《考工记》中所体现的传统造物之美

《考工记》是一部先秦古著。著者佚名,有说非一人一时之作,成书年代大约在春秋战国之际,到汉代后人将其编入《周礼》,故又称《周礼考工记》。作为先秦百工技艺之书,它反映了当时工艺技术和设计发展水平,书中记载的"物尽其用"、"因材施艺"、"以人为本"、"天人合一"的造物法则体现了中国传统文化对设计的影响。本文通过在功能、材料、人文、以及象征意义等方面的具体分析,来揭示传统造物之美。     

Photo Noise

Like past avant-garde movements, glitch and noise in the twenty-first century are used to reveal the materiality of the medium. But instead of providing insight or clarity into the politics or social conditions of a technology, they demarcate broader conditions of opacity and blockage, contributing to what Jodi Dean has called ‘communicative capitalism’. The work of German photographer Thomas Ruff alongside the Düsseldorf School, New Photography and JPEG technology are used in this article to illustrate this tendency as a move away from meaning and toward visual noise and communicative breakdown. I use three core analytic registers: the deliberate failure to adhere to visual norms, communicative failure and machine failure and breakdown. Ruff’s work uses visual noise as art to at once reaffirm pervasive conditions of breakdown, failure and decline in high-tech global capitalism, while simultaneously providing a temporary reprieve from these conditions through an emergent form of visual beauty.     

基于人性化理念的荔枝剥皮器设计

目的为解决手剥荔枝不卫生和易弄伤指甲等问题,设计一款供日常食用荔枝使用的剥皮器。方法分析荔枝的物理特性和常用的荔枝剥皮方法,根据人性化设计理念中的人机工程学因素和美学因素综合进行设计:依据人手尺寸确定剥皮器手柄的造型与尺寸,根据荔枝物理特性确定刀刃的尺寸,设计并进行实验确定刀刃的锋利程度及手柄与刀刃的厚度;根据美学因素完善造型,确定3种色彩计划。结论得到了较理想的、能满足日常使用需求的荔枝剥皮器。     

羌族村落建筑的布局之美

羌族村落的建筑物多采用集中修建的布局形式。始出于防御的需要,在长期与自然相适应的过程中,羌人智慧地处理了人与自然的关系,创造出令人叹为观止的建筑景观,其村落布局具有独特的美学价值。     

道家思想影响下的高校公共艺术美学刍探

从道家思想中挖掘其美学内涵,融汇于高校校园公共艺术的营造之中,并能呈现大学校园的文化及人文内涵。道家思想影响下的高校公共艺术具有非常丰富的美学内涵,即综合蕴含了天人合一、和谐共生、以和为美等诸方面要素。     

从香奈尔品牌文化的角度谈女性服饰美

服饰是女性展现自我魅力的有效途径,可以雕塑女性身材,塑造完美形象。它不仅反映着一个时代的精神面貌与生活方式,还传达着关于文化、艺术等方面的信息。服装美包含了色彩美、材质美、结构美、造型美、饰物美以及服装包裹下的人体的形体美。香奈尔让女性摆脱繁复装束的束缚,体现女性独立、自立意识。文章从香奈儿品牌风格中的简洁、精美、优雅的角度探讨女性服饰审美观。     

绘画创作意象论

中国古典美学体系实质上是以"意象"为基础范畴的审美本体体系,绘画美学则侧重于从艺术的角度看待审美,所以"意象"就成为美学本体论的基本范畴。中国古典美学将"象"作为本体之基,是通过对"象"的观察去把握"道",中国绘画创造的思维过程实质上就是意象的思维过程。本文立足从中国画的创作思维的角度探究意象的形成步骤,以达到对情和景二种基本因素构成的"意象",这一中国古典美学的审美本体做出全面的诠释。     

Measuring the coolness of interactive products: the COOL questionnaire

Coolness has recently started to be explored as a design goal for interactive products from practitioners as well as researchers within human–computer interaction (HCI), but there is still a need to further operationalise the concept and explore how we can measure it. Our contribution in this paper is the COOL questionnaire. We based the creation of the questionnaire on literature suggesting that perceived coolness is decomposed to outer cool (the style of a product) and inner cool (the personality characteristics assigned to it). In this paper, we focused on inner cool, and we identified 11 inner cool characteristics. These were used to create an initial pool of question items and 2236 participants were asked to assess 16 mobile devices. By performing exploratory and confirmatory factor analyses, we identified three factors that can measure the perceived inner coolness of interactive products: desirability, rebelliousness and usability. These factors and their underlying 16 question items comprise the COOL questionnaire. The whole process of creating the questionnaire is presented in detail in this paper and we conclude by discussing our work against related work on coolness and HCI.     

隐喻性儿童用户界面的设计

隐喻认知是一种普遍的认知机制,其应用为推进软件界面从专业走向日常生活,从效率优先到注重体验的转变发挥了重要的作用。在儿童教育和语言应用等儿童相关领域,隐喻的认知特点也获得研究人员的肯定,并积累了一定的研究结果。本文简要分析了隐喻的认知原理和审美功能,从儿童构建与解读隐喻的角度,提出儿童隐喻性人机界面设计过程中应注意的一些环节。     

管窥兼含“完形美学”与“中庸之道”的“一＋1=十”服装设计思维

提出的＂一＋1=十＂设计思维是将传统的设计思维方式和构成学当中惯用的思维方式进行整合后得出的一种设计思维方法.此概念的提出,无论是在设计领域还是在更加广泛的领域都尚属首次.＂中庸之道＂与＂完形美学＂这两个＂一东一西＂的哲学思想与美学思想在此找到了共鸣,从此可以在＂一＋1=十＂的新躯体里完美融合.