体验需求下的工业遗址景观叙事性设计研究 ——以江南水泥厂为例

在我国城市工业遗址保护与再利用不断深入和推进的背景下,探究和构建符合工业遗址资源的活化利用策略,以拓展工业遗址景观的设计思路并指导设计实践。本文试图通过挖掘工业遗址景观体验者的情感需求并与景观叙事性理论相结合的方法构建工业遗址景观设计路径,从获取用户的体验需求入手,将叙事学理论引入工业遗址景观更新改造设计当中。最后将南京江南水泥厂工业旧址作为实践目标,进行景观叙事性方法改造与活化设计,为同类型景观的更新改造提供借鉴与参考。结合观者体验需求的工业遗址景观叙事性设计改造可有效避免空间体验感单一和同质化问题,并提升综合利用价值,创造满足体验者的情感诉求和多感体验的工业遗址景观情境空间。     

良善文化原型的包装设计创新

目的探讨传统造物原型设计中的良善文化基因。方法从大小传统文化原型样态中求证传统中国普遍存在的伦理视觉,在"仁礼"结构中孕育的可视化良善图景可以作为文化视觉承载着社会前进的动力。以实例进行比较分析,阐扬文明基因中良善设计所起的"明教化、正人伦"的社会映射,说明包装设计作为生活必备物在精神与物质传播中的中介作用。结论华夏文明的智慧在于道德伦理的凡俗生活物质转化,良善图景内蕴的个体信仰与国家精神正是当代包装设计继承的价值和设计创造的意义。     

交互叙事视角下智慧博物馆沉浸式体验设计研究

目的 在交互叙事视角下,研究城市智慧博物馆的沉浸式体验设计方法及设计实践。方法 通过案例研究等方法分析智慧博物馆交互叙述的构成要素和特点,进一步探索交互叙事与智慧博物馆沉浸式体验的关系,从构建跨数字媒介的多感官沉浸体验、重构交互叙事要素与关联叙事内容、营造情境感知的叙事空间与互动式故事体验三个方面提出基于交互叙事的智慧博物馆沉浸式体验设计方法,并设计基于交互叙事的智慧博物馆沉浸式体验设计的流程,从实践良渚博物馆沉浸体验项目的角度验证方法的可行性和有效性。结论 设计者通过编码叙事空间和叙事内容,运用跨数字媒介助力多感官沉浸,提取智慧博物馆文化作为叙事主题,优化沉浸交互体验空间,使参观者超越时空限制,与所在城市的历史脉络和文化内涵进行深度互动,从而对城市文化产生更强烈的认同。     

Three Turtles in Danger: Spontaneous Construction of Causally Relevant Spatial Situation Models.

In 4 experiments, the author explored the spontaneous construction of spatial situation models during discourse comprehension by using the sentence-recognition paradigm of J. D. Bransford, J. R. Barclay, and J. J. Franks (1972). In Experiment 1, signaling causal relevance of spatial relations was a necessary precondition for replicating their original finding of spontaneously constructed spatial representations. Causal relevance was ensured in the subsequent experiments by a judgment task indirectly demanding the evaluation of described spatial relations with regard to causal relevance. Participants spontaneously constructed spatial situation models of text presented auditorily or visually. Effects of spontaneous construction were more reliable when encoding was easier. The results suggest a revised interpretation of J. D. Bransford et al.'s study and corroborate recent evidence showing that relevant spatial information in texts is reliably represented. (PsycINFO Database Record (c) 2010 APA, all rights reserved)     

Children’s inferential styles, 5-HTTLPR genotype, and maternal expressed emotion-criticism: An integrated model for the intergenerational transmission of depression.

The authors tested a model for the intergenerational transmission of depression integrating specific genetic (5-HTTLPR), cognitive (inferential style), and environmental (mother depressive symptoms and expressed-emotion criticism [EE-Crit]) risk factors. Supporting the hypothesis that maternal depression is associated with elevated levels of stress in children’s lives, mothers with a history of major depressive disorder (MDD) exhibited higher depressive symptoms across a 6-month multiwave follow-up than mothers with no depression history. In addition, partially supporting our hypothesis, levels of maternal criticism during the follow-up were significantly related to mothers’ current depressive symptoms but not to history of MDD. Finally, the authors found support for an integrated Gene × Cognition × Environment model of risk. Specifically, among children with negative inferential styles regarding their self-characteristics, there was a clear dose response of 5-HTTLPR genotype moderating the relation between maternal criticism and children’s depressive symptoms, with the highest depressive symptoms during the follow-up observed among children carrying 2 copies of the 5-HTTLPR lower expressing alleles (short [S] or long [LG]) who also exhibited negative inferential styles for self-characteristics and who experienced high levels of EE-Crit. In contrast, children with positive inferential styles exhibited low depressive symptoms regardless of 5-HTTLPR genotype or level of maternal criticism. (PsycINFO Database Record (c) 2010 APA, all rights reserved)     

