Twenty years of artificial life art

This essay begins with discussion of four relatively recent works which are representative of major themes and preoccupations in Artificial Life Art: ‘Propagaciones’ by Leo Nuñez; ‘Sniff’ by Karolina Sobecka and Jim George; ‘Universal Whistling Machine’ by Marc Boehlen; and ‘Performative Ecologies’ by Ruari Glynn. This essay is an attempt to contextualise these works by providing an overview of the history and forms of Artificial Life Art as it has developed over two decades, along with some background in the ideas of the Artificial Life movement of the late 1980s and 1990s.1 A more extensive study of the theoretical history of Artificial Life can be found in my paper ‘Artificial Life Art—A Primer’, in the Proceedings of DAC09 and also at http://www.ace.uci.edu/Penny. Excerpts from that essay are included here.      

基于Windows 2003 Server Active Directory的计算机房管理

Active Directory是Windows2003 Server全新的目录管理方式,它是一种层次化、树状、可扩展、可伸缩的目录结构。文章通过介绍活动目录的相关知识和安装与配置,在计算机房的具体配置,应用于机房的管理中,提高管理效率。     

The development of robot art

Going through a few examples of robot artists who are recognized worldwide, we try to analyze the deepest meaning of what is called “robot art” and the related art field definition. We also try to highlight its well-marked borders, such as kinetic sculptures, kinetic art, cyber art, and cyberpunk. A brief excursion into the importance of the context, the message, and its semiotics is also provided, case by case, together with a few hints on the history of this discipline in the light of an artistic perspective. Therefore, the aim of this article is to try to summarize the main characteristics that might classify robot art as a unique and innovative discipline, and to track down some of the principles by which a robotic artifact can or cannot be considered an art piece in terms of social, cultural, and strictly artistic interest. This work was presented in part at the 13th International Symposium on Artificial Life and Robotics, Oita, Japan, January 31–February 2, 2008     

克隆程序在软件安装中的应用方法及技术

本语文结合计算机软件安装和维护,介绍了克隆程序在计算机网络系统及单机中软件的快速安装方法和实现技术。     

论前卫艺术对艺术教育发展现状的影响

中国的前卫艺术近年来呈现出概念化、随意化的发展趋势,这一现象在艺术教育方面并没有得到足够的重视。艺术的创新要以本身的准则不能被突破为前提,而不是一味地为创新而创新。艺术的基础学习和文化修养更为重要,要注重学生的人格发展,培养具有健全人格、具备综合素质的适应社会发展的创造型人才。     

新一代Web应用服务器软件—WebSphere应用服务器探析

介绍了WebSphere应用服务器的基本特性,详细地论述了WebSphrer应用服务器的安装,配置和使用方法。     

艺术专业“摄影”课程教学现状与改革设想

摄影术发明至今已近200年,经历自上世纪末开始的由数码摄影所带来的严峻挑战。艺术设计专业的"摄影"课程也相应地需要变革,这些改革可以从软硬两个方面入手解决。     

基于VisualLISP二次开发的自动安装处理程序

介绍利用第三方开发软件Inno Setup制作基于VisualLISP二次开发程序的自动安装处理程序。分析了AutoCAD注册表结构,确定出需在注册表中注册的应用系统变量。通过详细分析Inno Setup的脚本,定制出在AutoCAD下使用VisualLISP二次开发安装程序的脚本文件。为使用VisualLISP二次开发的用户提供了一种实用的安装程序制作方法。     

“诡道”在竞技运动比赛中的运用

竞技比赛是和平时期的战争游戏,不仅是体能、技术的较量,更是心理和智慧的对抗,战略战术成为制约竞技比赛胜负的重要因素。在比赛规则和体育道德的规范下,使用"兵者,诡道也"战术达到出其不意,攻其不备,达到取得比赛的胜利的目的。     

离心式空压机轴瓦振裂的原因与处理

简介了6000m^3／h空分设备配套的H820．6．1／0．85型离心式空压机轴承结构、润滑系统和运行参数，介绍了轴瓦振裂的现象，并分析了原因，阐述了采取的处理措施、效果以及从中得到的教训。