明清河西走廊建筑檐下装饰手法研究

明清河西走廊建筑具有地方特点的檐下装饰做法是将正常斗栱的斗、升取消,栱、昂以雕花木板取代的“花板代栱”。本文以大量调查实测为基础,主要从轮廓、雕刻和彩画三方面对花板代栱的装饰手法进行探析,并扩展到与花板代栱相关的其他檐下装饰,归纳揭示了河西建筑檐下装饰的手法及其发展演变规律。     

镁合金磷化与电泳涂装工艺研究

研究了AZ31变形镁合金的表面磷化和电泳涂装工艺,利用扫描电镜、能谱仪等对鸸丶饔玫牧谆刹愕慕峁购统煞纸辛朔治?确定了合适的磷化工艺,即pH值为3～4,处理温度为25～40℃,处理时间为3～10min,通过电泳得到了性能良好的涂层,研究表明,电泳涂层的结合力达到1级,耐3%盐水360h不起泡,耐中性盐雾试验140h无变化.因此,磷化 电泳的方法用于镁合金的表面防护是可行的.     

浅析书画艺术品市场现状

书画作品是艺术品最主要的内容,在中国艺术品拍卖市场上,书画的份额更是占到了百分之七八十,社会的发展和人民生活水平的提高,直接导致人们对书画艺术的需求增加。书画交易市场呈现多元化,交易方式多样性,然而其面临的一个问题就是真假书画艺术品的鉴别。社会上精品缺乏,赝品泛滥,难辨真伪。通过对这个热闹得如一场戏的中国书画市场的解读,可以让大家更加理性的看待这个市场,通过建立良性监管机制以保证艺术创新,艺术品交易．保证中国书画市场的健康发展。     

中国绘画与陶瓷装饰比较论

陶瓷装饰和中国绘画,一方面相互影响、相互促进,同中有异、异中有同,密不可分。另一方面,在相互借鉴、相互影响的互动中又没有被同化,而是按各自艺术的轨迹发展。在相同的文化精神背景中,显示出鲜亮的不同艺术的个性特征和旺盛的发展态势。     

梅花题画诗

梅花题画诗使单纯的梅花形象因书法的参与,形式更为丰富多彩;因诗歌的溶入,意境更为精深悠远.从而将书画的视觉美与文学的意象美融为一体,产生浓重的书卷气与丰厚的审美内涵.     

Treatment of Paint Spray Booth Off-Gases in a Fungal Biofilter

Biological processes, most notably biofilters and biotrickling filters, are increasingly used to remove and biodegrade a wide variety of volatile organic compounds (VOCs) present in gas streams emitted from industrial operations. In the research described herein, a laboratory-scale biofilter was operated for a period of more than 180 days to treat a waste gas comprised of a four-component VOC mixture representative of solvents present in off-gases emitted by painting operations. The biofilter, packed with a cubed polyurethane foam media and initially inoculated with a pure culture of the fungus Cladosporium sphaerospermum, was maintained under acidic conditions throughout the duration of the experiments. The system was supplied with a mixture of n-butyl acetate, methyl ethyl ketone, methyl propyl ketone, and toluene with influent concentrations of 124, 50.5, 174, and 44.6 mg?m?3, respectively. The biofilter’s empty bed residence time (EBRT) was varied from 2.0 min to 15 s. When the influent gas stream was properly humidified, the system exhibited stable long-term performance with an average total VOC removal greater than 98% even with an EBRT as low as 15 s. Under the loading condition tested, this corresponds to an average elimination capacity of 92 g?m?3?h?1. VOC concentration profiles measured along the height of the biofilter revealed a distinct VOC degradation pattern that was observed under all loading conditions tested. Although the column was initially inoculated with only Cladosporium sphaerospermum, several additional species of fungi tentatively identified as Penicillium brevicompactum, Exophiala jenselmei, Fusarium oxysporum, Fusarium nygamai, Talaromyces flavus, and Fonsecaea pedrosi were found growing attached to the packing medium by the end of experiment. Results demonstrate that fungal biofilters can consistently maintain high removal efficiency for paint VOC mixtures over extended periods of operation. The results also indicate that it would be difficult and likely unnecessary to maintain specific species in full-scale fungal biofilters treating paint spray booth emissions.     

中外茶艺术的历史展示及其多样风格

中国的茶艺术源远流长又形式多样，其中尤以绘画及装饰作品最为丰富。中国独特的茶画艺术构成了中国饮茶艺术品的主体形态，而世界各国的茶艺术品也都有其表达的独立方式：本文主要从艺术品实物的角度来展示历史上的中外茶艺术，并尽可能地阐发其特有的历史价值与艺术价值。