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41.
提出了自动合成四方连续面料图案的数学模型;介绍了人机交互色彩调配算法;从数学模型、色彩处理、应用前景库三方面对有关设计思想和实现方法作了详细说明. 相似文献
42.
Document image analysis: A primer 总被引:1,自引:0,他引:1
43.
Stephen Dain 《Color research and application》2007,32(6):428-432
There are anecdotal reports of color vision deficient medical practitioners (particularly deuteranopes) having difficulty in recognizing cyanosis. An understanding of the color changes in oxygenated blood has led to a better understanding of the lighting needs for hospitals. Using the same database, this article investigates the propensity for color vision deficient observers to make mistakes with cyanotic patients. The possibilities for helping the observer with appropriate color of lighting are considered. The spectral reflectances of blood at varying oxygenation levels previously reported were used 7 ; 8 to calculate chromaticity and lightness. The direction of the chromaticity change was compared with the protanopic and deuteranopic confusion lines. An attempt was made to identify sources that enhanced color changes for the color deficient. The color change of blood oxygenation is closely aligned with the confusion lines of congenital dichromats (particularly protanopia) showing the potential for difficulty in making this decision. No source could be demonstrated to solve the problem or even reduce it significantly. © 2007 Wiley Periodicals, Inc. Col Res Appl, 32, 428–432, 2007 相似文献
44.
Ken Smith 《Color research and application》2007,32(4):249-255
This study describes a process of relating the perceptual analysis of the colors of the terrestrial atmosphere to currently available pigments used in artists' painting systems. This process sought to discover how the colors of the sky could be defined and simulated by these pigments. The author also describes how confusion over the bewildering choice of suitable pigments on offer in the market place can be clarified. © 2006 Wiley Periodicals, Inc. Col Res Appl, 32, 249–255, 2007 相似文献
45.
Ralph W. Pridmore 《Color research and application》2007,32(3):208-222
A color stimulus may be characterized by three psychophysical dimensions (luminance, dominant wavelength, and purity), whose corresponding color attributes are lightness, hue, and chroma/colorfulness. The 3 × 3 matrix gives nine basic effects of the psychophysical dimensions on the color attributes (e.g. the effect of luminance on hue), but there are 49 possible combinations as more complex effects (e.g. the effect of luminance on hue and chroma, i.e. on chromaticity). Researching and quantifying such effects enables modelling of the underlying neural mechanisms and of color appearance. Using a simple nomenclature to identify the effects (e.g. Ph denotes the effect of Purity on hue), this paper briefly reviews and interrelates 15 of the commonest effects, giving new data or new graphical perspectives to clarify or fill gaps in the literature. Contrast and no‐contrast effects (stimuli viewed simultaneously or singly, respectively) are differentiated. © 2007 Wiley Periodicals, Inc. Col Res Appl, 32, 208–222, 2007 相似文献
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47.
本文首先根据文本中各个字符的颜色相似的特性,确定已知文本块的文本的颜色,利用文本的颜色信息二值化文本图像以得到文本块中的字符数、字符的尺寸和间距;其次,根据视频图像的大小和视频的播放速度确定搜索窗口的大小,并利用文本的运动信息来预测搜索窗口的位置;第三,根据在相邻两帧中具有相同内容文本的颜色相似的特性,提出了一个可以解决脉冲噪声和部分缺损或遮挡问题的稳健匹配准则来跟踪文本块;最后,确定跟踪输出的文本的颜色、尺寸和运动方式。本文方法可以很好地跟踪平移、缩小或放大、旋转、淡入淡出和部分被遮挡的水平或倾斜排列的文本,并且可以记录文本平移、旋转和缩放的速度。 相似文献
48.
ABSTRACT: The effect of post-cooking holding-time on sensory assessment of low (89 g/kg) and high (218 g/kg) fat beefburgers was assessed. Burgers were served to panelists approximately 3 or 18 min after cooking. Fat content influenced fattiness, moistness/juiciness and overall appearance (P < 0.05), overall acceptability and overall texture (P< 0.01) and tenderness and crumbliness (p<0.001). Burgers with the higher fat content had higher scores. Holding-time influenced sensory overall appearance only with lower scores at extended holding times (P < 0.01). Treatment differences were small, mostly less than one sensory scale unit. Higher lightness and yellowness values were found for burgers with higher fat contents. 相似文献
49.
50.
Michael H. Brill 《Color research and application》1994,19(1):34-36
Metelli's theory of the perception of translucency models the effective reflectance of a translucent sheet on a background as a partitive mixture of the color of the sheet and the color of the background. In the achromatic case, the usable (that is, scale-invariant) rules governing the apparent reflectances are the same as those that would emerge from the Kubelka-Munk theory. For chromatic translucency, the relationships are more complex, but a set of rules still emerge from the partitive-mixture theory that are invariant to tradeoffs between illuminant and reflectances. This column sets forth the rules in the hopes that they will have graphical applications, both on computer VDUs and in hardcopy. 相似文献