Words, music, and other measures: Predicting the repertoire popularity of 597 Schubert lieder.

To address the venerable aesthetic question of the relative importance of music and words, musical and textual characteristics were used to predict recording counts of 597 Franz Schubert lieder. Predictors included career variables (age and concurrent productivity), "whole song" variables (e.g., performance duration, structural complexity, major vs. minor key), thematic measures of the first six notes of the vocal incipit (e.g., melodic and rhythmic originality), poet variables (Goethe, Schiller, etc.), and text variables (computer content analysis measures of primordial and conceptual thought and positive and negative emotions). Many correlations between predictors were small but reliable; career variables accounted for most strong correlations. A 45-predictor regression model was highly significant (R2 = .63), with 13 reliable (p     

数字游戏健身椅开发设计研究

结合实际产品研发项目,从前期设计策略和概念的分析、人机工程学和人类行为心理学的合理应用等方面,透彻的阐述基于数字化时代、大审美经济和大审美社会背景下,游戏健身产品设计研发的概念创意及理论方法。     

生态美学视阈下的文艺理论研究

在生态美学逐渐成为显学的背景下,生态批评的学术储备也日益丰盈,因此作为探究文学艺术这一审美意识形态规律的文艺理论研究,也应该在其哲学思想来源、理论话语原则、理论视阈等方面有新的突破。     

Berlyne on art: A review of D. E. Berlyne's Aesthetics and psychobiology.

Reviews the book, Aesthetics and Psychobiology by D. E. Berlyne (see record 1973-00821-000). Progress in the aesthetic disciplines has been at a snail's pace. Berlyne charges six factors with having impeded advance: the belief in art as a supernatural phenomenon, the failure to separate factual from normative questions, the conception of art as a unitary phenomenon, the habit of treating art in isolation from nonartistic forms of behavior, the preoccupation with uniqueness in aesthetic taste, and the concentration on verbal judgments in aesthetic work. But the future looks brighter, due primarily to the following developments: (1) the rise of information theory, which provides procedures for rigorously analyzing some of the features of stimulus patterns that most concern aesthetics, (2) recent empirical and theoretical contributions in both psychology and neurophysiology to the understanding of pleasure and arousal, and (3) findings bearing on the nature of exploratory behavior, both in animals and humans, particularly as these teach the motivational importance of such elements as complexity, novelty and uncertainty, so-called "collative" variables, that "seem to be identifiable with the irreducibly essential ingredients of art and of whatever else is aesthetically appealing" (viii). The principal aim of Berlyne's book is to establish the ground gained in these three areas, compare it to the contributions made by earlier workers, and effectuate "a provisional synthesis that will at least bring key problems to the fore" (viii). It is a formidable task. Inevitably, the effort fares better in some assignments than others. Ironically, what discrepancies in quality do exist would probably project less were Berlyne not so knowledgeable about his subject matter. He is, quite obviously, in the tradition of those "cultured gentlemen" with whom he is wont to populate the early history of psychological science. Parenthetically, one suspects that he could supplement the present work with a very creditable companion volume in the philosophy of aesthetics. (PsycINFO Database Record (c) 2010 APA, all rights reserved)     

Image quality and the aesthetic judgment of photographs: Contrast, sharpness, and grain teased apart and put together.

We examined the individual and combined effects of contrast, sharpness, and grain degradations on the aesthetic judgments of photographs depicting natural and human-made scenes. Our systematic approach demonstrated that certain degradations, and their combinations, had more impact on aesthetic judgments than others, and that the effects varied depending on the type of scene. We also showed that the degradations were additive in that the more degradations to which an image was subjected, the less it was liked. Finally, we found evidence for a contrast effect in which the aesthetic judgments of high-quality images were more positive as the images they were presented with were more degraded. (PsycINFO Database Record (c) 2011 APA, all rights reserved)     

Mundane aesthetics.

