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Investigated the relationships among magazine exposure, self-objectification, body shape dissatisfaction, and eating disorder symptomatology in 150 men and women (aged 18-42 yrs). Women reading beauty magazines and men reading fitness magazines internalized societal ideals (internalization). For women, beauty magazines predicted self-objectification, mediated by internalization. For men, only internalization predicted self-objectification. For men, fitness magazines predicted body shape dissatisfaction, mediated by internalization. For women, only internalization predicted body shape dissatisfaction. Reading magazines also predicted eating problems for men and women, for women this was mediated by internalization. Findings suggest that magazine reading is related to concerns with physical appearance and eating behaviors. Many of the relationships previously found for women are similar for men. A sociocultural model is used to explain these results. (PsycINFO Database Record (c) 2010 APA, all rights reserved) 相似文献
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井下爆炸材料库是矿井安全生产的重要保障设施之一.井下爆炸材料库的设计与相关规定,同现场使用管理存在一定的不明确或矛盾之处.针对设计贮存量、回风道布置、辅助硐室位置与安排、以及库房地板选择等方面,概括分析井下爆炸材料库设计布置中存在的问题,并提出解决问题的相应对策,对规范设计具有指导借鉴意义. 相似文献
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Peter Buse 《History of Photography》2013,37(4):354-369
This article takes the history of Polaroid photography as an opportunity to question a presupposition that underpins much thinking on photography: the split between industrial (i.e. useful) applications of photography and its fine art (i.e. aesthetic) manifestations. Critics as ideologically opposed as Peter Bunnell and Abigail Solomon-Godeau steadfastly maintain the existence of this separation of utility and aesthetics in photography, even if they take contrasting views on its meaning and desirability. However, Polaroid, at one time the second largest company in the photo industry, not only enjoyed close relations with those key representatives of fine art photography, Ansel Adams and the magazine Aperture, but it also intermittently asserted the ‘essentially aesthetic’ nature of its commercial and industrial activities in its own internal publications. The divide between industry and aesthetics is untenable, then, but this does not mean that the two poles were reconciled at Polaroid. While Aperture may have underplayed its commercial connections and Polaroid may have retrospectively exaggerated its own contributions to the development of fine art photography, most interesting are the contradictions and tensions that arise when the industrial and the aesthetic come together. The present article draws on original research undertaken at the Polaroid Corporation archives held at the Baker Library, Harvard, as well as with the Ansel Adams correspondence with Polaroid, held at the Polaroid Collections in Concord, Massachusetts. 相似文献
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Jack Ravage 《History of Photography》2013,37(4):392-394
Abstract The Emancipation Proclamation of 1862 marked more than the ostensible freeing of slaves in the United States; it also marked the beginning of a transmigration of black people that would forever alter the culture of the country. Many ex-slaves moved north or stayed in the South; others (far fewer in number) decided to test the American dream of success in the West that stretched from the Mississippi River to California and from Canada to Mexico. 相似文献
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文章概述了在“绿色生产”的挑战下,最佳方案是采用“工业园区”和“技术革命”的道路。从“节能减排”和“制造过程”等角度看,喷墨打印技术/印制电子技术是最有前途的。 相似文献
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基于VisualBasic数控蓝图编程系统的研制 总被引:2,自引:0,他引:2
介绍一种基于VisualBasic数控蓝图编程系统的总体结构、基本功能和主要算法,系统具有自动生成ISO数控加工代码和模拟显示数控加工轮廓的功能。 相似文献