Analysis of color symbology from the perspective of cultural semiotics focused on Korean costume colors according to the cultural changes

The purpose of this study was to analyze the symbolization of colors as cultural codes, based on costume colors. In order to study the significance of colors in cultural changes, we carried out a quantitative analysis and interpreted it from the perspective of cultural semiotics. The range of this study was focused on Korean costume colors, over diverse diachronic stages of Korean culture. For this study 1535 color samples were collected, measured with a spectrophotometer, and analyzed quantitatively according their diachronic stages of origin. As a result, red, blue, and yellow were found to be the most frequently used colors during the Chosun Dynasty, a period based on Confucianism. These colors acted as cultural codes with cultural significance. During the Modern times pink, light blue, and black increased in frequency and represented the reception of western culture, the changing sex role of women in society, and utilitarianism. In these days, neutral colors and grayish tones of all colors are the most significant colors of high frequency. The use of such colors is closely related to industrialization, mechanization, functionalism, and the changes of women's sex roles in the societies. They are used as cultural codes, especially to emphasize a rational and masculine image rather than a feminine image. © 2006 Wiley Periodicals, Inc. Col Res Appl, 32, 71–79, 2007; Published online in Wiley InterScience (www.interscience.wiley.com). DOI 10.1002/col.20290     

如何提高干式喷射彩色混凝土的观感质量

从彩色混凝土喷射施工的特点出发，结合工程实例，分析了影响喷射彩色混凝土观感质量的原因和解决方法。指出彩色混凝土喷射工艺可以有效地解决大面积混凝土边坡与周围环境的协调性问题。     

裁剪曲面的三角化及图形显示

结合自主版权的超人ＣＡＤ／ＣＡＭ系统的开发，本文提出了一种适合于裁剪曲面图形显示的曲面三角化算法，该算法将曲面的三角化转化为曲面参数域的三角化，并将二维图形的集合运算与Ｄｅｌａｕｎａｙ三角剖分应有和于曲面参数域边界的处理，从而使裁剪曲面在边界上的三角形分布均匀。     

Accelerating Refractive Rendering of Transparent Objects

In this paper, a technique is proposed for the rendering of transparent objects interactively using the method of refractive rendering. In the proposed technique, the refractive rendering algorithm is performed in two stages, namely the pre‐computation stage and the shading stage. In the pre‐computation stage, ray‐traced information, including directions and positions of rays, are generated by a ray tracing process and are stored in a set of ray lists. In the shading stage, these data are retrieved from the ray lists for computing the shading of an object. Using the proposed technique, photorealistic image of transparent objects and gemstones with various cuttings, material properties, lighting and background can be rendered interactively. By combining the refractive rendering technique with conventional shading techniques, jewelry and crystal designs can be rendered at a much higher speed comparing with conventional ray tracing techniques.     

Testing the robustness of CIECAM02

CIE TC8‐01 has adopted a new color appearance model: CIECAM02¹ replaces the CIECAM97s.² The new model consists of a number of refinements and simplifications of the CIECAM97s color appearance model. This article describes further tests to the robustness of the forward and reverse modes. © 2005 Wiley Periodicals, Inc. Col Res Appl, 30, 99–106, 2005; Published online in Wiley InterScience (www.interscience.wiley.com). DOI 10.1002/col.20087     

Increasing the number of psychologists of color: Public policy issues for affirmative diversity.

This article identifies the key issues involved in the debate about affirmative action. The June 2003 Supreme Court decisions allowing consideration of race to ensure that there is a "critical mass" of African American, Latino/Latina, and Native American applicants to higher education are addressed. Social psychologists have identified key myths and provided clarifications about the need for and consequences of strategies used to promote equal opportunity for persons of color and women. A brief history of affirmative action and of the problems it was designed to solve is provided. The accomplishments, benefits, and compelling interest of diversity and affirmative action are described, as well as the concerns and counterpoints. The lack of a substantial applicant pool in psychology hinders progress toward diversity. Alternative strategies for remedying this lack beyond affirmative admissions policies in psychology are briefly discussed. (PsycINFO Database Record (c) 2010 APA, all rights reserved)     

拼接式彩色等离子体大屏幕显示驱动电路的研究

针对拼接结构的高分辨率彩色等离子体大屏幕系统的应用，指出了刷新型电路模式的不足之处，提出了一种混合型模式的驱动电路。从彩色模块ＡＣＰＤＰ的结构特性出发，详细讨论了该电路的工作原理，驱动波形以及放电过程。     

Chromatic luminance,colorimetric purity,and optimal aperture‐color stimuli

Chromatic luminance (i.e., luminance of a monochromatic color) is the source of all luminance, since achromatic luminance arises only from mixing colors and their chromatic luminances. The ratio of chromatic luminance to total luminance (i.e., chromatic plus achromatic luminance) is known as colorimetric purity, and its measurement has long been problematic for nonspectral hues. Colorimetric purity (p_c) is a luminance metric in contrast to excitation purity, which is a chromaticity‐diagram metric approximating saturation. The CIE definition of p_c contains a fallacy. CIE defines maximum (1.0) p_c for spectral stimuli as monochromatic (i.e., optimal) stimuli, and as the line between spectrum ends for nonspectrals. However, this line has <0.003 lm/W according to CIE colorimetric data and is therefore effectively invisible. It only represents the limit of theoretically attainable colors, and is of no practical use in color reproduction or color appearance. Required is a locus giving optimal rather than invisible nonspectral stimuli. The problem is partly semantic. CIE wisely adopted the term colorimetric purity, rather than the original spectral luminance purity, to permit an equivalent metric for spectrals and nonspectrals, but the parameter of equivalence was never clear. Since 1 p_c denotes optimal aperture‐color stimuli for spectrals, arguably 1 p_c should denote optimal stimuli consistently for all stimuli. The problem reduces to calculating optimal aperture‐color stimuli (“optimal” in energy efficiency in color‐matching) for nonspectrals, shown to comprise 442 + 613 nm in all CIE illuminants. This remedy merely requires redefinition of 1 p_c for nonspectrals as the line 442–613 nm, and gives meaningful p_c values over the hue cycle allowing new research of chromatic luminance relations with color appearance. © 2007 Wiley Periodicals, Inc. Col Res Appl, 32, 469–476, 2007     

苏州园林的色彩

造园者非常重视运用色彩美化景物，刻意创作“以色传神、以色抒情”的作品。苏州园林怡心悦目的色彩引人入胜。苏州园林建筑物常以淡雅宁静的灰色和白色为其基本色调。苏州园林不用大红大绿蓝紫等颜色，更少施彩绘，色彩以淡雅为其独特风格。     

Ray-cast volume rendering accelerated by incremental trilinear interpolation and cell templates

Two related ideas for improving the speed of ray-cast volume rendering are studied in this paper. The first is an incremental algorithm for trilinear interpolation, a method commonly used in ray-cast volume rendering to calculate sample values. The incremental algorithm can expedite trilinear interpolation when many samples along a ray are located in one cell. The second is an efficient hybrid volume rendering restricted to parallel projection. In the preprocessing stage, acell template is created to store the information used by the incremental trilinear interpolation. When a cell is parallel projected, the information is retrieved from the template to compute the cell contribution. Because the algorithm with only one template may cause aliasing, an antialiasing technique exploiting multiple cell templates is proposed. With our method, ray-cast volume rendering can be accelerated considerably.