Chromatic luminance,colorimetric purity,and optimal aperture‐color stimuli

Chromatic luminance (i.e., luminance of a monochromatic color) is the source of all luminance, since achromatic luminance arises only from mixing colors and their chromatic luminances. The ratio of chromatic luminance to total luminance (i.e., chromatic plus achromatic luminance) is known as colorimetric purity, and its measurement has long been problematic for nonspectral hues. Colorimetric purity (p_c) is a luminance metric in contrast to excitation purity, which is a chromaticity‐diagram metric approximating saturation. The CIE definition of p_c contains a fallacy. CIE defines maximum (1.0) p_c for spectral stimuli as monochromatic (i.e., optimal) stimuli, and as the line between spectrum ends for nonspectrals. However, this line has <0.003 lm/W according to CIE colorimetric data and is therefore effectively invisible. It only represents the limit of theoretically attainable colors, and is of no practical use in color reproduction or color appearance. Required is a locus giving optimal rather than invisible nonspectral stimuli. The problem is partly semantic. CIE wisely adopted the term colorimetric purity, rather than the original spectral luminance purity, to permit an equivalent metric for spectrals and nonspectrals, but the parameter of equivalence was never clear. Since 1 p_c denotes optimal aperture‐color stimuli for spectrals, arguably 1 p_c should denote optimal stimuli consistently for all stimuli. The problem reduces to calculating optimal aperture‐color stimuli (“optimal” in energy efficiency in color‐matching) for nonspectrals, shown to comprise 442 + 613 nm in all CIE illuminants. This remedy merely requires redefinition of 1 p_c for nonspectrals as the line 442–613 nm, and gives meaningful p_c values over the hue cycle allowing new research of chromatic luminance relations with color appearance. © 2007 Wiley Periodicals, Inc. Col Res Appl, 32, 469–476, 2007     

苏州园林的色彩

造园者非常重视运用色彩美化景物，刻意创作“以色传神、以色抒情”的作品。苏州园林怡心悦目的色彩引人入胜。苏州园林建筑物常以淡雅宁静的灰色和白色为其基本色调。苏州园林不用大红大绿蓝紫等颜色，更少施彩绘，色彩以淡雅为其独特风格。     

基于YCbCr肤色模型改进算法及区域特征的人脸检测研究

针对当前人脸检测的研究现状与难题,采用改进的YCbCr椭圆聚类肤色模型进行肤色区域提取,根据肤色在YCb’Cr’空间的分布,对于亮度小于80的非肤色像素点会误判为肤色点,则缩小椭圆聚类;对于亮度大于230的肤色像素点会误判为非肤色点,则扩大椭圆聚类,有效避免了在高亮度区域和亮度较低的区域中的肤色点误判问题。接着利用人脸的几何特征,对二值化图中的目标区域进行比例、大小结构的分析,排除不可能的人脸区域,并基于肤色和位置进行区域优化,将处理后的结果作为候选人脸区域输出。     

一种基于光照变化补偿的颜色识别方法

针对RoboCup中型组足球机器人比赛中光照变化会使颜色发生色彩漂移,影响颜色识别的准确性问题,提出一种基于光照变化补偿的颜色识别方法。该方法首先利用球的历史信息预测球的位置,然后在较小的区域内用基于色调直方图反向投影的方法找到球后,通过球的亮度直方图的变化计算出光照变化率,用于动态补偿颜色查找表。实验表明该方法能提高颜色识别的光照自适应性。     

图形图像制作软件中的色彩模式分析

色彩模式是在数字处理过程中处理色彩的基本标准,其是以颜色模型为基础,利用数字定量对颜色进行描述的方法。针对图形图像制作软件中的色彩模式进行分析。     

Wide gamut LCD using locally dimmable four‐primary‐color LED backlight

This paper proposes a wide gamut LCD using locally dimmable four‐primary‐color (4PC) LED backlight. Although the color gamut of LCDs has been improved in recent years, it is insufficient to reproduce all the colors in the real world. The objective of this paper is to propose a wide gamut LCD that reproduces all the colors in the real world while keeping the cost increases to a minimum. We evaluated the color gamut reproduced by LEDs of multiple primary colors and selected cyan as the optimal color to be added to the three primary colors to reproduce all the colors in the real world. Therefore, we designed an LED backlight consisting of an additional only‐cyan LED with three‐primary‐color LEDs and developed a prototype LCD with 4PC LED backlight. Furthermore, we developed a local dimming algorithm for the 4PC LED backlight. As a result, we confirmed that the prototype LCD with the 4PC LED backlight is able to cover almost all the colors in the real world and also able to display natural images with highly saturated colors by local dimming.     

高斯颜色模型在瓷片图像分类中的应用

由于RGB颜色空间不能很好贴近人的视觉感知,同时也缺少对空间结构的描述,因此采用兼顾颜色信息和空间信息的高斯颜色模型以获取更全面的特征,提出了一种基于高斯颜色模型和多尺度滤波器组的彩色纹理图像分类法,用于瓷器碎片图像的分类。首先将原始图像的RGB颜色空间转换到高斯颜色模型;再用正规化多尺度LM滤波器组对高斯颜色模型的3个通道构造滤波图像,并借助主成分分析寻找主特征图,接着选取各通道的最大高斯拉普拉斯和最大高斯响应图像,与特征图联合构成特征图像组用以进行参数提取;最后以支持向量机作为分类器进行学习和分类。实验结果表明,与基于灰度的、基于RGB模型的和基于RGB_bior 4.4小波的方法相比,本文方法具有更好的分类结果,其中在Outex纹理图像库上获得的分类准确率为96.7%,在瓷片图像集上获得的分类准确率为94.2%。此方法可推广应用到其他彩色纹理分类任务。     

一种新颖的低层视觉特征到高层语义的映射方法*

通过在低层视觉特征上提取图像的局部颜色和纹理特征,再利用模糊神经网络建立低层视觉特征和高层语义特征之间的映射,实现了图像属性信息的有效传递和可靠检索.最后,为了提高检索效率,把相关反馈引进到图像检索系统中.实验证明,该方法取得了较好的检索查全率和准确率.     

纺织厂建设改造中的色彩工学

提出纺织工业领域色彩量化设计的构想,给出了作为色彩量化设计依据的色彩标准体系,并从色彩的标准化、色彩的实验心理效应等方面进行了分析,针对纺织厂的“人-机-环境”系统、原有设备色彩改造以及厂区建筑的色彩效应等探讨了色彩量化设计的可行性,并结合目前纺织厂的特点提出了色彩量化设计的实施方案以及改造方法。