Learning to read from television: The effects of using captions and narration.

The author investigated caption use, sound, and the reading behavior of 76 children who had just completed 2nd grade. The present study indicated that beginning readers recognize more words when they view television that uses captions. The auditory element was important for comprehension tasks related to incidental elements and spontaneous use of target words, and the combination of captions and sound helped children identify the critical story elements in the video clips. Positive beliefs about one's competence in reading or watching television appeared to facilitate the recognition of words and, for boys, improve their oral reading rates. In sum, television captions, by evoking efforts to read, appeared to help a child focus on central story elements and away from distracting information, including sound effects and visual glitz. Implications are discussed. (PsycINFO Database Record (c) 2010 APA, all rights reserved)     

从边缘出发——简论第六代导演的叙事手法

第六代导演在20世纪90年代开始在中国的影坛出现并表现出强劲的力量。他们受后现代文化思潮的影响,改变审视社会的方式,从边缘出发,用自己的镜头语言书写着边缘人的生存状态和精神世界,边缘叙事成为第六代导演对第五代导演实施“文化突围”的一种手段。     

论《押沙龙，押沙龙!》的拼贴叙事艺术

《押沙龙,押沙龙!》是美国小说家威廉·福克纳小说艺术的巅峰之作,也是现代小说艺术独一无二的一种艺术实验,这突出地表现在福克纳在小说叙事中尝试了一系列立体主义艺术手法,如多视角叙事、主观并置和拼贴等。主要探讨这部小说叙事中的立体主义拼贴艺术手法及其文本意义,这样可以从一个新的角度理解这部小说的丰富内涵以及在叙事艺术上的创新。     

2，4-二氯-5-羟基苯肼的制备

文章选择以2,4-二氯苯酚为起始原料,经羟基保护、硝化、水解、还原、重氮化、还原,成功合成了2,4-二氯-5-羟基苯肼,优化实验条件下六步反应总摩尔收率可达46．6％（以2,4-二氯苯酚计）。产品熔点与文献相符,又经元素分析、红外光谱、核磁共振波谱表征了其结构。     

基于图像叙事表达的公益主题海报设计研究

目的 探究图像叙事理论在公益海报创作过程中的应用方法和创新设计策略,将COVID-19主题的图像叙事特征与受众心理需求相契合,使海报传播的文化价值得到有效提升。方法 通过分析图像叙事理论下公益海报设计的基本特征,结合COVID-19叙事主题,采用5W1H模式分析叙事元素并构建叙事空间,利用视觉思维论述受众审美特征与心理诉求,借用意象论和图形创意法,对用来修辞海报主旨的图形符号进行视觉语言转换。结果 基于图像叙事原理结合受众情感诉求进行设计实践,从受众认知、感知、反思三个层面,构建海报设计流程的垂直化思维,使公益海报的多维语境与文化价值得以深度传播。结论 图像叙事理论介入公益主题海报创作,可以让海报画面语义表述更加丰富,进一步加强了与受众的情感沟通,使公益海报的视觉表现、引导功能和价值观念传播得到有效提升。同时,能够解决单一的形式美法则、无法满足受众情感需求和复杂的设计流程等问题,为公益海报再设计提供了参考和思路。     

江南文化视阈下的扬州玉雕图像叙事现代创新设计研究

目的 扬州玉雕艺术历史悠久,是宝贵的国家级非物质文化遗产,也是中华文化的重要传承载体。但近年来工匠精神在玉雕行业中逐渐消失,扬州玉雕正面临着严峻的生存危机。如何将农业社会手工业属性的传统玉雕制作理念注入适应当代社会审美的设计作品中,活态传承扬州玉雕非物质遗产文化,是传承与发展扬州玉雕文化产业面临的主要挑战。方法 基于文化保护与传承创新的视角,梳理与总结扬州湾头的玉雕发展历史,归纳扬州玉雕“源湾头”的地域性特质,挖掘“扬州工”的工匠精神内涵,结合图像叙事设计开发扬州玉雕非物质文化遗产。结果 以符合当代审美与时代精神的设计手法和视觉语言重对扬州玉雕进行再创作实践。结论 探索扬州玉雕非物质文化遗产活态传承的当代图像叙事新模式,可以为扬州玉雕在当今社会语境下找到新的文化载体,并为非物质文化遗产的保护、传承和传播提供新的思路。     

城市公园游客参与、解说满意度与环境教育评估关系研究——以福州市晋安公园为例

教育功能作为城市公园功能组成的重要部分,随着人们日益增长的文化需求,城市公园环境教育的地位日益凸显.为探究城市公园环境教育评估、游客参与以及解说满意度之间的关系及作用机制,构建了三者之间的路径模型,以福州市晋安公园为例,在对294位游客问卷调查的基础上,进行结构方程验证.结果 表明:1)修正后的模型中,建立关系指标与游...     

古代白话小说“重复”叙述技巧谫论

"重复"是小说作品中常用的叙述手法之一,他与微观修辞中的"反复"辞格具有相似性,但亦有所区别.通过对小说重复现象的破译,可加深对小说结构的认识,为白话小说文体研究打开新的突破口.文中以重复叙述技巧为切入点,采用细读分析的方法,将西方现代小说理论与明清小说评点中的相关概念结合,对古代白话小说进行观照,归纳出意象、场景、情节三种重复叙述模式,并对各种重复现象对应的文本效果进行了具体解析.     

非线性在影视剪辑中的内涵及发展趋势

一般认为,非线性剪辑是基于计算机数字技术、打破磁带线性顺序存储素材局限的一种剪辑方式,近年来非线性剪辑已经占据影视后期制作的大半江山,探讨这种剪辑方式的发展趋势以及在此基础上衍生出的影视剪辑心理层面和叙事结构层面的非线性倾向.     

Review of Retelling a life: Narration and dialogue in psychoanalysis.

Reviews the book, Retelling a life: Narration and dialogue in psychoanalysis by Roy Schafer (see record 1992-97655-000). Although most of the chapters in Retelling a life have been printed previously, they have been edited so that the work reads seamlessly, even as it covers an extraordinary range of topics of interest to analysts: self-interest; female psychology; training analysis; theories of the "self; projective identification and enactment; Freud's legacy; the differences between psychoanalysis and psychotherapy; the desirability of talking directly to patients; and the larger issues of metapsychology, epistemology, and narration that give the book its title and backbone. It is always clearly written with useful clinical illustrations so that it may prove accessible to a lay reader looking to sample the work of a sophisticated, contemporary psychoanalyst. For the experienced therapist or analyst, the advantage of reading this book all the way through is that one ends up knowing pretty well how Schafer would approach a particular problem; he becomes a familiar voice in one's mind. Schafer's discussion of "the self" is well worth reading. Summarizing greatly, he thinks we do best to consider one "person" who narrates multiple self narratives. Order is brought to bear by reducing the narrative data to "storylines" so that particular narrations can be recognized as "versions of the same basic story" (e.g., of imprisonment, rebirth, odyssey, or oedipal rivalry). What Schafer is attempting to do--as before in A new language for psychoanalysis (1976)--is to provide a modern, philosophically correct basis for psychoanalytic practice. (PsycINFO Database Record (c) 2010 APA, all rights reserved)