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11.
Labouvie-Vief Gisela; Lumley Mark A.; Jain Elizabeth; Heinze Hillary 《Canadian Metallurgical Quarterly》2003,3(2):115
This research reports age and gender differences in cardiac reactivity and subjective responses to the induction of autobiographical memories related to anger, fear, sadness, and happiness. Heart rate (HR) and subjective state were assessed at baseline and after the induction of each emotion in 113 individuals (61 men, 52 women; 66% European American, 34% African American) ranging in age from 15 to 88 years (M = 50.0; SD = 20.2). Cardiac reactivity was lower in older individuals; however, for anger and fear, these age effects were significantly more pronounced for the women than the men. There were no gender differences in subjective responses, however, suggesting that the lower cardiac reactivity found among older people is dependent on gender and the specific emotion assessed. (PsycINFO Database Record (c) 2010 APA, all rights reserved) 相似文献
12.
Why are human observers particularly sensitive to human movement? Seven experiments examined the roles of visual experience and motor processes in human movement perception by comparing visual sensitivities to point-light displays of familiar, unusual, and impossible gaits across gait-speed and identity discrimination tasks. In both tasks, visual sensitivity to physically possible gaits was superior to visual sensitivity to physically impossible gaits, supporting perception-action coupling theories of human movement perception. Visual experience influenced walker-identity perception but not gait-speed discrimination. Thus, both motor experience and visual experience define visual sensitivity to human movement. An ecological perspective can be used to define the conditions necessary for experience-dependent sensitivity to human movement. (PsycINFO Database Record (c) 2010 APA, all rights reserved) 相似文献
13.
Across 2 experiments, a new experimental procedure was used to investigate attentional capture by animal fear-relevant stimuli. In Experiment 1 (N = 34), unselected participants were slower to detect a neutral target animal in the presence of a spider than a cockroach distractor and in the presence of a snake than a large lizard distractor. This result confirms that phylogenetically fear-relevant animals capture attention specifically and to a larger extent than do non-fear-relevant animals. In Experiment 2 (N = 86), detection of a neutral target animal was slowed more in the presence of a feared fear-relevant distractor (e.g., a snake for snake-fearful participants) than in presence of a not-feared fear-relevant distractor (e.g., a spider for snake-fearful participants). These results indicate preferential attentional capture that is specific to phylogenetically fear-relevant stimuli and is selectively enhanced in individuals who fear these animals. (PsycINFO Database Record (c) 2010 APA, all rights reserved) 相似文献
14.
Wiltrout Charles; Dogra Samriti; Linster Christiane 《Canadian Metallurgical Quarterly》2003,117(2):236
Studies on odor mixture perception suggest that although odor components can often be identified in mixtures, mixtures can also give rise to novel perceptual qualities that are not present in the components. Using an olfactory habituation task, the authors evaluated how the perceptual similarity between components in a mixture affects the perceptual quality of the mixture itself. Rats perceived binary mixtures composed of similar components as different from their 2 components, whereas binary mixtures composed of dissimilar components were perceived as very similar to their components. Results show that for both types of mixtures, pretraining to Component A reduces subsequent learning about Component B in rats trained in the presence of A. (PsycINFO Database Record (c) 2010 APA, all rights reserved) 相似文献
15.
This study examined whether objects are attended in serial or in parallel during a demanding visual search task. A component of the event-related potential waveform, the N2pc wave, was used as a continuous measure of the allocation of attention to possible targets in the search arrays. Experiment 1 demonstrated that the relative allocation of attention shifts rapidly, favoring one item and then another. In Experiment 2, a paradigm was used that made it possible to track the absolute allocation of attention to individual items. This experiment showed that attention was allocated to one object for 100-150 ms before attention began to be allocated to the next object. These findings support models of attention that posit serial processing in demanding visual search tasks. (PsycINFO Database Record (c) 2010 APA, all rights reserved) 相似文献
16.
把由非谐振环和凸面全反射镜构成的自滤波非稳腔应用于撞脉冲锁模Nd:YAG激光器,改善了光束的空间质量和输出稳定性,获得发散角为2倍衍射极限,能量50mJ,脉宽10ps的锁模脉冲,并与未加滤波小孔的CPM非稳腔的输出性能进行实验比较。, 相似文献
17.
This paper considers the equalisation problem in Quadrature Phase-Shift Keying (QPSK) modulated signals which have been distorted by the passage through a transmission channel. The channel is modelled as a Rician fading channel to simulate the behaviour of the transmission channel in the mobile satellite context. The equalisation is treated as the generalisation of the channel behaviour, and some algorithms with the structure of an artificial neural network using the Multilayer Perceptron, Volterra Series and Radial Basis Function are described. Results for the BER performance of typical transversal equalisers, with Square-Root Kalman adaptation algorithm, and algorithms with artificial neural network structure are also reported and evaluated. Improved performance is exhibited by the artificial neural network approaches. 相似文献
18.
The Logarithmic Image Processing Model: Connections with Human Brightness Perception and Contrast Estimators 总被引:1,自引:0,他引:1
Jean-Charles Pinoli 《Journal of Mathematical Imaging and Vision》1997,7(4):341-358
The logarithmic image processing (LIP) model is amathematical framework based on abstract linear mathematicswhich provides a set of specific algebraic and functionaloperations that can be applied to the processing of intensityimages valued in a bounded range. The LIP model has been provedto be physically justified in the setting of transmitted lightand to be consistent with several laws and characteristics ofthe human visual system. Successful application examples havealso been reported in several image processing areas, e.g.,image enhancement, image restoration, three-dimensional imagereconstruction, edge detection and image segmentation.The aim of this article is to show that the LIP model is atractable mathematical framework for image processing which isconsistent with several laws and characteristics of humanbrightness perception. This is a survey article in the sensethat it presents (almost) previously published results in arevised, refined and self-contained form. First, an introductionto the LIP model is exposed. Emphasis will be especially placedon the initial motivation and goal, and on the scope of themodel. Then, an introductory summary of mathematicalfundamentals of the LIP model is detailed. Next, the articleaims at surveying the connections of the LIP model with severallaws and characteristics of human brightness perception, namelythe brightness scale inversion, saturation characteristic, Weber'sand Fechner's laws, and the psychophysical contrast notion. Finally,it is shown that the LIP model is a powerful and tractable framework for handling the contrast notion. This is done througha survey of several LIP-model-based contrast estimators associated with special subparts (point, pair of points,boundary, region) of intensity images, that are justified bothfrom a physical and mathematical point of view. 相似文献
19.
20.
The texture effect on visual colour difference evaluation was investigated in this study. Five colour centers were selected and textured colour pairs were generated using scanned textile woven fabrics and colour‐mapping technique. The textured and solid colour pairs were then displayed on a characterized cathode ray tube (CRT) monitor for colour difference evaluation. The colour difference values for the pairs with texture patterns are equal to 5.0 CIELAB units in lightness direction. The texture level was represented by the half‐width of histogram, which is called texture strength in this study. High correlation was found between texture strength and visual colour difference for textured colour pairs, which indicates that an increasing of 10 units of texture strength in luminance would cause a decreasing of 0.25 units visual difference for the five colour centers. The ratio of visual difference between textured and solid colour pairs also indicates a high parametric effect of texture. © 2005 Wiley Periodicals, Inc. Col Res Appl, 30, 341–347, 2005; Published online in Wiley InterScience (www.interscience.wiley.com). DOI 10.1002/col. 相似文献