With the publication of Zür experimentalen ?sthetik (1871) and Vorschule der ?sthetik (1876), Fechner laid the foundations for a new field termed experimental aesthetics, and provided three methods for empirical research. Of these, the method of choice has dominated subsequent research. It is argued that this method, in combination with a narrow, post-Baumgarten definition of aesthetics as pertaining mainly to the experience of art, has not served aesthetics well. In so doing it has overlooked the vast corpus of everyday objects for which people engage in aesthetic choice. Termed mundane aesthetics, this represents the low end, design, as distinct from the high end, art. The aesthetics of the mundane represents everyday reality, far removed from the rarefied pursuit of art. A study is reported into that most mundane and ubiquitous activity, selecting a paint color for the home. It eschews the laboratory and, instead, uses a retrospective method supported by qualitative data analysis (NVivo). The results indicate that aesthetic choice involves processes that are far from uniform, far from instantaneous (cf. laboratory studies), and that employ both internal and external aids reflecting cognitive, emotional, and social considerations. Selecting a wall color emerges as a surprisingly sophisticated process and, on the basis of the present study, one that women appear better equipped to perform than men. A parallel is drawn with the domain of decision research, particularly naturalistic decision-making. Mundane aesthetics involves a decision process, and not simply an affective choice. (PsycINFO Database Record (c) 2011 APA, all rights reserved)     

Theory and philosophy in the psychology of the arts.

Philosophy, historically at least, has played a large role in aesthetics, for philosophical aesthetics dates back to Aristotle's Poetics, and has attracted the attention of such notable thinkers as Kant, Dewey, Santayana, and Croce. Nonetheless, if I had to identify the philosophical foundation of most empirical astheticians, hedonism emerges as the clear winner. That is, researchers who study why people appreciate art subscribe to the pleasure theory of aesthetics. On the theoretical side, psychology of the arts is also richly endowed. Great names from psychology's past, such as Fechner, Wundt, and Freud—all have expressed views about the foundations of the aesthetic experience. Many of these early traditions survive in some form in current empirical research. At this point, the enthusiasm for cognitive science in general psychology has yet to filter down to empirical aesthetics in any conspicuous fashion, albeit some researchers (e.g., Martin Lindauer) would consider themselves cognitive psychologists. Perhaps the aesthetic experience is too innovative to fit readily in a cognitive framework. (PsycINFO Database Record (c) 2010 APA, all rights reserved)     

Translating visual art into tactile art to produce equivalent aesthetic experiences.

An argument is put forward to show that visual art may actually be translated into tactile objects that produce equivalent aesthetic experiences for blind or visually impaired people. This is shown by delineating the information required for such a translation in general, demonstrating that such a translation is already achievable from color vision to color vision and theoretically possible from spatial vision to spatial touch, and outlining that an analogous procedure could be applied to aesthetic experience. Limitations of such translations of visual works of art into tactile objects, and implications of such a procedure for artistic experience and education, are also mentioned. (PsycINFO Database Record (c) 2010 APA, all rights reserved)     

What drives smartwatch purchase intention? Perspectives from hardware,software, design,and value

Although wearable devices are popular in recent years, the market share of smartwatches is relatively low. The main goal of this research is to investigate the antecedents of the intention to purchase a smartwatch. This research develops a conceptual model and hypotheses based on the theory of reasoned action and perceived values from the perspectives of software, hardware, and aesthetic design. An online questionnaire was developed and distributed on popular websites to collect data, and 260 usable responses are collected from the potential users of the Apple Watch in Taiwan. The thirteen hypotheses were validated by using partial least squares (PLS) techniques. Among the antecedents of purchase intention in the model, the attitude towards using smartwatches was found to have the strongest direct effect. Among the factors of the attitude, design aesthetics have the most significant effect. The results also show that all of the factors about smartwatch attributes directly affected the related perceived values. However, social value and performance/quality value did not affect the intention. The model demonstrated relatively good explanatory power for purchase intention in the context of smartwatches. The proposed model can provide insights to smartwatch vendors to develop their new products and marketing strategies.     

配色色彩邻接状态对配色美度影响的定量化研究

对3个相同面积的色块按不同的邻接关系进行配色时,得到的3种配色方案的美度进行了研究.对配色美度,采用心理物理学的方法进行了定量化研究,在实验数据分析的基础上,给出了配色色块的邻接状态与配色美度之间的定量化的关系.