Are specific emotions narrated differently?

Two studies test the assertion that anger, sadness, fear, pride, and happiness are typically narrated in different ways. Everyday events eliciting these 5 emotions were narrated by young women (Study 1) and 5- and 8-year-old girls (Study 2). Negative narratives were expected to engender more effort to process the event, be longer, more grammatically complex, more often have a complication section, and use more specific emotion labels than global evaluations. Narratives of Hogan’s (2003) juncture emotions anger and fear were expected to focus more on action and to contain more core narrative sections of orientation, complication, and resolution than narratives of the outcome emotions sadness and happiness. Hypotheses were confirmed for adults except for syntactic complexity, whereas children showed only some of these differences. Hogan’s theory that juncture emotions are restricted to the complication section was not confirmed. Finally, in adults, indirect speech was more frequent in anger narratives and internal monologue in fear narratives. It is concluded that different emotions should be studied in how they are narrated, and that narratives should be analyzed according to qualitatively different emotions. (PsycINFO Database Record (c) 2010 APA, all rights reserved)     

《失乐园》创作与圣经叙事探析

《失乐园》以《创世纪》中人类堕落故事为核心情节,它和《圣经》的关联不言自明,同时两个文本之间的差异也显而易见。本文从弥尔顿的神学思想、《失乐园》对《圣经》的神义论解读以及《失乐园》与《圣经》的叙事结构三个方面,对《失乐园》创作与《圣经》相关文本的关系作初步的探索,并得出结论：作为《圣经》叙事的复叙事,《失乐园》不是对后者的简单重复,而是在传统外壳之下的变革甚至颠覆,体现了时代和观念的巨大转变。     

叙事空间视角下的天津大运河国家文化公园空间格局构建

【目的】京杭大运河是荟萃众多物质与非物质文化遗产的重要线性廊道。近年来,运河沿线各城市相继开展国家文化公园建设,在“管控保护、主题展示、文旅融合、传统利用”的基本建设思路指导下,迫切需要系统化的运河规划设计方法和运河文化内涵阐释表达方法作为支撑。【方法】以叙事空间为切入视角,通过对相关叙事要素进行筛选与量化,利用地图叠加法和核密度分析法对不同历史时期的运河叙事空间进行分析。【结果】获得各历史阶段、各叙事主题下的大运河叙事空间结构演变特征。【结论】为基于文化遗产价值叙事性阐释表达下的大运河国家文化公园建设空间范围确定、“一带两核八区多点”的核心区空间布局结构、游览线路规划、数字技术应用等提供了参考,为国家文化公园规划设计提供依据和支撑。     

The Creation and Transfer of Housing Wealth: The Experience of Elderly New Zealanders

Issues of housing inequality among the elderly reflect their lifetime experience of the housing and labour markets. In retirement there are thus a range of households formed depending on whether they are asset and income rich or poor. The paper explores the experience of a sample of New Zealand households with respect to their level of accumulation and attitudes towards and practice of intergenerational transfers.     

A methodology to forecast some attributes of an automatic storyteller’s outputs

ABSTRACT

This paper reports an extension of the program MEXICA, an automatic plot generator. The purpose of this project is to build a framework that permits studying the relations between MEXICA’s processes, its knowledge structures and the features of the produced narratives. We describe a methodology to analyse the features of the agent’s knowledge-base, to further establish correlations between such features and a set of general characteristics of the tales that they produce. Next, we make use of those correlations to forecast some properties of the future tales to be developed by different MEXICAs agents with different knowledge-bases. For this task, we introduce the S-graphs, representations of the similarity and organisation of the knowledge-structures. The results we obtained indicate that we are able to correctly forecast some of the features of tales to be produced; however, much more work is required.